1. RDA & Moving Images Kelley McGrath University of Oregon March 14, 2012 1Hosted by ALCTS The Association for Library Collections and Technical Services

2. Caveats Instructions for non-textual media in RDA less developed Need more clarity, testing, tweaking No best practices and community standards yet OLAC (http://olacinc.org/) will be a good resourcehttp://olacinc.org/ RDA itself also in flux 2 3/14/12 Hosted by ALCTS The Association for Library Collections and Technical Services

3. Caveats My best interpretations at the moment Even the experts disagree about some things Watch for future developments and emerging best practices 3 3/14/12 Hosted by ALCTS The Association for Library Collections and Technical Services

4. Definitions: Content Type Two-Dimensional Moving Image Content expressed through images intended to be perceived as moving, in two dimensions. Includes motion pictures (using live action and/or animation), film and video recordings of performances, events, etc., video games, etc., other than those intended to be perceived in three dimensions. 4 3/14/12 Hosted by ALCTS The Association for Library Collections and Technical Services

5. Definitions: Content Type Three-Dimensional Moving Image Content expressed through images intended to be perceived as moving, in three dimensions. Includes 3-D motion pictures (using live action and/or animation), 3-D video games, etc. 5 3/14/12 Hosted by ALCTS The Association for Library Collections and Technical Services

6. Definitions: Content Type Cartographic Moving Image Cartographic content expressed through images intended to be perceived as moving, in two dimensions. Includes satellite images of the Earth or other celestial bodies in motion. 6 3/14/12 Hosted by ALCTS The Association for Library Collections and Technical Services

7. Preferred Source of Info 2.2.2.3 Resources Consisting of Moving Images 1. Title frame(s) or screen(s) 7 3/14/12 Hosted by ALCTS The Association for Library Collections and Technical Services

8. Preferred Source of Info 2.2.2.3 Resources Consisting of Moving Images 2. a) label bearing a title that is permanently printed on or affixed to the resource, excluding accompanying textual material or a container Example: a label on a videodisc -OR- 8 3/14/12 Hosted by ALCTS The Association for Library Collections and Technical Services

9. Preferred Source of Info 2.2.2.3 Resources Consisting of Moving Images -OR- 2. b) embedded metadata in textual form that contains a title (e.g., metadata embedded in an MPEG video file). How does this apply to DVDs? Where does the disc menu fit in? 9 3/14/12 Hosted by ALCTS The Association for Library Collections and Technical Services

10. Preferred Source of Info 2.2.2.3 Resources Consisting of Moving Images 3. Another source forming part of the resource itself, giving preference to sources in which the information is formally presented (includes guides and other accompanying material for comprehensive descriptions and publisher-supplied containers) 10 3/14/12 Hosted by ALCTS The Association for Library Collections and Technical Services

11. Preferred Source of Info 2.2.2.3 Resources Consisting of Moving Images 1. Alternative Use an eye-readable label bearing a title that is permanently printed on or affixed to the resource (excluding accompanying textual material or a container) in preference to the title frame or frames, or title screen or screens. 11 3/14/12 Hosted by ALCTS The Association for Library Collections and Technical Services

12. Preferred Source of Info Some fallout for information not best taken from the title frames Source of information for publication statement in order of preference a) same source as the title proper b) another source within the resource itself (disc label if using title frames, container, guide) c) another source from 2.2.4 (external source) 12 3/14/12 Hosted by ALCTS The Association for Library Collections and Technical Services

13. Preferred Source of Info Some fallout for identifying where statements of responsibility come from AACR2 SOR prescribed source = chief source = source of title proper If SOR not from prescribed source = brackets RDA SOR: Prefer source of title proper IF SOR anywhere on resource = no brackets Can combine multiple sources in one SOR with no indication of separate sources 13 3/14/12 Hosted by ALCTS The Association for Library Collections and Technical Services

14. Note on Source of Title 2.20.2.3 Note on source of title Make a note on the source from which the title proper is taken if it is a source other than the title frame or title screen of a resource consisting of moving images. [NOT CORE] 14 3/14/12 Hosted by ALCTS The Association for Library Collections and Technical Services

15. Parallel Titles 2.3.3.2 Sources of Information Take parallel titles proper from any source within the resource. Could include optional subtitles on DVDs No limits in RDA. What to do when there are many parallel titles? 15 3/14/12 Hosted by ALCTS The Association for Library Collections and Technical Services

