1. Ceramics
Sam Chung, Yang, Nikki Blair

2. Primary Clay
Clay found at the original site where it was formed by decomposing rock
Secondary Clay
Clay that has been transported from its original site by water, air or ice and deposited in layers elsewhere

3. The capacity of a clay body to absorb moisture
Earthenware
Clay that hardens at a low temperature but remains porous (able to absorb moisture). Earthenware is a secondary clay.
Porosity
The capacity of a clay body to absorb moisture

4. Preparing Clay
Find impurities like counting bears, needle tools, exacto knives when kneading
Before making anything with clay, whether by hand or on the pottery wheel, the clay must be wedged so that it can survive the firing process. Pottery will explode in the kiln if air bubbles or impurities are in the clay or if certain areas are drier than others. In order to remove any air bubbles and evenly distribute water throughout the clay, it must be repetitively kneaded.

5. Plasticity
The quality of clay that allows it to be easily manipulated and still maintain its shape

6. Leather hard
The condition of unfired clay when most of the moisture has evaporated leaving it still soft enough to be carved into or joined to other pieces. Clay should be leather hard when building with slabs of clay

7. Bone dry
The condition of unfired clay when it is as dry as possible prior to firing

8. Wedging
Mixing and de-airing clay by cutting it diagonally and slamming the pieces together.

9. Kneading
Working clay on a surface with the palms of the hands in order to remove air from it and obtain a uniform consistency

10. Clay Building Techniques
Coil building
Once the clay is prepared, you can begin creating your piece. There are three methods of construction. The first is handbuilding, which is simply using your hands to squeeze, push or pull the clay. The other two are coil building and slab building. Coil building involves rolling the clay out into ropes and layering them on top of each other. Slab building involves rolling out the clay into flat slabs with a rolling pin or a slab rolling machine. Coils can just be stacked on top of each other, but slabs have to be attached through a process called slipping and scoring. Here you can see the sculptor using a red-based clay called earthenware, which is a porous clay that is fired at a low temperature.
Slab building

11. A rope-like roll of clay used in hand building
Coil
A rope-like roll of clay used in hand building

12. Slurry/Slip
A creamy mixture of clay and water often used as a glue to bond two pieces of clay together
Viscosity
The property of a liquid to resist movement. (Water has a low viscosity while syrup has a high viscosity.) Slurry should have a viscosity similar to that of pudding to be used for gluing pieces of clay together.

13. Clay Modeling Tools
Show examples
Clockwise from bottom left: wood rib, sponge, ribbon tool, loop tool, needlepoint tool, wood modeling tool, wire clay cutter, steel rib

14. Rib
A hand held tool made of hard material used for shaping ceramic pieces and compressing clay particles

15. Kiln
A furnace, built of refractory (resistant to heat and melting) material, for firing ceramic ware

16. The heating of clay or glaze to a specific temperature
Firing
The heating of clay or glaze to a specific temperature

17. Greenware
Unfired clay pieces

18. Clay pieces which have been fired once and are unglazed
Bisquit or Bisqueware
Clay pieces which have been fired once and are unglazed

19. Kilns and Firing Kilns are used to fire pottery
Pottery is considered to be in the greenware stage until it is fired
After its first firing, it is bisqueware
Bisqueware can be covered with coats of glaze and fired again numerous times
After you have finished your piece, you can allow it to dry out gradually. Once your piece has become stiff and is no longer shrinking, it is considered leather hard. Greenware, however, cannot be fired until it is bone dry to assure that there is not enough water within the clay to boil in the kiln and cause your piece to explode. The initial firing is called the bisque fire, and pottery is called bisqueware after its first firing. Bisqueware is ready to be glazed and fired again.

20. Warping
Distortion of a clay shape cause by uneven stresses during shaping, drying or firing

21. Cone Firing
The temperature at which you should fire your piece is determined by cones. Cones are devices that guage heatwork (the combined effect of time and temperature) in the kiln. Cones were originally created for gas kilns that had peep holes where you could look into the kiln and see if the cones had melted. An easy way to understand the Pyrometric cone chart is to think of the zeros as negatives. So –22 is colder than –5 and –5 is colder than 13.
Pyrometric cones are devices that gauge heatwork (the combined effect of both time and temperature) when firing materials inside a kiln. Cones range from 022 (the coolest) to 42 (the hottest). Earthenware clay is fired around 1900 degrees Fahrenheit, or between cone 06 and cone 04.

22. Cone
Small, pyramid-shaped forms of ceramic materials made to bend and melt at specific temperatures and gauge the temperature of the kiln

23. Pyrometric Cones Guide Cone: One cone number below your goal
Fire Cone: The cone number you wish to achieve
Guard Cone: One cone higher than your goal

24. Glaze Techniques
Glazes can be applied with any technique imaginable. The most common applications are painting, dipping, or spraying.
Glazing is often the coolest part of making a piece. Glazes can be applied any way you can think of. You can paint the glaze on with a paintbrush, dunk your piece in a bucket of glaze, spray glaze on with an airbrush, or even spin it on the pottery wheel and drizzle the glaze over it.

25. A glass-like coating that is bonded to a surface through heat
Glaze
A glass-like coating that is bonded to a surface through heat

26. Glass-like; hard, dense, and non-absorbent
Vitreous
Glass-like; hard, dense, and non-absorbent

27. Glaze Firing
A second kiln firing after the initial bisque firing in which glaze materials are heated sufficiently to melt and form a glass-like coating over ceramic pieces when cooled

29. Key Terms Bisqueware pottery that has been fired but not yet glazed
ceramic ware made of porous clay fired at low heat
pottery that has not been fired
stage in the drying process of clay where all shrinkage has occurred
clay that has been saturated with water to create a thick liquid
process of cutting grooves into a piece of clay where another scored piece will be attached
method of de-airing and dispersing moisture uniformly by hand in a piece of clay
devices that gauge heatwork (the combined effect of both time and temperature) when firing materials inside a kiln
Earthenware
Greenware
Leather hard
Slurry
Scoring
Kneading
Cone