1. FUNDAMENTALS OF THEATRE I
BASIC
THEATRE TERMINOLOGY
FUNDAMENTALS OF THEATRE I

2. APRON
The stage floor between the front edge of the stage and the front curtain.

3. ARENA STAGE
Staging in the center of a room with the audience sitting on all sides of the playing area; sometimes called theatre in the round.

4. ASIDE
Words spoken by a character to the audience rather than to the other characters, who supposedly DO NOT hear the speech.

5. Tryout for a part in a play, t.v. show or movie.
AUDITION
Tryout for a part in a play, t.v. show or movie.

6. BACKDROP / DROP
A painted canvas or muslin curtain hung from a batten to form part of the scenery.

7. The area behind the scenery not visible to the audience.
BACKSTAGE
The area behind the scenery not visible to the audience.

8. BATTEN
A horizontal pipe suspended over the stage, from which scenery, lights or curtains are hung; also called a rail.

9. BLOCKING
The director’s
planned movement
for the actor’s.

10. The process of selecting actors for various roles.
CASTING
The process of selecting actors for various roles.

11. COLD READINGS
When an actor auditions for a role without having read the script beforehand.

12. COUNTER-CROSS
Moving in the opposite direction – and out of the way- of another actor who is moving across the stage.

13. When an actor moves from one side of the stage to another.
CROSS
When an actor moves from one side of the stage to another.

14. CUE A
directive
for
action.

15. DIRECTOR
The person responsible for interpreting the script, creating a viable production concept, and directing the actor’s.

16. The area of the stage closest to the audience.
DOWNSTAGE
The area of the stage closest to the audience.

17. DRESS REHEARSALS
A run-through with all technical elements, including costumes and make- up.

18. EXTERNAL TRAITS
Characteristics that make up a character’s physical appearance, such as posture, gestures, mannerisms, voice and clothing.

19. FLATS
Pieces of canvas or plywood attached to wooden frames, painted and linked together, to create walls and doors on stage.

20. FLY SPACE
The area above the stage where scenery, drops and lights are hung when not in use.

21. The imaginary wall through which the audience views the play.
FOURTH WALL
The imaginary wall through which the audience views the play.

22. “GOING-UP”
When an actor forgets lines during rehearsal or a performance; also called blanking.

23. The curtain that covers the opening of the proscenium arch.
GRAND DRAPE
The curtain that covers the opening of the proscenium arch.

24. GRAND VALANCE
Used in conjunction with the grand drape. It masks the scenery and equipment just up stage of the proscenium arch.

25. The place where the audience sits.
HOUSE
The place where the audience sits.

26. HOUSE LIGHTS
Auditorium lights used before and after the play and during intermission.

27. ILLUSION OF THE FIRST TIME
The actor’s ability to perform in a show over and over while making it appear that the dialogue and situations are happening for the first time.

28. IMPROVISATION
An impromptu scene where the actors make up the dialogue and action on the spot.

29. Narrow, vertical stage drapes used for masking.
LEGS
Narrow, vertical stage drapes used for masking.

30. LOAD-IN
The moving of scenery and associated equipment into the theatre and their positioning on the stage.

31. Method Acting
An approach that calls on the actor to use personal experience and sense memory to develop a character.

32. A long speech spoken by one actor.
MONOLOGUE
A long speech spoken by one actor.

33. A specific reason for saying or doing something.
MOTIVATION
A specific reason for saying or doing something.

34. Having a part memorized so that a script is no longer needed.
OFF-BOOK
Having a part memorized so that a script is no longer needed.

35. PANTOMIME
Telling a story or presenting an idea through bodily movement and expression without words.

36. Person who writes and develops the script.
PLAYWRIGHT
Person who writes and develops the script.

37. PRODUCER
Person who selects the script, finds the financial backing and hires all production personnel.

38. Increase voice so it will carry to the audience.
PROJECT
Increase voice so it will carry to the audience.

39. PROMPT BOOK
A book (usually in a 3-ring binder) that contains the script with the director’s ideas and blocking notations.

40. PROPS
Items handled by actor’s such as books, ornaments, a broom, a glass, glasses, a suitcase etc.

41. THIS IS THE KIND OF STAGE WE HAVE HERE AT ALLATOONA
PROSCENIUM STAGE
A stage with a permanent framed opening through which the audience sees the play.
THIS IS THE KIND OF STAGE WE HAVE HERE AT ALLATOONA

42. A slanted stage, where upstage is slightly higher than downstage.
RAKED STAGE
A slanted stage, where upstage is slightly higher than downstage.

43. READERS THEATRE
A form of theatre in which actors are seated and read aloud from a script.

44. A part in a play, t.v. show or movie.
ROLE
A part in a play, t.v. show or movie.

45. A rehearsal without interruption.
RUN-THROUGH
A rehearsal without interruption.

46. SCENERY
The background pieces such as flats and drops to create the play’s setting.

47. SIGHTLINES
Imaginary lines indicating visibility of stage areas from different points in the house.

48. STAGE LEFT
The left side of the stage from the actor’s perspective as he or she faces the audience.

49. The area where the action of the play takes place.
STAGE
The area where the action of the play takes place.

50. Those who shift the sets and props during rehearsals and performances.
STAGE CREW
Those who shift the sets and props during rehearsals and performances.

51. STAGE MANAGER
Person who assists the director during rehearsals and manages all backstage activity once the play has opened.

52. STAGE RIGHT
The right side of the stage from the actor’s perspective as he or she faces the audience.

53. STRIKE
Taking down the set following the conclusion of a play’s production run.

54. THRUST STAGE
A stage that juts out into the audience area, with the audience usually sitting around its three sides.

55. The stage area farthest away from the audience.
UPSTAGE
The stage area farthest away from the audience.

56. UPSTAGING
Drawing the audience’s attention to yourself when it should be focused on another character.

57. WINGS
Tall cloth covered frames or narrow unframed drops that are placed on either side of the stage.