16. Statements of Responsibility AACR2 7.1F1 Statement of Responsibility Persons or bodies credited in the chief source of information with a major role in creating a film (e.g., as producer, director, animator). Give all other statements of responsibility (including those relating to performance) in notes. 16 3/14/12 Hosted by ALCTS The Association for Library Collections and Technical Services

17. Statements of Responsibility AACR2 7.7B6 SOR Notes Cast: Featured players, performers, narrators, and/or presenters Credits: Persons (other than the cast) who have contributed to the artistic and/or technical production of a motion picture or videorecording and who are not named in the statements of responsibility. Do not include the names of assistants, associates, etc., or any other persons making only a minor contribution. 17 3/14/12 Hosted by ALCTS The Association for Library Collections and Technical Services

18. Statements of Responsibility 2.4.1.1 Scope a statement relating to the identification and/or function of any persons, families, or corporate bodies responsible for the creation of, or contributing to the realization of, the intellectual or artistic content of a resource 18 3/14/12 Hosted by ALCTS The Association for Library Collections and Technical Services

19. Statements of Responsibility 2.4.1.1 Scope Excludes: performers of music whose participation is confined to performance, execution, or interpretation (511) performers, narrators, and/or presenters in a motion picture or video recording (511) 19 3/14/12 Hosted by ALCTS The Association for Library Collections and Technical Services

20. Statements of Responsibility 2.4.1.1 Scope Excludes: persons who have contributed to the artistic and/or technical production of a resource (508) persons, families, or corporate bodies responsible for the production, publication, distribution, or manufacture of a resource (260) 20 3/14/12 Hosted by ALCTS The Association for Library Collections and Technical Services

21. Statements of Responsibility 2.4.2.3 Recording Statements of Responsibility Relating to Title Proper If not all statements of responsibility appearing on the source or sources of information are being recorded, give preference to those identifying creators of the intellectual or artistic content. In case of doubt, record the first statement. 21 3/14/12 Hosted by ALCTS The Association for Library Collections and Technical Services

22. Performer, Narrator, Presenter 7.23 (511) A person, family, or corporate body responsible for performing, narrating, and/or presenting a work Record if considered important Record medium of performance for musicians 22 3/14/12 Hosted by ALCTS The Association for Library Collections and Technical Services

23. Artistic and/or Technical Credit (current) 7.24 (508) listing of persons, families, or corporate bodies making contributions to the artistic and/or technical production of a motion picture or video recording other than as performers, narrators, or presenters. 23 3/14/12 Hosted by ALCTS The Association for Library Collections and Technical Services

24. Artistic and/or Technical Credit (forthcoming) 7.24 (508) listing of persons, families, or corporate bodies making contributions to the artistic and/or technical production of a resource if they are considered to be important. 24 3/14/12 Hosted by ALCTS The Association for Library Collections and Technical Services

25. Artistic and/or Technical Credit 7.24 Record the names... who have contributed to the artistic and/or technical production of a resource... Do not include the names of assistants, associates, etc., or any other persons making only a minor contribution. Preface each name or group of names with a statement of function 25 3/14/12 Hosted by ALCTS The Association for Library Collections and Technical Services

26. Responsibility/Credits 2.4: an RKO Radio Picture ; a Mercury production ; original screen play, Herman J. Mankiewicz, Orson Welles ; photography, Gregg Toland ; direction-production, Orson Welles. 7.23: Joseph Cotton, Dorothy Comingore, Agnes Moorehead… 7.24: Editor, Robert Wise ; music, Bernard Herrmann 26 3/14/12 Hosted by ALCTS The Association for Library Collections and Technical Services

27. Relationship Designators (Relator Terms) For Creators Screenwriter An author of a screenplay, script, or scene. [subcategory under author] Filmmaker A person, family, or corporate body responsible for creating an independent or personal film. A filmmaker is individually responsible for the conception and execution of all aspects of the film. 27 3/14/12 Hosted by ALCTS The Association for Library Collections and Technical Services

28. Relationship Designators (Relator Terms) For … Associated with a Work Director responsible for the general management and supervision of a filmed performance, a radio or television program, etc. film directortelevision director Producer responsible for most of the business aspects of a production for screen, sound recording, television, webcast, etc. … film producertelevision producer 28 3/14/12 Hosted by ALCTS The Association for Library Collections and Technical Services

