2. Romeo and Juliet

3. Two households…

4. Both alike in dignity…

5. In fair Verona, where we lay our scene…

6. From ancient grudge break to new mutiny…

7. Where civil blood makes civil hands unclean.

8. From forth the fatal loins of these two foes,

9. A pair of star-cross’d lovers take their life.

10. Romeo and Juliet Written about 1595 The play’s most direct source is a poem by Arthur Brooke, which in turn was based on a popular Italian story. Considered a tragedy Set in Verona, Italy

11. Interesting Bits The much-misunderstood line “Wherefore art thou Romeo?” (2.2) means “Why are you Romeo?” not “Where are you, Romeo?” West Side Story (Movie) based on R&J In Verona, Italy, one can visit the Juliet’s fake balcony, touch the right breast of her statue for luck, and write love graffiti on the wall

12. What’s the play about? Romeo and Juliet is about love, of course, but it is about a particular kind of love: love that extinguishes itself.

13. This story is fixated on the idea of opposites, contradictions, and opposing pairs, and the focus throughout is on things that consume each other in a flash.

14. This tragedy has less to do with the results of the choices the principles make than it does with the PREORDAINED FAILURE OF YOUTHFUL PASSION—the passion of both awakening physical love and the sudden violence of a street quarrel.

15. We know that the lovers will die by the sixth line of this play. RJ relies heavily on notions of fate, destiny, and accident.

16. Look for ongoing references to light/darkness, explosions and flashes, stars, fate.

17. Cast of Characters

18. Romeo -Is a Montague -18 years old -Cute, smart, sensitive -Impulsive and immature -Romantic heart -EMO -He doesn’t care about the feud

19. Lady Montague Romeo’s Mom Dies of grief for love of her son

20. Lord Montague Romeo’s dad Worries about Romeo’s sadness Patriarch (head man) of the Montagues Loves his son

21. Balthasar Romeo’s servant He goes to tell Romeo that Juliet is dead (he doesn’t know that it is a fake death)

22. Abraham or Abram Lord Montague’s servant Fights Sampson and Gregory in the beginning

23. Benvolio Romeo’s cousin & friend Tries to break-up fights. Keep the peace. Counsels Romeo about love and make him feel better.

24. Mercutio Related to the prince Good friends W/ Romeo Bad temper Doesn’t like emotional people Believes love is about the physical contact and nothing else.

25. Juliet -is a Capulet, 13 yrs old Begins as a naïve child, She doesn’t have as much freedom as Romeo b/c she is a girl SO she sneaks around to see Romeo She totally trusts Romeo Juliet is very close with the nurse.

26. Lord Capulet Juliet’s dad He truly loves Juliet, but does not know her feelings and dreams Bad temper when things don’t go his way He commands respect and propriety Patriarch of the Capulets

27. Lady Capulet Juliet’s mom Ineffectual mother- relies on the nurse to “mother” Juliet She married young, had Juliet around age 14, and is eager for her to marry Paris

28. Nurse Has cared for Juliet since she was born Vulgar, long-winded, loyal and a confidante to Juliet At end though, they have a falling-out over Romeo

29. Gregory & Sampson Servants to the Capulets Start a fight w/ Montagues at the beginning of the play

30. Tybalt Juliet’s cousin Vain, fashionable, very into proper etiquette, prideful He is well-trained in sword fighting and someone to fear He loathes Montagues “Cat”

31. Prince Escalus Prince of Verona He is concerned with maintaining public peace Related to Mercutio and Paris

32. Paris Related to the prince Preferred by the Capulets to marry Juliet He treats Juliet inappropriately after Capulet says he can marry her.

33. Rosaline The woman who Romeo is obsessed with at the beginning of the play.

34. The Apothecary “a pharmacist” He sells the poison to Romeo. Values money more than morals

35. Friar Lawrence Friend to Romeo and Juliet Kind, civic-minded Secretly marries R & J in hopes that their marriage will end the feud. He is a Catholic holy man and also familiar with potions and herbs.

36. Friar John A Catholic holy man asked to tell Romeo about Juliet's false death. He is held up in a quarantined house and so never gets the message to Romeo.

37. How we will dramatize the play… Any person of any gender can read any role. There are no Elizabethans around to tell us how to say the words, so readers do not need to worry about pronunciation too much; rather, they should do the best they can. Readers do not need to act, but they do need to read with inflection.

38. Each time we read we will reflect on… Who are these guys? What’s going on here? How do you know? What words do you not understand? What does the action on the stage look like?

39. Literary Terms that you have learned in the past:

40. Literary Terms to Know Literary Analysis: –the study or examination of a literary work or author. Literary Devices: –figures of speech or tools a writer uses to add layers of meaning to the text

41. Simile simile—a figure of speech that makes a comparison between two unlike things, using a word such as like, as, than, or resembles “Love goes toward love as schoolboys from their books”

42. Metaphor metaphor—a figure of speech that makes a comparison between two unlike things without the use of specific words of comparison “Love is a smoke made with the fume of sighs” Romeo – “But, soft! what light through yonder window breaks? / It is the east, and Juliet is the sun.” (Act II Sc. 2)

43. Personification personification—a figure of speech in which an object or animal is given human feelings, thoughts, or attitudes “o, happy dagger” “The all-seeing sun ne’er saw her match since first the world began.” Juliet— “For thou wilt lie upon the wings of night / Whiter than new snow on a raven’s back. / Come, gentle night, come, loving, black-brow’d night” (Act III Sc. 2)

44. Oxymorons oxymoron—a figure of speech that combines opposite or contradictory terms in a brief phrase “honorable villain, fiend angelical” Juliet – “Beautiful tyrant! fiend angelical!” (Act III Sc.2)

45. Foreshadowing foreshadowing—a literary device in which an author drops subtle hints about plot developments to come later in the story “O God, I have an ill-divining soul! Methinks I see thee, now thou art so low, as one dead in the bottom of a tomb”

46. Puns pun—a joke based on the use of a word, or more than one word, that has more than one meaning but the same sound. Mercutio—"Nay, gentle Romeo, we must have you dance." Romeo—"Not I, believe me. You have dancing shoes / With nimble soles; I have a soul of lead…“ (I iv 13-5) Romeo has used the word "sole" when referring to Mercutio's shoes, then made a pun by referring to his own "soul."

