1. CUBISM

2. Pablo Picasso, Les Demoiselles D’Avignon, 1907.
I paint
forms
as I think
them
not
as I see
Pablo Picasso, Les Demoiselles D’Avignon, 1907.

3. Picasso, Enamel Saucepan, 1945 (Synthetic Cubism)
show the
‘concept’
of an object
rather than
details
of the
real thing
Picasso, Enamel Saucepan, 1945 (Synthetic Cubism)

4. Paul Cezanne La Montagne Saint Victoire Barnes, 1885
BRAQUE, Houses at L'Estaque L'Estaque,1908
French art critic Louis Vauxcelles created the term Cubism after seeing Braque’s landscapes at L'Estaque in modeled after the work of Paul Cezanne.

5. "Every thing in nature takes it's form from the sphere, cone or cylinder."
- Paul Cezanne
Self-Portrait, Paul Cezanne, (140 Kb); Oil on canvas, 25 5/8 x 20 5/8"; Tate Gallery, London

6. in Georges Braque's work Road near L'Estaque.
Paul Cezanne's
influence most noted
in Georges Braque's work
Road near L'Estaque.
GEORGES BRAQUE 'Viaduct at L'Estaque', 1908 (oil on canvas)

7. Primitive Cubism 1907 to 1908 or Proto Cubism
Analytical Cubism to 1912
High Analytical to 1912
or Hermetic Cubism
Synthetic Cubism to 1920

8. Primitive
Cubism
began
in 1907
until 1908
The Vase, Bowl, Lemon
Picasso
1907

9. Georges Braque, Musical Instruments, 1908.

10. Picasso, Les Demoiselles d'Avignon (The Young Ladies of Avignon , 1907
simplify
objects
to their
most basic,
primitive terms
Picasso, Les Demoiselles d'Avignon (The Young Ladies of Avignon , 1907

11. Exploration of a subject’s pure form Mentally broke the subject
Analytical Cubism
Began 1908 to 1912
Exploration of a subject’s pure form
Mentally broke the subject
into flat planes and arranged them
in complex, overlapping relationships
Georges Braque (French, ). Violin and Palette (Violon et palette), September 1, Oil on canvas.

12. Limited Monochromatic Palette
grays, browns, dark greens, ochre, dark yellows
Picasso's Ma Jolie from 1912
is a classic example of this technique.

13. "high" Analytic Cubism (1910–12), also called hermetic
Candlestick and Playing Cards on a Table, Autumn 1910 Georges Braque (French, 1882–1963)Oil on canvas

14. The composition of this small
oval painting consists of clearly defined Cubist planes
in hues of brown and ocher highlighted
by black and white.

15. At the center
can be identified the corner of a table upon which rests the round base of a brass candlestick

16. and, at the right,
two playing cards
—the ace of hearts
and the six
of diamonds.

17. In rectangular Analytic Cubism, planes and facets of forms concentrate
in the center
of a composition,
Still Life with a Bottle of Rum, 1911Pablo Picasso (Spanish, 1881–1973)Oil on canvas

18. and the corners remain relatively empty.
Still Life with a Pair of Banderillas, Summer 1911Georges Braque (French, 1882–1963)Oil on canvas

19. An oval format avoids such corners,
and therefore Braque and Picasso sometimes favored this shape.
The Clarinet
(La clarinette),
summer-fall 1912.
Oil with sand on fine linen canvas

20. Faceted shapes and translucent divisions of space
Analytical Cubism
Faceted shapes
and
translucent
divisions
of space
Pablo Picasso, Portrait of Vollard, 1910.
ANALYTICAL CUBISM

21. Analytical Cubism Complex and systematic design Georges Braque,
Violin and Jug, 1910)
ANALYTICAL CUBISM

22. Their favorite motifs were musical instruments, bottles, pitchers, glasses, newspapers, playing cards & the human face.
Landscapes were rare.

23. Georges Braque, Fruitdish, 1908-09.
Differing views
of the same subject
in the same work
Georges Braque, Fruitdish,

24. Pablo Picasso, Aficionado, 1912.
Analytical Cubism
Pablo Picasso, Aficionado, 1912.
ANALYTICAL CUBISM

25. Pablo Picasso, Composition with Skull, 1908.
SYNTHETIC
CUBISM
more colourful
Pablo Picasso, Composition with Skull, 1908.

26. Puts forms back together after breaking them apart
Pablo Picasso, Three Musicians, 1921.
Puts forms
back together
after breaking
them apart

27. pasted makes the collage look like a real surface
Synthetic Cubism
“Collage”
French word “glue”
Foreign materials
pasted makes the collage look like a real surface
Scraps are changed and painted on, giving them a double meaning
George Braque, Gillet, 1914.

28. Picasso, Bottle of Pernod and Glass, 1912
collage
bridged the gap
between life and art
inserting pieces
of the real world
onto the canvas.
Picasso, Bottle of Pernod and Glass, 1912

29. Pablo Picasso, Glass and Bottle of Suze, 1912.
Synthetic Cubism
Pablo Picasso, Glass and Bottle of Suze, 1912.
SYNTHETIC CUBISM