29. Relationship Designators (Relator Terms) For … Associated with a Work Director of photography captures images, either electronically or on film or video stock, and often selects and arranges the lighting. Also used for chief cinematographer or videographer. 29 3/14/12 Hosted by ALCTS The Association for Library Collections and Technical Services

30. Relationship Designators (Relator Terms) For … Associated with an Expression (selected) Animator Composer (expression) Costume designer Editor of moving image work Musical director Production designer 30 3/14/12 Hosted by ALCTS The Association for Library Collections and Technical Services

31. Relationship Designators (Relator Terms) For … Associated with an Expression (selected) Performer  Actor  Conductor  Dancer  Narrator  Teacher 31 3/14/12 Hosted by ALCTS The Association for Library Collections and Technical Services

32. Relationship Designators (Relator Terms) Corporate Bodies Associated with a Work Production company responsible for financial, technical, and organizational management of a production for stage, screen, sound recording, television, webcast, etc. 32 3/14/12 Hosted by ALCTS The Association for Library Collections and Technical Services

33. Relationship Designators (Relator Terms) Corporate Bodies Associated with a Manifestation Publishers Broadcaster involved in broadcasting a manifestation to an audience via radio, TV, webcast, etc. Distributors Film distributor involved in distributing a moving image manifestation to theaters or other distribution channels 33 3/14/12 Hosted by ALCTS The Association for Library Collections and Technical Services

34. Relationship Designators (Relator Terms) Corporate Bodies Associated with Manifestation No relationship designators for publisher, distributors because they are elements in RDA Should still be able to identify based on: RDA: “If none of the terms listed in this appendix is appropriate or sufficiently specific, use a term indicating the nature of the relationship as concisely as possible” Or by using a term from a standard vocabulary such as the MARC vocabulary at http://www.loc.gov/marc/relators/. Either terms or codes may be used http://www.loc.gov/marc/relators/ 34 3/14/12 Hosted by ALCTS The Association for Library Collections and Technical Services

35. Relationship Designators (Relator Terms) Corporate Bodies OLAC RDA test group’s preliminary recommendations for typical library cataloging of moving image materials: In most cases, use only: production company publisher/distributor (element-level relationships) 35 3/14/12 Hosted by ALCTS The Association for Library Collections and Technical Services

36. Content, Carrier, Media DVD Video 336 two-dimensional moving image ǂ 2 rdacontent 337 video ǂ 2 rdamedia 338 videodisc ǂ 2 rdacarrier 36 3/14/12 Hosted by ALCTS The Association for Library Collections and Technical Services

37. Content, Carrier, Media VHS Video 336 two-dimensional moving image ǂ 2 rdacontent 337 video ǂ 2 rdamedia 338 videocassette ǂ 2 rdacarrier 37 3/14/12 Hosted by ALCTS The Association for Library Collections and Technical Services

38. Content, Carrier, Media Streaming Video or Online Video Game 336 two-dimensional moving image ǂ 2 rdacontent 337 computer ǂ 2 rdamedia 338 online resource ǂ 2 rdacarrier 38 3/14/12 Hosted by ALCTS The Association for Library Collections and Technical Services

39. Content, Carrier, Media QuickTime Video Instruction or Video Game on DVD-ROM 336 two-dimensional moving image ǂ 2 rdacontent 337 computer ǂ 2 rdamedia 338 computer disc ǂ 2 rdacarrier 39 3/14/12 Hosted by ALCTS The Association for Library Collections and Technical Services

40. Content, Carrier, Media DualDisc (DVD video on one side; DVD audio with music on the other) 336 two-dimensional moving image ǂ a performed music ǂ 2 rdacontent 337 video ǂ a audio ǂ 2 rdamedia 338 videodisc ǂ a audio disc ǂ 2 rdacarrier 40 3/14/12 Hosted by ALCTS The Association for Library Collections and Technical Services

41. Content, Carrier, Media Playaway View 337 computer ǂ 2 rdamedia ??? 338 other ǂ 2 rdacarrier - OR- 337 video ǂ 2 rdamedia ??? 338 other ǂ 2 rdacarrier -OR- 337 unmediated ǂ 2 rdamedia? 338 object ǂ 2 rdacarrier 41 http://my.playaway.com / 3/14/12 Hosted by ALCTS The Association for Library Collections and Technical Services

42. New Technical Elements 3.18.2.1 Video Format Video format is a standard, etc., used to encode the analog video content of a resource. Beta U-matic VHS 42 3/14/12 Hosted by ALCTS The Association for Library Collections and Technical Services

