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Begins on page 17 Chapter 3 Melody and Harmony Pitch  Is the degree of highness or lowness of a sound  Is determined by the number of vibrations of.

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Presentation on theme: "Begins on page 17 Chapter 3 Melody and Harmony Pitch  Is the degree of highness or lowness of a sound  Is determined by the number of vibrations of."— Presentation transcript:

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2 Begins on page 17 Chapter 3 Melody and Harmony

3 Pitch  Is the degree of highness or lowness of a sound  Is determined by the number of vibrations of the molecules in the air

4 Melody  Is a cohesive series of pitches ► Tune is an informal word for melody ► A theme is an important melody in a musical work

5 Melody  Melodies have several aspects ► Length ─ they can be short or long ► Range ─ they can be at a high or low pitch ► Contour ─ they have a shape or outline ► Decoration ─ they can be plain or ornamented

6 Melody  Factors that affect impression of a melody ► Accompanying music ► Characteristic timbre of an instrument ► Rhythm ► Style of performance ► Quality of performance

7 arr. Copland: “Simple Gifts” Points to notice about this song  Moves largely by step  Uses only one note for each word or syllable  Music expresses very well the idea of the words  Has a very simple accompanying part Copyright © 2010 by Schirmer Cengage Learning

8 Counterpoint  Counterpoint (polyphony) exists when two melodic lines are sounding at the same time  It can also happen when the same melody is sounded in imitation, as in a round

9 Harmony  Is the simultaneous sounding of two or more pitches ► They can be consonant (pleasant, restful) ► They can be dissonant (harsh, tense) ► Usually they are somewhere between very consonant and very dissonant

10 Harmony  Usually based on chords ─ three or more notes sounding at the same time  Most chords constructed from notes a third apart ► A-C-E is a chord in thirds ► So is C-E-G

11 Harmony  Most music centers around a home pitch ─ the key center or tonic  Most pieces usually begin, spend a good share of the time in, and return to their key center or tonic.  The key center often changes. A change of key is called a modulation

12 Cadences  Are patterns of two chords that often end phrases and help establish a key center ► Some cadences act like commas in writing ► Others are like periods

13 Scales  Are a prescribed pattern of stepwise pitches  Scales are the “skeleton” around which melodies and chords are built

14 Chords  The two most prominent types of chords are major and minor ► Major chords tend to have a brighter quality ► Minor chords tend to have a darker quality

15 Texture  Is the basic setting of the music ► Monophonic: A single line with no accompaniment ► Homophonic: A melody with accompanying chords or parts ► Polyphonic: Two or more lines of melody sounding at the same time

16 Bizet: Farandole from L’Arlésienne, Suite No. 2 Points to notice  Major and minor keys  Monophonic, homophonic, and polyphonic textures  Imitation and counterpoint

17 Summary  Pitch ► Melody ► Counterpoint  Harmony ► Cadences ► Scales ► Chords  Texture


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