1. Repositories of Musical Data and Scores

2. ISMIR2008Eleanor Selfridge-Field (rev 2010)2 Symbolic Data =  Data for notation  Data for musical analysis  Data used in layered applications  Pedagogy  Analytical markup  Music perception  Music cognition  Electro-acoustic music Applications here representative, not exhaustive

3. Common Music Notation (CMN) (music from Common Practice Period) Assumptions …and (but)…. Eleanor Selfridge-Field (rev 2010)3  Large body of classical and popular music  No market for special notation  Can’t accommodate  non-Western music  Early music  Recent music  ____confined to limited symbolic sets  ____only affects a few small repertories  ____not important because there is so much in the core repertories ISMIR2008 Core of CMN elusive

4. Writing systems outside CMN Eleanor Selfridge-Field (rev 2010) 4 ISMIR2008

5. Writing systems inside CMN? Eleanor Selfridge-Field (rev 2010)5 17 th c.18 th c.19 th c. 20 th c. ISMIR2008

6. Inside Common Western Notation? 6Eleanor Selfridge-Field (rev 2010)ISMIR2008

7. Repository Types  (1) Image archives  (2) Edition-based archives  (3) Musical-data archives  (4) Music-bibliographical archives  (5) Collection-based archives  (6) Cultural-heritage archives  (7) Collaborative projects 7Eleanor Selfridge-Field (rev 2010) ISMIR2008

8. Repository Types  (1) Image archives  Images only  Enhanced image  Images with extensive metadata  Images with stored symbolic data  Edition-based archives  Musical data archives  Music-bibliography archives  Collection-based archives  Cultural-heritage archives  Collaborative projects 8Eleanor Selfridge-Field (rev 2010) ISMIR2008

9. Images only (a) U. of Chicago Library, Chopin Op. 61 (b) Beethoven-Haus, Bonn Op. 132, sketch 9Eleanor Selfridge-Field (rev 2010)ISMIR2008

10. Turin National Library Vivaldi Cantata (Lo-res) Vivaldi cantata,(Hi-res) 10Eleanor Selfridge-Field (rev 2010)ISMIR2008

11. University of North Texas: Virtual Rare-Book Music Room Eleanor Selfridge-Field (rev 2010)11 About 100 scan collections for long works, mainly operas, 17-19 th centuries High-quality images suitable for research ISMIR2008

12. British Library, Music Division 12Eleanor Selfridge-Field (rev 2010) Purcell | ²Handel W. F. Bach  ISMIR2008

13. Enhanced images DIAMMMagnification* 13Eleanor Selfridge-Field (rev 2010) Digital Image Archive of Medieval Music (DIAMM) ISMIR2008

14. Images with extensive metadata Variations 3 (Indiana U.): Brahms’s Academic Fest. Ov. Metadata* 14Eleanor Selfridge-Field (rev 2010) Recording server Score server Tools for music theory “container” concept ISMIR2008 FRBR

15. Images with (some) stored symbolic data Levy (Civil War) Sheet Music Coll., Johns Hopkins U.* Bavarian State Library, Munich (Vifamusik Project)* 15Eleanor Selfridge-Field (rev 2010)ISMIR2008 Guido Music Notation Several parallel formats

16. Repository Types  Image archives  Edition-based archives  Replication of printed edition with critical notes  Electronic edition  Electronic apparatus for created new printed/virtual edition  Viewable edition with sound playback  Musical data archives  Music-bibliography archives  Collection-based archives  Cultural-heritage archives  Collaborative projects 16Eleanor Selfridge-Field (rev 2010) ISMIR2008

17. Digital replication of printed editions Neue Mozart AusgabeSalzburg Mozarteum 17Eleanor Selfridge-Field (rev 2010)ISMIR2008

18. Electronic apparatus for new editions EDIROM Project, U. Detmold: CM v. Weber EDIROM Project, Prague: Dvorak Edition 18Eleanor Selfridge-Field (rev 2010)ISMIR2008

19. “Born digital” editions Web Library of Seventeenth-Century Music (Duke U.) Werner Icking Music Library 19Eleanor Selfridge-Field (rev 2010) Introduction, critical notes, editorial indicationsMarini: Sonata variata from Op. 8 (1629) ISMIR2008

20. Repository Types  Image archives  Edition-based archives  Musical data archives  For teaching  For performance  For research  Music-bibliography archives  Collection-based archives  Cultural-heritage archives  Collaborative projects 20Eleanor Selfridge-Field (rev 2010) ISMIR2008

21. Viewable edition with sound playback Variations 3 (teaching)Also indirectly …  Choral Public Domain Library  Werner Icking Music Library 21Eleanor Selfridge-Field (rev 2010)ISMIR2008

22. Data Archives for Performers (Collaborative Projects) Choral Public Domain Library (CPDL) Werner Icking Music Archive (WIMA)  Formats  Finale  Sibelius  MIDI  PDF (Finale, Sibelius), *.ps  MUP  Features  Wiki format  Text translations (> 3,000)  >9700 pp.  Score and composer catalogs  Formats  MusiXTeX (*.ps)  Finale  PDF (Finale, capella)  mp3  Features:  Almost 500 composers  Apparatus for revisions  Identification of sw versions  Performing parts 22Eleanor Selfridge-Field (rev 2010)ISMIR2008

