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GERMAN EXPRESSIONISM PART I And Kammerspiel Margaret Peña.

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Presentation on theme: "GERMAN EXPRESSIONISM PART I And Kammerspiel Margaret Peña."— Presentation transcript:

1 GERMAN EXPRESSIONISM PART I And Kammerspiel Margaret Peña

2 GERMAN EXPRESSIONISM The German Expressionist film finds its origins in the Expressionist Movement of art, sculpture, and literature.

3 GERMAN EXPRESSIONISM German Expressionism was short lived, roughly lasting as long as the Weimar Republic, 1919-1933.

4 GERMAN EXPRESSIONISM German Expressionist film resulted from German isolation as a consequence of WWI, and the government ban of foreign films in 1916.

5 GERMAN EXPRESSIONISM “The leaning towards violent contrast…and the inborn German liking for chiaroscuro and shadow, obviously found an ideal outlet in the cinema…

6 GERMAN EXPRESSIONISM “These works blithely married a morbid Freudianism and an Expressionistic exaltation to the romantic fantasies…and to the tortured soul of contemporary Germany seemed,

7 GERMAN EXPRESSIONISM “with their overtones of death, horror and nightmare, the reflection of its own grimacing image, offering a kind of release.” Lotte H. Eisner

8  Arthur Robinson  Carl Th. Dreyer  F. W. Murnau  G. W. Pabst  Paul Leni  Carl Boese  Ewald André Dupont  Fritz Lang  Joe May  Robert Wiene EXPRESSIONIST DIRECTORS

9 FAMOUS EXPRESSIONIST FILMS  The Cabinet of Dr. Caligari  Nosferatu  The Golem  Faust  Berlin: Symphony of a Great City  Metropolis  M

10  Created a theatrical look to its films  Used dramatic, painted scenery  Exaggerated make-up, as used in theatre  An inexpensive way of making films, but created very iconic results. Expressionist Cinema

11  The design of German Expressionist sets mirrored the changes in German art of the time  The mise-en-scéne was therefore created using geometric shapes, painted on objects and high contrast between black and white  Creates the effect of exaggerated shadow and light Expressionist Cinema

12  Used symbolism and icons to create meaning  Often focused on gothic themes such as the supernatural, insanity and betrayal  This was a refreshing change to the usual linear story telling of action movies and romance movies. Expressionist Cinema

13 EXPRESSIONISTIC DEVICES to express subjective emotions  Distortion through special effects:  Superimposition, slow-motion and stop-action photography and cheat shots  Shadows and dramatic lighting

14 EXPRESSIONISTIC DEVICES  Unusual camera angles  Abrupt transitions from one shot to another  Stylized sets  Exaggerated acting styles


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