43. New Technical Elements 3.18.3.1 Broadcast Standard Broadcast standard is a system used to format a video resource for television broadcast. HDTV NTSC PAL SECAM 43 3/14/12 Hosted by ALCTS The Association for Library Collections and Technical Services

44. New Technical Elements 3.19.3.1 Encoding Format Encoding format is a schema, standard, etc., used to encode the digital content of a resource. Video encoding formats: 44 Blu-Ray DVD-R DVD video HD-DVD MPEG-4 Quicktime RealVideo SVCD VCD Windows media 3/14/12 Hosted by ALCTS The Association for Library Collections and Technical Services

45. New Technical Elements 3.19.6.1 Regional Encoding Regional encoding is a code identifying the region of the world for which a DVD videodisc has been encoded and preventing the disc from being played on a player sold in a different region. region 4 all regions 45 3/14/12 Hosted by ALCTS The Association for Library Collections and Technical Services

46. New Technical Elements 7.19.1 Aspect Ratio Aspect ratio is the ratio of the width to the height of a moving image. Record the aspect ratio of the resource, using one or more terms from the list below, as appropriate: full screen (less than 1.5:1) wide screen (1.5:1 or greater) mixed (multiple aspect ratios in same work) 46 3/14/12 Hosted by ALCTS The Association for Library Collections and Technical Services

47. New Technical Elements 7.19.1 Aspect Ratio In addition, record the numerical ratio in standard format with a denominator of 1, if known. wide screen (2.35:1) full screen (1.33:1) wide screen (1.85:1) full screen (1.33:1) [resource includes both] 47 3/14/12 Hosted by ALCTS The Association for Library Collections and Technical Services

48. New Technical Elements 7.19.1.4 Details of Aspect Ratio If a video has been modified from its original aspect ratio, can bring out original full screen (1.33:1); original aspect ratio: 1.85:1 48 3/14/12 Hosted by ALCTS The Association for Library Collections and Technical Services

49. Technical Details 1. Similar to AACR2 Using the controlled list for carriers 300 1 videodisc (120 min.) : $b sound, color ; $c 4 3/4 in. 538 DVD; NTSC; Dolby digital 5.1. 500 Wide screen (1.78:1). 49 3/14/12 Hosted by ALCTS The Association for Library Collections and Technical Services

50. Technical Details 2. Similar to AACR2 Using conventional terminology for carriers 300 1 DVD video (120 min.) : $b sound, color ; $c 4 3/4 in. 538 NTSC; Dolby digital 5.1. 500 Wide screen (1.78:1). 50 3/14/12 Hosted by ALCTS The Association for Library Collections and Technical Services

51. Technical Details 3. Some technical information in 300 Using the controlled list for carriers 300 1 videodisc (NTSC, 120 min.) : $b DVD video, sound, color ; $c 4 3/4 in. 538 Dolby digital 5.1. 500 Wide screen (1.78:1). 51 3/14/12 Hosted by ALCTS The Association for Library Collections and Technical Services

52. Technical Details 4. New MARC fields Using the controlled list for carriers 300 1 videodisc (120 min.) : $b sound, color ; $c 4 3/4 in. 344 $h Dolby digital 5.1 346 $b NTSC 347 $b DVD video 500 Wide screen (1.78:1). 52 3/14/12 Hosted by ALCTS The Association for Library Collections and Technical Services

53. Carrier Desc. Example Streaming Video 300 1 online resource (1 video file, 17 min.) : $b Flash Video, sound, color. Videocassette 300 1 videocassette (120 min.) : $b sound, black and white (tinted) ; $c 1/2 in. [or 2 cm] [VHS in 346$a, 538 or parentheses in 300 $a] 53 3/14/12 Hosted by ALCTS The Association for Library Collections and Technical Services

54. Carrier Desc. Examples DualDisc 300 1 DualDisc (65, 120 min.) : $b CD audio, DVD video ; $c 4 3/4 in. Blu-ray 300 1 videodisc (75 min.) : $b sound, color ; $c 4 3/4 in. [Blu-Ray in 347$b, 300$b or 538] 54 3/14/12 Hosted by ALCTS The Association for Library Collections and Technical Services

