1. “I put myself into situations where I’m forced to do something, to create, to respond, to see differently.” JULIE TAYMOR BY LAURA WEBER

2.  American director/costume designer/mask & puppetry maker.  She is widely known for directing the stage musical, The Lion King.  Japanese and Indonesian influences in her work WHO IS SHE?

3.  Born on December 15, 1952, in Newton, Massachusetts.  Her father, Melvin Lester Taymor  Her mother, Elizabeth Bernstein  Parents were supportive and trusting  “I always believed Julie wasn’t going to do anything destructive to herself.”  Found an interest in international folklore and mythology, and also developed a passion for theatre.  involved in a theatre in Boston WHERE DID SHE COME FROM?

4.  Traveled to Sri Lanka and India at 15  Moved to Paris at 16  Mime school of Jacques Lecoq  Studied at Oberlin College from 1969 to 1974  She studied theatre and mythology  Graduated with a degree in folklore and mythology EDUCATION

5.  Traveled to Indonesia, Japan, and Bali.  Japan  Indonesia  Bali  Returned to the states in 1979  Elliot Goldenthal  collaborating on numerous projects over the years LIFE CONT.

6.  Japan  studied the art of puppetry and Japanese theatre.  “I received from my experience in Japan an incredible sense of respect for the art of creating, not just the creative product. To me, the process was also an incredibly important aspect of the total form.”  Indonesia  Worked with many different theatres  Bali  Founded Theatre Loh. TRAVELS

7.  Ancient ceremony  “the energy and concentration with which these elderly men performed this ritual -- without an audience, for purely spiritual purposes -- has informed and inspired all of my subsequent work.”  Theatre Loh  An international company  The Way of Snow and Tirai. BALI

8.  Michael Eisner asked Julie Taymor because of her history  African costumes, with stylized animal masks worn on their heads, leaving their human facial expressions fully visible.  demonstration on stage, in a theater, with stage lighting.  Given free rein to stage  Directed the production, designed the costumes, co-designed the masks and puppets and re-wrote many of the film's scenes and songs..  In all, the production employed over 100 puppets representing 25 different species.  Opened on Broadway on November 13, 1997  The New York Times hailed it as "the most memorable, moving and original theatrical extravaganza in years."  received two Tony Awards THE LION KING.

9. Stage  The Tempest (1986)  Director, puppetry.  Oedipus Rex (1992)  Director, puppetry  The Lion King (1997)  Director, lyricist for the song Endless Night, costume designer, co-mask designer, co-puppet designer  The Magic Flute (2005)  Director. at Metropolitan Opera (NY), live broadcast for theatrical (HD). DVD selling at Opera house only.  This Is It (2009)  production consultant, designer  Spider-Man: Turn Off the Dark (2010)  Director, co-author, mask designer Filmography  Fool's Fire (1992) (TV)  Oedipus Rex (1993) (opera)  Titus (1999)  Frida (2002)  Across the Universe (2007)  experience with cross-genre and cross-cultural.  The Tempest (2010) WORKS “One of the reasons I love to jump back and forth between mediums is that film does allow me to be more literal. I can go to the real place. I can go to the Coliseum, and I don't have to fake it.”

10.  American director of theater, opera and film  Designer and innovator  She is widely known for directing the stage musical, The Lion King  First women director to receive Tony Award  Used experiences from Japan and Indonesia in all of her work  Involved in making puppets, masks, costumes and stage sets. CONCLUSION

11.  Questions? THANK YOU! http://www.youtube. com/watch?v=eP26 URw3Pp8

12.  Beard, Amanda, Lolly Extract, and Roger Marsh. Julie Taymor: Art on Stage and Screen. Chicago: Wright Group/McGraw-Hill, 2005. Print.  Behind the Scenes with Julie Taymor. Dir. Muffie Meyer. Perf. Julie Taymor and Ellen Hovde. First-Run Features, 1994. Videocassette.  Blumenthal, Eileen, and Julie Taymor. Julie Taymor: Playing with Fire : Theater, Opera, Film. New York: H.N. Abrams, 1999. Print.  Brockett, Oscar G., and Franklin J. Hildy. History of the Theatre. Boston: Pearson, 2008. Print.  Chinoy, Helen Krich., and Linda Walsh. Jenkins. Women in American Theatre. New York, NY: Theatre Communications Group, 1987. Print.  Contemporary Theatre Review. Women in Theatre. 3rd ed. Vol. 2. Amsterdam: Harwood Academic, 1995. Print.  Gabrielli, Betty. "Julie Taymor Continues the Artistic Journey." Alumni News & Notes. 14 May 2001. Web. 6 Apr. 2012. <http://www.oberlin.edu/alummag/oampast/oam_spring98/Alum_n_n/julie.html  "Julie Taymor Biography." -- Academy of Achievement. 16 Dec. 2010. Web. 6 Apr. 2012..  Julie Taymor. 27 Aug. 2001. Web. 5 Apr. 2012..  "Oprah Talks to Julie Taymor." Interview by Oprah Winfrey. The Oprah Magazine Nov. 2001: 206-12. Print.  Pascal, Julia, Serena Sartori, and Renata Coluccini. Women in Theatre. Chur. Switzerland: Harwood Academic, 1995. Print.  Rich, Katey. " Julie Taymor Brings Noise And Emptiness To Shakespeare's The Tempest - CinemaBlend.com." CinemaBlend.com: Entertainment News and Opinions You Can Trust. 3 Oct. 2010. Web. 6 Apr. 2012..  Struve-Dencher, Goesta. ""Theatre Is My Skin"" 18 Feb. 1999. Web. 7 Apr. 2012..  Taubeneck, Anne. "The Vivid World of Julie Taymor." Chicago Tribune. 19 June 2001. Web. 6 Apr. 2012..  "Video and Webcast Archive - Oprah.com." Oprah.com. Web. 7 Apr. 2012..  "Women in Theatre: Julie Taymor." Web. 5 Apr. 2012..  Wonders in the Dark." Wonders in the Dark. Web. 7 Apr. 2012.. BIBLIOGRAPHY