2.  Symbolism is in many thing,many place:  In literature  In movies and theatres  In cartoons  In paintings and cartoons  In horoscopes…etc.

4. I want to explain that symbolism in Jane Eyre because Jane Eyre is the first book in English classics which I have read in my high school and maybe I associate myself with Jane Eyre..

5.  THE RED ROOM  GROSS PORRIDGE  FIRE  ICE  MAD WOMAN  DRAWINGS PORTRAIT

6.  The red-room, once the bedroom of Jane’s Uncle Reed, was (we’re sure you remember) the chamber in which he died. Locked in the red-room, believing that her uncle’s ghost is manifesting, Jane experiences a moment of extreme trauma leading to hysteria.

8.  That’s a symbol? Yep, sure is. There are two important moments when really nasty porridge figures in Jane’s life. The first is at Lowood, when Jane arrives and, along with the other girls, is served burnt porridge for breakfast. It’s so disgusting that nobody can eat it, and Miss Temple ends up giving the girls an extra meal during the day to make up for it, which pisses off Mr. Brocklehurst. The second is during Jane’s period of homeless wandering, when a woman and a little girl tending a pig give Jane a bowl of cold, hard, congealed porridge that the pig wouldn’t eat. So what does it symbolize? Well, basically, a level of humility and subjection that’s unnatural for anyone to attain.

9.  The most important fires in Jane Eyre are Bertha’s two acts of arson: the first at the end of Book, when Bertha sets fire to Rochester’s bedclothes, and the second at the end of Book, when Jane learns that Bertha managed to burn down Thornfield by setting fire to what was once Jane’s bedroom. Bertha’s arson also symbolizes her using the power of sexuality to destroy Rochester’s home; Thornfield actually burning down is a real-world parallel to its metaphorical burning – Jane’s abandonment of Rochester after his desire for her caused him to attempt bigamy.

10.  Jane’s fascination with ice seems to be the result of her hotheaded nature – she herself may seem cold, but she’s actually incredibly fiery and passionate, and she gets really angry about injustice. As a result, she’s mesmerized by all things frozen and icy, because she can’t be that way. Her one attempt at icy behavior – rejecting Rochester – results in her meeting St. John, who shows her just how undesirable a cold-hearted approach to the world really is. In fact, St. John’s lack of passion seems almost immoral

12.  The phrase "the madwoman in the attic The phrase, of course, refers specifically to Bertha Mason, Rochester’s sometime wife, now an insane prisoner locked in the attic of his house with Grace Poole for a nursemaid. Bertha can be locked away, kept secret, and labeled as insane, but nobody can deny her intensity or power: she’s sexually potent, wicked smart, and absolutely ruthless. Nobody can kill her, either, because she seems to be invincible – in this novel, of course, she chooses to commit suicide

13.  Jane draws four crucial portraits over the course of the novel: one of herself, one of what she imagines Blanche Ingram will look like, one of Rochester, and one of Rosamond Oliver  Jane’s artistic skill reminds us of her storytelling abilities and of the careful crafting that goes into her tale – perhaps a craft that’s sometimes rather crafty and even a bit misleading