47. Allusions classical allusion—a reference to a Greek god or goddess “At lovers’ perjuries, they say Jove laughs.” (Act II, Sc. 2) Jove is another name for Jupiter, the Roman King of the Gods.

48. Verbal Irony Words used to suggest the opposite of what is meant when a speaker says one thing but means another, or when a literal meaning is contrary to its intended effect. An example of this is sarcasm.

49. Situational Irony An event occurs that directly contradicts the expectations of the characters, the reader, or the audience When the result of an action is contrary to the desired or expected effect. Likewise, cosmic irony is disparity between human desires and the harsh realities of the outside world (or the whims of the gods)

50. Dramatic Irony A contradiction between what a character thinks and what the reader/audience knows to be true when words and actions possess a significance that the listener or audience understands, but the speaker or character does not

51. Dramatic Foil a character that contrasts with another character (usually the protagonist) and so highlights various facets of the main character's personality A character whose purpose is to show off another character –Benvolio for Tybalt look for others in RJ

52. Comic Relief the inclusion of a humorous character, scene or witty dialogue in an otherwise serious work, often to relieve tension In R & J, look for moments of comic relief that help “relieve” the tragedy of the situation

53. Literary Terms that may be new:

54. paradox paradox—a statement or situation with seemingly contradictory or incompatible components. On closer examination, however, the combination of these components is indeed appropriate. Juliet—"O serpent heart, hid with a flowering face!" (III ii 75) While Juliet knows that Romeo is not a serpent nor does he have a face full of flowers, her use of these descriptions show how paradoxically he is her lover and the murderer of her cousin at the same time.

55. apostrophe apostrophe—a technique by which the writer (character) addresses an inanimate object, an idea, or a person who is either dead or absent “Eyes, look your last! Arms, take your last embrace!”

56. assonance Assonance: the repetition of vowel sounds to create internal rhyming within phrases or sentences, and together with alliteration and consonance serves as one of the building block of verse. “Is crimson in thy lips and in thy cheeks.”

57. consonance consonance: a poetic device characterized by the repetition of the same consonant two or more times in short succession “Arms, take your last embrace. And, lips, O, you / The doors of breath, seal with a righteous kiss / A dateless bargain to engrossing death.” (V.iii.113-115)

58. epithet Epithet: a descriptive adjective or phrase applied to a person or thing to describe an actual or attributed quality "star-cross'd lovers" and "death-mark'd love.“ Romeo! Humors! Madman! Passion! Lover! (II.i.7)

59. anaphora anaphora: a device that consists of repeating a sequence of words at the beginnings of neighboring clauses, thereby lending them emphasis "...too unadvis'd, too sudden, too like the lightning...“ (II.ii.123-124)

60. anadiplosis anadiplosis: the repetition of the last word of a preceding clause. The word is used at the end of a sentence and then used again at the beginning of the next sentence. Juliet : “I beg your pardon: pardon, I beseech you” (IV ii)

61. Motif motif—a recurrent thematic element in a literary or artistic work Motifs in Romeo and Juliet are: 1.opposites, contradictions, and opposing pairs 2.light and dark imagery / day and night 3.time

62. Light and Dark Look for references to light and dark: References to “light” words, such as “torches,” “the sun,” adjectives that describe light (“bright”) References to “dark” words, such as “night” and “gloom”

63. Time Look for references to time: References to “time” words, such as “hours” References to the passage of time, especially if it seems “rushed”

64. Dramatic Monologue an extended uninterrupted speech by a character in a drama. The character may be speaking his or her thoughts aloud, directly addressing another character, or speaking to the audience One person speaking on stage > may be other character on stage too –ex > the Prince of Verona commanding the Capulets and Montagues to cease feuding

65. Soliloquy soliloquy—a speech by a character, thinking aloud; it allows the audience to “listen in” to the private feelings and thoughts of a character (no other character is present on the stage) Juliet’s speech before she swallows the sleeping potion.

66. Aside aside—a line “quietly” spoken by an actor to the audience but not intended for others on the stage

67. Direct Address Words that tell the reader who is being addressed: “A right fair mark, fair coz, is soonest hit.” “Ah, my mistresses, which of you all/ Will now deny to dance?”

68. Tragedy (Shakespearean) Drama where the central character/s suffer disaster/great misfortune –In many tragedies, downfall results from> Fate Character flaw/Fatal flaw Combination of the two

69. Iambic Pentameter iambic pentameter- describes a particular rhythm that the words established in each line. That rhythm is measured in small groups of syllables; these small groups of syllables are called "feet". The word "iambic" describes the type of foot that is used. The word "pentameter" indicates that a line has five of these "feet".

70. Blank Verse a type of poetry, distinguished by having a regular meter, but no rhyme Much of R & J is written in it: –unrhymed verse –iambic (unstressed, stressed) –pentameter( 5 “feet” to a line) ends up to be 10 syllable lines

71. Prose Ordinary writing that is not poetry, drama, or song –Only characters in the lower social classes speak this way in Shakespeare’s plays –Why do you suppose that is?

72. The End