1. IVAN THE TERRIBLE Sources of inspiration Analysis

2. Eisenstein and Socialist Realism Patriotic theme of great leader: Alexander Nevsky, Ivan the Terrible, Peter the Great... Sun image: “L’état c’est moi.” Socialist-realist leader, "positive hero" who unites Russia, crushes kramola (dissent). Transparent references to contemporary issues in Russia: repelling invaders (war with 3rd Reich); repelling invaders (war with 3rd Reich); Ivan's war with the boyars compares to Stalin's suppression of rivals (Trotsky and co.); Ivan's war with the boyars compares to Stalin's suppression of rivals (Trotsky and co.); alliance with England - trading with Russia through the White Sea (convoys bringing war materiel to USSR). alliance with England - trading with Russia through the White Sea (convoys bringing war materiel to USSR).

3. Eisenstein’s drawing of Ivan (“Le Roi Soleil,” “Sun King”)

4. Eisenstein's new post 1935 style in Ivan I Visually and thematically Eisenstein draws on traditions in Russian art and history: literature; literature; opera; opera; music; music; visual arts; visual arts; Orthodox religion. Orthodox religion.

5. Literature: Aleksandr Pushkin Details borrowed from Pushkin’s historical play Boris Godunov (1825): Holy Fool, Nikolka the Iron Cap; Holy Fool, Nikolka the Iron Cap; satirical portraits of Poles and other foreigners. satirical portraits of Poles and other foreigners. Text mimicks old Russian speech, like Pushkin's. Text mimicks old Russian speech, like Pushkin's.

6. Opera: Musorgsky Modest Musorgsky’s opera Boris Godunov (1868-1873) inspired sets and costumes. Musorgsky’s music paved the way for the Russian tradition in music. Eisenstein produced Wagner’s Valkyrie at the Bolshoi (1940).

7. Visual presentation: influences Russian icons (static, “frozen” images) Russian icons (static, “frozen” images) Russian nineteenth-century historical painters Russian nineteenth-century historical painters

8. Icon of Ivan the Terrible and drawing by Eisenstein

10. Vasily Surikov Morning of the Execution of the Streltsy

11. Ilya Repin Ivan the Terrible and his son Ivan

12. Ilya Vasnetsov Berendei Palace

15. Commedia dell’arte Influence of Meyerhold still apparent: Circus and masks, grotesque; Circus and masks, grotesque; typage of the people at court; typage of the people at court; exaggerated acting, poses. exaggerated acting, poses. Question: is this just a silent film with musical accompaniment?

16. Typical visual effects Dramatic lighting. Dramatic lighting. Unlike Alexander Nevsky with broad horizons, Ivan has dark tunnels of Kremlin intrigue. Unlike Alexander Nevsky with broad horizons, Ivan has dark tunnels of Kremlin intrigue. Low ceilings, head often at bottom of screen. Low ceilings, head often at bottom of screen. Even battle of Kazan is won through digging tunnels. Even battle of Kazan is won through digging tunnels.

17. German expressionism (shadows; suspense based on growing shadows; elongated, distorted figures) (Left Ivan, right, F.W. Murnau’s Nosferatu)

18. The eyes… Expression of eyes - a throwback to Mozzhukhin’s remark on the importance of the eyes in acting. Expression of eyes - a throwback to Mozzhukhin’s remark on the importance of the eyes in acting. Malyuta - the eyes of the tsar. Malyuta - the eyes of the tsar. Huge icon of the searching eyes of conscience. Huge icon of the searching eyes of conscience.

19. Maliuta

21. Some themes and patterns

22. Gender inversions: Staritskaia

23. …Fyodor Basmanov

25. Prince Kurbski, “the negative of Ivan” Prince Kurbski, “the negative of Ivan”

26. Inversions: Ivan as tsar

27. Vladimir as “tsar”