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THE MIDDLE EAST MUSIC IN THE CRADLE OF GREAT RELIGIONS Islam, Iran, Arabic, Sufism, Judaism © TAYLOR & FRANCIS.

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Presentation on theme: "THE MIDDLE EAST MUSIC IN THE CRADLE OF GREAT RELIGIONS Islam, Iran, Arabic, Sufism, Judaism © TAYLOR & FRANCIS."— Presentation transcript:

1 THE MIDDLE EAST MUSIC IN THE CRADLE OF GREAT RELIGIONS Islam, Iran, Arabic, Sufism, Judaism © TAYLOR & FRANCIS

2 MIDDLE EAST MAP © TAYLOR & FRANCIS

3 BACKGROUND PREPARATION  West Asia & North Africa  Islam, Christianity, Judaism  Ancient civilizations  Influence on Europe  Arabic, Turkish & Persian © TAYLOR & FRANCIS

4 ISLAM & ARABIC MUSIC Site 1: Islamic “ Call to Prayer ” Site 2: Arabic Taqasim for ‘Ud and Buzuq © TAYLOR & FRANCIS

5 Non-music (vs. Music)  Koranic Chant  Adhan – Call to Prayer  Pilgrimage Chants (Hajj)  Eulogy Chants & Chanted Poetry “Alif Laam Raa. A book which we have revealed to you (Muhammad) so that you may lead the people from out of the darknesses into the light by their Lord's leave to the path of the All-Mighty, the Praiseworthy.” [Koran 14:1] © TAYLOR & FRANCIS

6 Site 1: Islamic “ Call to Prayer ”  First Impressions  Heightened speech  Aural Analysis  Melismatic male voice  “ Allah ” – God is Great A muezzin performs the Call to Prayer © TAYLOR & FRANCIS

7 CULTURAL CONSIDERATIONS  Muhammad  Koran  Muslim  Mosque  Mihrab  Mecca  The Ka’aba  Minaret  Muezzin The Ka’aba © TAYLOR & FRANCIS

8 The “Blue Mosque” Sultanahmet Camii mosque in Istanbul, Turkey © TAYLOR & FRANCIS

9 (NON-MUSIC) VS. MUSIC  Family and Celebratory Music  Occupational music (Caravan, shepherd, work songs)  Military Music © TAYLOR & FRANCIS

10 Site 2: Arabic Taqasim  First Impressions  Improvising chordophones  Aural Analysis  Ud and Buzuq  Maqam – “ Composition Kit ”  Taqasim  Free Rhythm  24 pitches to the octave Al’UdBuzuq © TAYLOR & FRANCIS

11 CULTURAL CONSIDERATIONS  Islamic attitudes toward music  Legitimate  Music for worship or function  Controversial  “ Art ” or “ Entertainment ”  Non-Islamic sacred music  Illegitimate  Sensual music  Haram © TAYLOR & FRANCIS

12 Iran Site 3: Dastgah for Santur and Voice © Taylor & Francis

13  Largely mountainous  Persian, not Arabic  Predominantly Shi ’ a Muslim  Theocracy since 1979 Ayatollah Ruhollah Khomeinii (1900–1989) © Taylor & Francis

14  First Impressions Melancholy Melisma  Aural Analysis Santur Dastgah  Gusheh  Radif Santur © Taylor & Francis

15  Schools of Dastgah  Non-meter over meter  Classical underground © Taylor & Francis

16 Egypt Site 4: Arabic Takht Ensemble © Taylor & Francis

17 Arrival Egypt Pyramids & Pharaohs Suez Canal – 1869 Modern Era Temple of Ramses II at Abu Simbel © Taylor & Francis

18 Site 4: Arabic Takht Ensemble First Impressions ◦ Graceful “ belly ” dance music Aural Analysis ◦ Takht  Melody: ud, kemanja, kanun, ney  Rhythm: riqq, tablah (darabukka/dombak) ◦ Dulab, Bashraf & Iqa-at © Taylor & Francis

19 Takht Instruments Front Row, L to R: Ud, Kanun, Tablah Above: Duff, Tablah, and Riqq Right: Ney © Taylor & Francis

20 Cultural Considerations “Belly” Dance Music evokes emotion A “belly” dancer from Morocco © Taylor & Francis

21 Sufism Site 5: Dhikr Ceremony © Taylor & Francis

22 Arrival: Sufism  “ Mystical ” branch of Islam  Noted for their woolen ( suf ) robes  Most common in Turkey and Pakistan  Monasteries and dervish © Taylor & Francis

23 Site 5: Sufi Dhikr Ceremony  First Impressions  “ Spinning top ” vocal swirl  Vocal cry over hearty chant  Aural Analysis  Ney and “ takht ” instruments  Unison singing with shifting tonal center Followed by:  Melismatic chant in free rhythm  Deep, raspy “ Allah ” chant © Taylor & Francis

24 Cultural Considerations  Dhikr – “Remembrance”  Music as a “spiritual ladder”  Spiritual ecstasy - Oneness with Allah  “Whirling” dervish Sufis “whirling” during dhikr ritual © Taylor & Francis

25 Judaism Site 6: Liturgical Cantillation © Taylor & Francis

26 Arrival: Judaism Israel –The Holy Land The Diaspora Sephardic – Ashkenazi A man prays at the Wailing Wall in Jerusalem © Taylor & Francis

27 Site 6: Jewish Cantillation First Impressions –Sung recitation Aural Analysis –Shofar & Cantor –“Speech” rhythm –Melodic formulas Shofar © Taylor & Francis

28 Cultural Considerations Torah Synagogue Torah © Taylor & Francis


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