23. Data archives for performers Werner Icking Archive (WIMA) Choral Public Domain Library (CPDL) 23Eleanor Selfridge-Field (rev 2010)ISMIR2008

24. Data archives for research MuseData KernScores  c. 1,200 encoded full scores  Repertories:  17-19 th centuries  Mainly orchestra, chamber, opera, oratorio  File types  Raw MuseData (edited and verified)  Kern  MIDI (two versions)  SCORE  PDF  c. 1,000 encoded full scores  Repertories:  15 th -early 20 th centuries  Mainly keyboard  File types  Kern  MIDI  PDF  On-the-fly  Guido Music Notation  Piano-roll files  Keyscapes (graphical harmonic analysis) 24Eleanor Selfridge-Field (rev 2010)ISMIR2008

25. Data archives for research: MuseData Eleanor Selfridge-Field (rev 2010)25  Main strength  Multi-format consistency:  data content matches across formats  data content matches between score and parts  Repertories with PDFs  Bach, J.S.: WTC I, II; Chorales  Beethoven: 6 symphonies  Haydn: 12 symphonies  Vivaldi: 12 concertos ISMIR2008 When consistency matters

26. Data archives for research: KernScores* Kern: piano rolls Kern: visual harmonic analyses Eleanor Selfridge-Field (rev 2010)26 (a)By pitch and duration (b)By metrical accent (a) Without repeats; (b) with repeats ISMIR2008 Seeing Hearing Red = downbeat Green = left hand Beethoven’s Fifth Symphony (beginning)

27. Repository Types  Image archives  Edition-based archives  Musical data archives  Music-bibliography archives  For metadata  For cross-reference  Collection-based archives  Cultural-heritage archives  Collaborative projects 27Eleanor Selfridge-Field (rev 2010) ISMIR2008

28. RISM Interface Dialects RISM-UKRISM-CH 2008 Eleanor Selfridge-Field28 9/14/2008

29. More RISM, Themefinder RISM-Italy RISM-US 2008 Eleanor Selfridge-Field29 9/14/2008

30. Repository Types  Image archives  Edition-based archives  Musical data archives  Music-bibliography archives  Collection-based archives  Cultural-heritage archives  Collaborative projects 302008 Eleanor Selfridge-Field 9/14/2008

31. Bayerische Staatsbibliothek (Vifamusik)* Edition Reprints: G. F. Händel (Chrysander) Early prints and MSS 312008 Eleanor Selfridge-Field 9/14/2008

32. Ricordi Archive (Milan) Respighi: Pines of RomePaganini Capriccio 322008 Eleanor Selfridge-Field 9/14/2008

33. Repository Types  Image archives  Edition-based archives  Musical data archives  Music-bibliography archives  Collection-based archives  Cultural-heritage archives  Collaborative projects 332008 Eleanor Selfridge-Field 9/14/2008

34. Cultural Heritage Library of Congress—American Memory Aaron Copland, 1908-1918Aaron Copland, 1965 342008 Eleanor Selfridge-Field 9/14/2008

35. Repository Types  Image archives  Edition-based archives  Musical data archives  Music-bibliography archives  Collection-based archives  Cultural-heritage archives  Collaborative projects 352008 Eleanor Selfridge-Field 9/14/2008

36. Collaborative Projects: MIDI-based (Die) Kunst der FugeClassical MIDI Archive  16,500 classical MIDI files  PDF sheet music (<8000 scanned pp from 171 books)  Mainly piano, Romantic era, Russian, Bach, anything out of copyright  Some quality-of-performance IDs  >40,000 files by >2,000 composers  Multiple performances of some items 362008 Eleanor Selfridge-Field 9/14/2008

37. Collaborative, non-MIDI projects Aruspix scanning* IMSLP 2008 Eleanor Selfridge-Field37  Scan (Aruspix) to Wolfgang  Notation software optimized for 16 th -17 th centuries  Projects  Geneva University  McGill University  Marenzio edition  PDF (bit-mapped) archive  User-contributed  Claim 20,000 PDF scores (many restrictions due to copyright*)  c. 1,200 composers  Repertory: mainly 19 th -century orchestral, Russian and Polish chamber music and songs  Operates under Canadian copyright provisions  Linked (off-and-on) to Project Gutenberg 9/14/2008

38. Collaborative, non-MIDI 2008 Eleanor Selfridge-Field38  Notation-software sharing sites (aided by viewers)  Finale  Sibelius  Free-agent sites  Gordon Callon’s web sites (Acadia U.)  Baroque  Teaching pieces  Canadian traditional music  Alain Naigeon (France)  Mainly Renaissance 9/14/2008

39. Mutopia  OS: Linux  Typesetting software: Lilypond  Other formats: MIDI, PDF  Features  Lulu link  Shows incipits at website 392008 Eleanor Selfridge-Field 9/14/2008