55. Carrier Desc. Examples Video Instruction on Computer Discs 300 1 DVD-ROM (120 min.) : $b QuickTime, sound, color with black and white sequences ; $c 4 3/4 in. 300 1 computer disc (5 video files, 30 min.) : $b RealVideo, sound, color ; $c 4 3/4 in. [CD-ROM drive mentioned in 538] 55 3/14/12 Hosted by ALCTS The Association for Library Collections and Technical Services

56. Carrier Desc. Examples Video Game 300 1 computer disc : $b Blu-Ray, sound, color ; $c 4 3/4 in. + $e 1 booklet [System requirements: PlayStation 3; 143 MB hard disk space] [Blu-Ray could go in 347$b or 538] 300 1 DVD-ROM : $b sound, color ; $c 4 3/4 in. [System requirements: Xbox 360 with NTSC designation; 4 MB memory; HDTV 720p/1080i/1080p] 56 3/14/12 Hosted by ALCTS The Association for Library Collections and Technical Services

57. Other Content Elements 7.14 Accessibility Content (546) Assists those with a sensory impairment in the greater understanding of content which their impairment prevents them fully seeing or hearing Includes accessible labels, audio description, captioning, image description, sign language, and subtitles in the same language as the spoken content 57 3/14/12 Hosted by ALCTS The Association for Library Collections and Technical Services

58. Other Content Elements 7.14 Accessibility Content (546) 546 Closed-captioned. 546 English or Spanish soundtracks; optional English subtitles for the deaf or hard of hearing (SDH). 546 Closed-captioned; optional audio- described soundtrack for the visually impaired. 58 3/14/12 Hosted by ALCTS The Association for Library Collections and Technical Services

59. Other Content Elements 25.1.1.3 Structured Description of the Related Work (505) Contains: 'Til death do us plots / by Julianne Bernstein — Class act / by Michael Elkin No definition; minimal examples Probably best to continue current practice Current practice includes some elements that RDA maps to expressions 59 3/14/12 Hosted by ALCTS The Association for Library Collections and Technical Services

60. Other Content Elements 25.1.1.3 Structured Description of the Related Work (505) 505 0- Jump start cardio (approximately 41 min.) -- Fat burn accelerator (approximately 52 min.) 505 0- Qu'est-ce qu'une tête? = What is a head? / Arte France ; Les Films d'Ici ; a film by Michel Van Zele (64 min. : color) -- Un homme parmi les hommes = A man among men : Alberto Giacometti / script, Madeleine Lagneau ; [a film by] Jean-Marie Drot (52 min. : black and white). 60 3/14/12 Hosted by ALCTS The Association for Library Collections and Technical Services

61. Other Content Elements Chapter 7: Describing Content of Works and Expressions 7.7 Intended Audience (521) 7.10 Summarization of the Content (520) 7.11 Place and Date of Capture (518) 7.12 Language of the Content (546) 61 3/14/12 Hosted by ALCTS The Association for Library Collections and Technical Services

62. Other Content Elements Chapter 7: Describing Content of Works and Expressions 7.17.3 Color of Moving Image (300$b) 7.18 Sound Content (300$b) 7.22 Duration (300$a) 7.28 Award (586) [not explicit in AACR2] 62 3/14/12 Hosted by ALCTS The Association for Library Collections and Technical Services

63. Language Expressions RDA 6.11.1.3 Record the language or languages of the expression using an appropriate term or terms in the language preferred by the agency creating the data. Select terms from a standard list of names of languages, if available. RDA 6.11.1.4 If a single expression of a work involves more than one language, record each of the languages. 63 3/14/12 Hosted by ALCTS The Association for Library Collections and Technical Services

64. Language Expressions RDA 0.6.3 When recording data identifying an expression, include as a minimum the elements listed below that are applicable to that expression.  Identifier for the expression  Content type  Language of expression 64 3/14/12 Hosted by ALCTS The Association for Library Collections and Technical Services

65. Language Expressions RDA 0.6.3 Record the elements either as additions to the access point representing the expression, as separate elements, or as both. 65 3/14/12 Hosted by ALCTS The Association for Library Collections and Technical Services

66. Language Expressions LCPS 0.6.3 LC practice: When … recording an element to differentiate one work or expression from another work or expression or from a name for a person, family, or corporate body, always add the element to the access point. 66 3/14/12 Hosted by ALCTS The Association for Library Collections and Technical Services

