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Welcome to class # 4 ! -Finish Hrafninn

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Presentation on theme: "Welcome to class # 4 ! -Finish Hrafninn"— Presentation transcript:

1 Intro Seminar - Death, Revenge & Madness in Icelandic literature and culture
Welcome to class # 4 ! -Finish Hrafninn -History and Culture and early literature (compare the viking type Einar’s father, Egill) and the more complex figures -Women, the egging woman, -Why don’t we see any madness in medieval lit? -Bring up to present

2 Cultural development Poems from a common Gmc. era:
2 Cultural development Poems from a common Gmc. era: Alliteration, common deities, common motifs Natural references to lands with a different geography or vegetation from Iceland (Völuspá The Seeress’s Prophecy) - reindeer in the Sayings of the High One The versions we have are probably from the 10th century (MS XIV) - but stories older 5-7c Attila - historical figure

3 The problem of sources Historical writings in XII
3 The problem of sources Historical writings in XII Lándnámabók and Íslendingabók Genealogies, church documents Very concise, often based on oral accounts Writing about the settlement over two centuries later

4 The Sagas Sagas of Icelanders or Family Sagas - Prototypical novels…
4 The Sagas Sagas of Icelanders or Family Sagas - Prototypical novels… Tales in prose, often extending 100s of pages, about the history of the people that settled in Iceland during the time of the Settlement ( ) Historical sources? Written in XIII-XIV centuries Sagas online -

5 Literature as mirror of society
5 Literature as mirror of society What can we glean from the sagas? Mostly peace-loving society w/ obsession for laws (compensates lack of police) Excessive desire of revenge is worthy of blame (cf. Hrafnkel’s saga - Einar’s father) Death and Revenge can be literary topoi to arrange narrative (Byock’s view) On the other hand, few resources in med. Ice. Easy to step on each other’s toes

6 Death and Revenge from literature to society
6 Death and Revenge from literature to society The Viking type (Einar’s father in Hrafnkel´s s., Egill Skallagrímsson in Egil´s s.) In a man, strength, courage, character important Death is irrelevant - fame is all important The wisecracks - despair for unworthy deaths (Egill) Insists on revenge as the only honourable solution (Einar´s f.) Can be a gifted poet (Egill - has feelings…) - just like Odin, god of warriors, thieves and poets. Not the result of an agricultural society - still migration time (Gestur in Hrafninn for ex.)

7 6 Women´s image and role The Viking type (Egging woman in Hrafnkel´s s., Gudrun in Laxdaela s. who incites her husband to kill her former fiance (after a slight…) They had rights (inheritance, divorce) - how common in society though? Never kills, gets a man to do it for her (see Þórdís, Gísli´s sister in The Outlaw who marries her dead husband´s brother to insure revenge)

8 8 Women´s image and role Ctd. Gmc topos: the impossible choice between blood ties (brothers) and acquired family (husbands) - Hilderbrandslied (father-son), Nibelungenlied, Völsunga s., The Outlaw, Hrafninn Maybe had to do with inbreeding, incest etc. She usually holds ties w/ Nature (but there are sorcerers too) - (Völuspá The Seeress’s Prophecy) - the healer, the midwife, the one who predicts the future

9 Where is madness in the middle ages?
9 Where is madness in the middle ages? Surely it existed, but just like mental retardation was not considered a topic worth exploring (Ingjaldur´s fífl -lit. Ingjaldur´s fool- in Gísla saga~The Outlaw). Hard to define at a time when there was no clear notion of what the mind was, much less of its ailments. We start seeing characters that are considered/ could be mad in XVI century (Shakespeare) Otherwise soothsayers, prophets (Joan of Arc?), mystics (Píslarsaga Jóns Magnússonar )

10 More recent history - or 800 ys in a slide (or two)
10 More recent history - or 800 ys in a slide (or two) XIII Age of the Sturlungs 1238 Battle of Örlygsstaðir (death of 50+, and Sighvatur Sturluson, brother of Snorri S.) Civil war caused by very powerful clans 1264 Loss of independence to Norway A century later Norway becomes part of Denmark by marriage

11 The Dark Ages XIV c. ‘lying tales’, decline of literature,
11 The Dark Ages XIV c. ‘lying tales’, decline of literature, Loss of Greenlandic colonies 1300 Eruption of Hekla, loss of cattle, famine 1402 Black death - 1/3 population dies ( left?) XV c. English century - commerce with Britain (Hansa league throughout MA) 1477 Christopher Columbus in Iceland

12 12 The Dark Ages continue 1550 Reformation imposed by Denmark, Jón Arason last Catholic bishop beheaded with his 2 sons. 1602 Denmark imposes the Trade Monopoly (lifted only in 1854) A number of disastrous eruptions from various volcanoes XVIII Smallpox, other diseases and famine kill people Lakagígar: dead - Relocation?

13 Age of Independence 1800 Alþing dissolved
13 Age of Independence 1800 Alþing dissolved 1801 new era of awakening national identity 1843 Alþing re-established as a consultative body Jón Sigurðsson struggles for more autonomy 1874 New Constitution - Christian IX 1904 Home Rule 1911 First motor trawler arrives 1915 Women acquire the right to vote

14 Blessed War 1940 Denmark occupied by Nazi Germany
1941 The US troops relieve the British 1944 Iceland independent 1945 troops leave - Ástandið 1949 Iceland is one of founding members of NATO 1951 Defence agreement between Iceland and US 1952 fishing limit extended to 4 miles 1955 Laxness wins Nobel Prize for Literature miles Cod War with Britain - 3 ys of conflict miles - second Cod War

15 Recent history 1974 The last stretch of Ring Road completed
15 Recent history 1974 The last stretch of Ring Road completed miles - Third Cod War 1980 Vigdís Finnbógadóttir president 1983 First women´s party % in parliament 1986 Reagan Gorbachev summit 1989 Pope´s visit - strong beer sold (after 81 ys) 1995 Avalanches in West Fjords kill 34 people 1998 Laxness dies

16 Literature & Cinema Traditional motifs, folk tales
16 Traditional motifs, folk tales Einar Benediktsson: Solveig í Miklabæ Madness creeps into (mostly female) literature Oppressive husband, persecution mania, loss of a child, metaphor for oppression? Actual disease? Or simply the fear of the other, the one who is different, maybe weak & sensitive (Angels of the Universe, Nói Albinoi) Difference between social classes Dichotomy between Reykjavík vs. countryside (Nói Albinoi, Seagull´s laughter) But the old motifs are not altogether lost….


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