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+ Aperture and the Relationship to Depth of Field.

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Presentation on theme: "+ Aperture and the Relationship to Depth of Field."— Presentation transcript:

1 + Aperture and the Relationship to Depth of Field

2 + Lower f/stop = shorter depth of field

3 + Aperture set at 4.5 f/stop

4 + Aperture set at 5.6 f/stop

5 + Aperture set at 7.1 f/stop

6 + Higher f/stop = deeper depth of field

7 + Aperture set at 9.0 f/stop

8 + Aperture set at 11.0 f/stop

9 + Aperture set at 14.0 f/stop

10 + Aperture set at 18.0 f/stop

11 + 4.5 f/stop 18.0 f/stop

12 + Aperture set at 3.5 f/stop

13 + Aperture set at 4.5.0 f/stop

14 + Aperture set at 5.6 f/stop

15 + Aperture set at 7.1 f/stop

16 + Aperture set at 9.0 f/stop

17 + Aperture set at 14.0 f/stop

18 + Aperture set at 18.0 f/stop

19 + Aperture set at 22.0 f/stop

20 + 22.0 f/stop 3.5 f/stop

21 + But why would I want blurred or non-blurred backgrounds?

22 + CREATIVE CONTROL!!

23 + Perhaps you want everything in focus…

24 + Like this…….

25 + ….or this.

26 + Or perhaps you want just your main subject in focus, and other things blurred.

27 + Like this…..

28 + Or this….. This blurred background is also referred to as “Bokeh.”

29 + So….. Low f/stop number equals short depth-of- field, which equals sharp focus on the main subject and blurred backgrounds.

30 + Large f/stop number equals long depth-of- field, which equals focus on all elements in the picture frame and limited or no blurriness.


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