1. Chapter 5: Editing This multimedia product and its contents are protected under copyright law. The following are prohibited by law: any public performance or display, including transmission of any image over a network; preparation of any derivative work, including the extraction, in whole or in part, of any images; any rental, lease, or lending of the program. Copyright © Allyn and Bacon 2007

2. Linear and Nonlinear Systems ä Linear ä Work directly on celluloid film ä Manually done ä Nonlinear ä Hollywood adopts digital systems in 1990s ä Instant access to any footage Copyright © Allyn and Bacon 2007

3. Types of Visual Transitions (between shots) ä Cut ä Most commonly used transition ä Fade ä Signals change of time or place ä Dissolve ä Signals change of time or place Copyright © Allyn and Bacon 2007

4. Functions of Editing ä Editing helps create ä Continuity ä Dramatic focus ä Tempo, rhythm, mood ä Narration and point of view Copyright © Allyn and Bacon 2007

5. Rules of Continuity Editing ä Matching to the master shot ä Eyeline matching ä Shot-reverse shot series ä The 180-degree rule Copyright © Allyn and Bacon 2007

6. Continuity editing ä Continuity editing furnishes perceptual correspondence ä Facilitates the viewer’s perception of an edited sequence ä Errors of continuity ä Mis-matched elements in a series of shots ä Subverting continuity editing Copyright © Allyn and Bacon 2007

7. Alternatives to Continuity Editing ä Jump cuts ä Montage ä The Soviet tradition ä Contemporary montage ä Thematic montage ä Sequence shots (long takes) Copyright © Allyn and Bacon 2007