67. Language Expressions RDA’s Intent? Only spoken or sung languages in access points? Include subtitle languages? Intertitles? Distinguish soundtracks vs. subtitles? Distinguish plain English subtitles vs. captions and subtitles for the deaf and hard- of-hearing (SDH)? 67 3/14/12 Hosted by ALCTS The Association for Library Collections and Technical Services

68. Language Expressions Typical DVD English soundtrack French soundtrack English SDH Spanish subtitles 68 3/14/12 Hosted by ALCTS The Association for Library Collections and Technical Services

69. Language Expressions Possibilities we considered: #1 Only give soundtrack languages; consider each language option to be a separate expression Dracula. $l English Dracula. $l French 69 3/14/12 Hosted by ALCTS The Association for Library Collections and Technical Services

70. Language Expressions Possibilities we considered: #2 (incorrect) Only give soundtrack languages; consider the DVD as a whole to be a separate expression Dracula. $l English & French Per RDA this is not a correct interpretation and the different soundtracks are different expressions 70 3/14/12 Hosted by ALCTS The Association for Library Collections and Technical Services

71. Language Expressions Possibilities we considered: #3 Give both soundtrack and subtitle languages without distinction; consider each language option to be a separate expression Dracula. $l English Dracula. $l French Dracula. $l Spanish 71 3/14/12 Hosted by ALCTS The Association for Library Collections and Technical Services

72. Language Expressions Possibilities we considered: # 4 Give both soundtrack and subtitle languages with some sort of distinction (not explicit in RDA, but perhaps could be considered other distinguishing information); consider each language option to be a separate expression Dracula. $l English (soundtrack) Dracula. $l English (subtitles) Dracula. $l French (soundtrack) Dracula. $l Spanish (subtitles) 72 3/14/12 Hosted by ALCTS The Association for Library Collections and Technical Services

73. Language Expressions Possibilities we considered: #5 (incorrect) Give both soundtrack and subtitle options languages without distinction; consider the DVD as a whole to be a separate expression. Note that this is indistinguishable from a film, such as Babel, that was made with a mixed language soundtrack and is incorrect per RDA 6.11.1.4. Dracula. $l English, French & Spanish 73 3/14/12 Hosted by ALCTS The Association for Library Collections and Technical Services

74. Language Expressions Possibilities we considered: #6 All combinations explicit Dracula. $l English (soundtrack) Dracula. $l English (soundtrack) & English (subtitles) Dracula. $l English (soundtrack) & Spanish (subtitles) Dracula. $l French (soundtrack) Dracula. $l French (soundtrack) & English (subtitles) Dracula. $l French (soundtrack) & Spanish (subtitles) 74 3/14/12 Hosted by ALCTS The Association for Library Collections and Technical Services

75. Language Expressions RDA 17.3 If there is more than one expression of the work, record the expression manifested. If more than one expression is embodied in the manifestation, only the predominant or first-named expression manifested is required. 75 3/14/12 Hosted by ALCTS The Association for Library Collections and Technical Services

76. Language Expressions RDA 17.3 Option to identify only the predominant or first ‐ named expression (which in the case of DVDs would be largely arbitrary) Undermines the usefulness of these expression access points; not predictable for users Users have no way to know why some language options get expression access points qualified by language and others don’t. 76 3/14/12 Hosted by ALCTS The Association for Library Collections and Technical Services

77. Language Expressions Imagine an outlier with multiple soundtracks and ten or fifteen subtitle tracks Do people browse titles this way for movies and expect a list by language? Or do 008/lang and 041 limiters potentially work better? 77 3/14/12 Hosted by ALCTS The Association for Library Collections and Technical Services

78. Language Expressions Might be better for users if we stick primarily to work access points for moving images and record distinguishing elements like language in another element 78 3/14/12 Hosted by ALCTS The Association for Library Collections and Technical Services

79. Language Expressions More Background MLA/OLAC RDA test group discussion summary: Major Issues with Access Points http://www.olacinc.org/drupal/capc_files/ML A-OLAC_RDAtest1.pdf 79 3/14/12 Hosted by ALCTS The Association for Library Collections and Technical Services

80. Language Expressions In the meantime… A plug for structured data and more authority records for the future: 041$h for original language 041 $a/$j for all languages on manifestation 046$k for original date 130 uniform title even when no conflict 257 country of production $4/$e for 1xx/7xx names 80 3/14/12 Hosted by ALCTS The Association for Library Collections and Technical Services

81. Questions? ??? 813/14/12Hosted by ALCTS The Association for Library Collections and Technical Services