1. Броненосец Потемкин (La corazzata Potemkin -1925) regia Sergei Eisenstein (1898-1948) musica Edmund Meisel (1894-1930) per la Prima a Berlino 1926 Berlin – Die Sinfonie der Grosstadt (1927) regia Walther Ruttmann, musica Edmund Meisel (restaurata la partitura nel 2007) http://www.archive.org/details/BerlinSymphonyofaGreatCity/ -Motion Picture Piano Music: Descriptive Music To Fit the Action, Character or Scene of Moving Pictures (1909) a cura di Gregg A.Frelingers -Kinobibliothek (o Kinothek 1919-1933) a cura di Giuseppe Becce (1885-1966) Hans Erdmann, Giuseppe Becce, Ludwig Brav, Allgemeines Handbuch der Film-Musik, Schlesinger, Berlin-Licherfelde 1927 - The Sam Fox Moving Picture Music Volumes (NY, Schirmer 1913-) per pianoforte Sam Fox Photoplay Edition (vol I 1920, vol. II 1922) per orchestra a cura di John Stepan Zamecnik (1872-1953) - Motion Picture Moods for Pianists and Organists. A rapid-reference collection of selected pieces, adapted to 52 moods and situations (NY Schirmer 1924) a cura di Erno Rapée (1891-1945)

2. The Jazz Singer (1927) Basato sul racconto The Day of Atonement di Samson Raphaelson Regia di Alan Crosland Partitura musicale e Vitaphone Orchestra dirette da Louis Silvers Jakie RabinowitzAl Jolson Mary DaleMay McAvoy The CantorWarner Oland Sara Rabinowitz Eugenie Besserer Moisha Yudelson Otto Lederer Jakie Rabinowitz (giovane)Robert Gordon Harry LeeRichard Tucker Cantor Joseff RosenblattLo stesso nel recital 1ª assoluta, New York, Warner Bros Theater, 6 ottobre 1927 1ª europea, Londra, Piccadilly Theater, 27 settembre 1928

3. My Gal Sal [musica e parole di Paul Dresser (1857-1906); doppiate da un cantante non identificato con Bobby Gordon sullo schermo]. Waiting for the Robert E. Lee (1912) [musica di Lewis F. Muir (1884–1915) e parole di L. Wolfe Gilbert; doppiate da un cantante non identificato con Bobby Gordon sullo schermo]. Kol Nidre [canto tradizionale ebraico, doppiato da Joseph Diskay con Warner Oland sullo schermo; cantato sccessivamente anche da Al Jolson (1886-1950)]. Dirty Hands, Dirty Face [musica di James V. Monaco (1885-1945) e parole di Edgar Leslie e Grant Clarke; cantata da Al Jolson]. Toot, Toot, Tootsie (Goo' Bye) [musica e parole di Gus Kahn (1886-1941), Ernie Erdman, e Dan Russo cantata da Al Jolson]. Kaddish [canto tradizionale ebraico; cantato dal cantante Yossele Rosenblatt (1882-1933)]. Blue Skies (1926) [musica e parole di Irving Berlin (1888-1989); cantata da Al Jolson]. Mother of Mine, I Still Have You [musica di Louis Silvers (1889-1954) e parole di Grant Clarke, cantata da Al Jolson]. My Mammy (1918) [musica di Walter Donaldson (1893-1947) e parole di Sam M. Lewis e Joe Young; cantata da Al Jolson].

4. Don Juan (nontalking)/prima 6.viii.1926. The Better 'Ole (nontalking)/prima 7.x.1926. When a Man Loves (nontalking)/prima 3.ii.1927. Old San Francisco (nontalking)/prima 21.vi.1927. The Jazz Singer (part-talkie)/prima 6.x.1927. Tenderloin (part-talkie)/prima 14.iii.1928. Glorious Betsy (part-talkie)/prima 26.vi.1928. The Lion and the Mouse (part-talkie)/prima 21.v.1928. Lights of New York (all-talking)/prima 6.vii.1928. The Singing Fool (part-talkie)/prima 19.ix.1928.

5. Toot, Toot, Tootsie (Goo' Bye) Wait a minute, wait a minute, you ain't heard nothin' yet. Wait a minute I tell ya, you ain't heard nothin'. You wanna hear "Toot, Toot, Tootsie"? Alright. Hold on. Hold on. [girandosi verso il pianista della band] Lou, listen. Play "Toot, Toot, Tootsie"—three choruses, you understand? In the third chorus, I whistle. Now give it to 'em hard and heavy. Go right ahead.

6. Blue Skies Jack: Did you like that, Mama? Sara: Yes... Jack: I'm glad of it. I'd rather please you than anybody I know of. Oh, darlin', will you gimme something? Sara: What? Jack: You'll never guess. Shut your eyes, Mama. Shut 'em for little Jakie [pronounced "Jack-ee," not "Jayk-ee"]. Haw, I'm gonna steal something [he kisses her]. Ha, ha, ha, ha, ha, ha! Sara: Oh, Jakie, oh... Jack: I'll give it back to you someday too, you see if I don't. Mama darling, if I'm a success in this show, well, we're gonna move from here. Sara: Oh, no. Jack: Oh yes, we're gonna move up in the Bronx. A lot of nice green grass up there, and a whole lot of people you know. There's the Ginsbergs, the Guttenbergs, and the Goldbergs. Oh, a whole lot of Bergs. I don't know 'em all. And I'm gonna buy you a nice black silk dress, Mama. Sara: Ohh... Jack: You'll see, Mrs. Friedman, the butcher's wife, she'll be jealous of you. Sara: Oh, no... Jack: Yes she will. You'll see if she isn't. And I'm going to get you a nice pink dress that will go with your brown eyes. Sara: Oh, no, Jakie, no. I...I... Jack: What do you mean, "no"? Sara: Oh, no, dear. Jack: Who, who is tellin' ya? What do you mean, "no"? Yes, you'll wear pink or else. Or else you'll wear pink. Hm, hm, hm, hm. And darlin', ohh, I'm gonna take you to Coney Island. Sara: Yeah? Jack: Yes, you're gonna ride on the shoot-the-chute. Sara: Oh ho... Jack: And you know the dark mill. Sara: Yeah? Jack: Ever been in the dark mill? Sara: Oh, no, I wouldn't. Jack: Well, with me it's alright. I'll kiss ya and hug ya—you'll see if I don't. Now Mama, Mama, stop now, you're gettin' kittenish. Mama, listen, I'm gonna sing this like I will if I go on the stage, you know, with the show. I'm gonna sing it jazzy. Now get this. Jack riprende a suonare You like that slapping business? Entra il padre di Jack lo guarda per un po’ e poi grida Stop”

7. Bananas (1971) regia Woody Allen scenario Woody Allen – Mickey Rose musica Marvin Hamlisch Prima, 28 aprile 1971 Psycho (1960) regia Alfred Hitchcock (1899-1980) scenario dal romanzo di Robert Bloch di Joseph Stefano musica Bernard Herrmann (1911-1975) Prima, New York 16 giugno1960 http://www.youtube.com/watch?v=8VP5jEAP3K4