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Camera How to shoot like a professional Pocket Camera `Cellular Phone / FLIP Camera Pro- Consumer Camera Palm / Handy Camera ‘NEW” I-PAD 2 / Laptops.

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Presentation on theme: "Camera How to shoot like a professional Pocket Camera `Cellular Phone / FLIP Camera Pro- Consumer Camera Palm / Handy Camera ‘NEW” I-PAD 2 / Laptops."— Presentation transcript:

1 Camera How to shoot like a professional Pocket Camera `Cellular Phone / FLIP Camera Pro- Consumer Camera Palm / Handy Camera ‘NEW” I-PAD 2 / Laptops

2 The Digital Still Camera The Digital Still Camera – How It Works Before Example: - “Old School CameraBefore Example: - “Old School Camera” Exposure How it works

3 The Video Camera The Video Camera = Camera + Recording Deck + 30 still picture frames per second = 30fps 24 still picture frames per second = 24p 60 still picture frames per second = 60p

4 The Digital Camera The Digital Camera – How It Works

5 The Video Camera The Video Camera – How It Works Light (day light / Light blub / Studio light) enters the lens

6 The Video Camera The Video Camera – How It Works Light enters the lens and strikes CCD (control couple device).

7 The Video Camera The Video Camera – How It Works Light enters the lens and strikes CCD (control couple device). The CCD creates An electrical signal, based on light input.

8 The Video Camera The Video Camera – How It Works Light enters the lens and strikes CCD (control couple device). The CCD creates An electrical signal, based on light input. The electrical signal is recorded onto a mini DVC Tape

9 The Video Camera The Video Camera – How It Works VIDEO AND SOUND

10 Tape (media) MiniDV and Mini HDV tape. Outstanding picture and sound quality IEEE`1394 (firewire) connector.

11 Flash Card (media) MiniDV and Mini HDV tape. Outstanding picture and sound quality IEEE`1394 (firewire) connector.

12 Tape Deck (media player) Sony MiniDV and Mini HDV tape. Outstanding picture and sound quality IEEE`1394 (firewire) connector.

13 The Camera Lens

14 (a) Lens come in different sizes… (b) Most have automatic focus …

15 Iris (Aperture) Shutter controls the opening and closing of the camera lens. VERY Bright light = Small aperture Bright light = Medium aperture Low light = Large aperture

16 Aperture – F-Stops Controls the opening (aperture) of the lens. Purple part in the center is the shutter of the lens The circle in the middle of the lens is the IRIS F-Stops

17 Iris (Aperture) Iris - is the opening of the Lens. The Higher the Aperture Less light small Iris. Smaller the number the more light big Iris. APERTURE - is the measurement of the opening of the lens Shutter – is the door or black part that close and opens to let light in

18 Shutter – Shutter Speed The light measurement (shutter speed) that control how much light comes into the lens just like the aperture.

19 Exposure Iris + Aperture + Shutter + Shutter Speed = (Photo Exposure) Exposure determines how light or dark an image is. Exposure Example

20 Camera Composition The Six Major Shots in Photography, Movies and Video Production 1)Extreme Close-up 2)Close –up / Head Shot 3)Bust Shot 4)Medium Shot 5)Long Shot 6)Establishment Shot / Wide Shot

21 Movie Production Notes 1)Movie (Group of recorded Scenes or Acts held together with music effects and titles) 2)Scene / Act (Part of the Movie) 3)Takes (recording of a scene) 4)Retakes (redo a recording scene or act again) 5)Cuts (Stop the recording of a scene or act) 6)Sound and Music (the glue that hold your movie together) 7)A-Roll - main footage used and added to a movie 8)B-Roll / Cut-Away (extra footage used and added to a movie to cover up your main video cameras (a-roll) cuts)

22 What a Movie? A movie is a narrative or occurrence recorded by a camera as a gallery of moving images and shown in a theatre or on television. It is a type of entertainment that tells a story by sound and a series of images creating an illusion of progressive movement.

23 Camera Composition The Five Tips for Camera Compsition 1)The Rule of Thirds 2)Don’t Chop the Head or the Chin 3)Compose the Nose 4)Lead Them On 5)Beware of Bad Backgrounds

24 Camera Composition The Five Tips for Camera Compsition 1)The Rule of Thirds Top right intersection Top horizontal Bottom horizontal Left vertical line

25 Camera Composition The Five Tips for Camera Composition 1)Don’t chop the head or the chin

26 Camera Composition The Five Tips for Camera Compsition 1)Compose the Nose

27 Camera Composition The Five Tips for Camera Compsition 1)Lead Them On

28 Camera Composition The Five Tips for Camera Compsition 1)Beware of Bad Background

29 Camera Composition 2 The Five Major Rules in Steady Video Camera Production 1)Use a Tripod 2)Keep your hands off the tripod (create shack free video footage ) 1)Stand Steady (handhold the camera) 2)Find substitute support (sandbag, tabletop, desk, bench, car hood, ect.) 3)Zoom Out & Get Close

30 Camera Accessories Tripod: Use a tripod for steady, stable picture. Three leg device Mono Pole: Use a mono pole like a tripod. One leg device

31 Tripod Camcorder Movement Crank: Raising and Lowering the tripod Crank “Crank up” “Crank down”

32 Camera movements Pan: Pan Left Pan right Tilt: Tilt up Tilt Down

33 Tripod Camcorder Movement Truck “Truck Left” “Truck right” Dolly “Dolly in” “Dolly out”

34 Viewfinder and View Screen Viewfinder – small video monitor mounted on camcorder, accessible by eyepiece View Screen- larger (2”-3” ) LCD monitor mounted on the back of your SLR cameras & Never record without headphones “NEVER” ! View screen Viewfinder

35 Headphones Important for hearing audio while recording, especially if external microphone is attached. & Never record without headphones “NEVER” !

36 Camera Composition The Five Tips for Shooting to Edit 1)Set the Scene 2)Cover your Cuts (add B-Roll / cut-away, titles, graphics) 3)Shoot Multiple Takes 4)Shoot Alternate Angles 5)Make a Plan (create your storyboards,treatments, scripts)


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