1. „Moderné vzdelávanie pre vedomostnú spoločnosť/Projekt je spolufinancovaný zo zdrojov EÚ“ Inovácia obsahu a metód vzdelávania prispôsobená potrebám vedomostnej spoločnosti Art History III Early Renaissance VYPRACOVAL: Mgr, Vladislav, Kravec Marec 2015

2. Content The Renaissance Art Early Renaissance o Architecture o Sculpture o Painting

3. The Renaissance Art Start of the 14th Century in Italy The time of rising middle-class whose growing wealth and ambition encouraged a culture with a humanist emphasis and gradually replaced medieval culture of feudal aristocracy Re-discovery of Antique Classic art and literature Developed an interest in man and realities of the world Beauty of humanity was stressed Nature was explored Overall emphasis on harmony and balance

4. Early Renaissance (ca. 1400 – 1500) The Italian city-states (like Florence) with their middle-class aristocracies grew in wealth and power Power was put into the hands of local rulers (like the Medici family in Florence) because of the lack of a strong central government They wanted to strengthen their position with public monuments and sculptures

5. Early Renaissance Arcitecture Drawn from Antique Roman ruins Buildings (churches, chapels, palaces, hospitals, etc.)mirrored Antiquity Mathematical clarity achived through logical design and spatial organisation based on human proportions Architects : o Brunelleschi o Alberti o MIchelozzo

6. Brunelleschi Dome in Florence (Duomo)

7. Alberti Santa Maria Novella in Florence

8. Early Renaissance Sculpture The most significant in Italy Fugures (often life-size)became popular Nudes of both sexes Portraiture, relegious and mythological themes Materials: bronze, marble, terra-cotta, polychrome-gilded wood Sculptors: o Ghiberti o Donatello o The Robbia family o Verrochio

10. Early Renaissance Painting - Italy In Italy fresco and panel painting continued o Popular religious scenes, portraiture and pagan mythology o Interest in linear and arerial perspective o Anatomy o landscape backgrounds o Triangle-oriented compositions o Figures revealed volume and plasticity Painters: Masaccio, Fra Angelico, Piero della Francesca, the Bellinis, Botticelli, Perugino etc.

12. Early Renaissance Painting - Flemish Inspiartion not from Classical art, but from illuminated manuscripts Interest in accurate, almost microscopic realism Developed the oil technique with use of transparent glazes placed over an underpainting of tempera No fresco art existed in the North Famous painters: o Hubert and Jan van Eycks, o Roger van der Weyden, o Hieronymus Bosch

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