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Design for BreakDown - the challenge of designing for the (inter)active Stage…

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Presentation on theme: "Design for BreakDown - the challenge of designing for the (inter)active Stage…"— Presentation transcript:

1 Design for BreakDown - the challenge of designing for the (inter)active Stage…

2 or designing a ”Action Space” Designing “inside - Out” Designing a “Frame” for the acting” Designing “Outside - in” ?

3 ”Pierrot Lunaire” 1996, Chr. Marthaler/Anna Viebrock The stage as an “Acting Machine”… Popova/Meyerhold ”The Magnificent Cuckold” 1922 ”This work was the culmination of an exchange between the arts, for in this production, the artist not only responded to the theatrical needs of an innovative director, but acually transformed the nature of acting and the very intent of the play through devising such complex ”Acting Maschines”. RoseLee Goldberg, ”Performance Art - from futurism to Present” 1988 ”Pierrot Lunaire” 1996, Chr. Marthaler/Anna Viebrock

4 The labyrinth as a Dramaturgical Model…? Journey to Abadyl “The Anatomy of the Choice”

5 Playground or Character? ”Gezeiten” 2005, Sasha Waltz/Jonathan Bepler ”Big Brother” 2002, PRAMnet PAToolbox

6 The labyrinthine alleys of... The unstable ground of Traora The blinded and unfriendly facades of... Journey to Abadyl

7 Action Space… Oskar Schlemmer ”Figur Und Raumlineatur” 1924

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9 A virtual space…? The notorius jukebox sekt in... Journey to Abadyl A physical environment staged with virtual fragments...

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11 Basker Vision - a theatrical models for group dynamics and a tracking system for drama in mixed reality environment.

12 Spirits on Stage - a narrative city landscape with audience participation.

13 Heaven & Hell ‘Solo’ & ‘Group’

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15 respOnce RespOnce Design For BreakDown - tools and methods for responsive stage design

16 respOnce RespOnce Design For BreakDown - tools and methods for responsive stage design

17 respOnce Oskar Schlemmer ”Die Form” 1924/25 RespOnce Design For BreakDown - tools and methods for responsive stage design

18 respOnce Oskar Schlemmer ”Die Form” 1924/25 RespOnce Design For BreakDown - tools and methods for responsive stage design ?

19 respOnce RespOnce Design For BreakDown - tools and methods for responsive stage design ?

20 respOnce RespOnce Design For BreakDown - tools and methods for responsive stage design The Toolbox - ”Categorization”

21 respOnce RespOnce Design For BreakDown - tools and methods for responsive stage design The Toolbox - ”Transformation”

22 respOnce RespOnce Design For BreakDown - tools and methods for responsive stage design The Toolbox - ”The total Matrix”

23 respOnce RespOnce Design For BreakDown - tools and methods for responsive stage design RespOnce Workshops - Cantabile 2/ SOSA - Vordingborg - Denmark 2004-05 The Toolbox - investigation of the object itself

24 respOnce RespOnce Design For BreakDown - tools and methods for responsive stage design RespOnce Workshops - Cantabile 2/ SOSA - Vordingborg - Denmark 2004-05 The Toolbox - choreographing the object

25 respOnce RespOnce Design For BreakDown - tools and methods for responsive stage design RespOnce Workshops - Cantabile 2/ SOSA - Vordingborg - Denmark 2004-05 The Toolbox - the body in dialogue with the object

26 respOnce RespOnce Design For BreakDown - tools and methods for responsive stage design RespOnce Workshops - Cantabile 2/ SOSA - Vordingborg - Denmark 2004-05 The Toolbox - the process of ”designing” the object

27 respOnce RespOnce Design For BreakDown - tools and methods for responsive stage design RespOnce Workshops - Cantabile 2/ SOSA - Vordingborg - Denmark 2004-05 The Toolbox - changing the expression by changing the material

28 respOnce RespOnce Design For BreakDown - tools and methods for responsive stage design RespOnce Workshops - Cantabile 2/ SOSA - Vordingborg - Denmark 2004-05 The Toolbox - learning from the object

29 respOnce RespOnce Design For BreakDown - tools and methods for responsive stage design RespOnce Workshops - Cantabile 2/ SOSA - Vordingborg - Denmark 2004-05 ”The Dramaturgy of the Object” - Ellen Spens - Danish National School of Theatre - Copenhagen - Denmark 2006 The Chair - Investigating one object though the categories

30 respOnce RespOnce Design For BreakDown - tools and methods for responsive stage design RespOnce Workshops - Cantabile 2/ SOSA - Vordingborg - Denmark 2004-05 The Toolbox - constructing lines of action with objects

31 respOnce RespOnce Design For BreakDown - tools and methods for responsive stage design RespOnce Workshops - Cantabile 2/ SOSA - Vordingborg - Denmark 2004-05 The Toolbox - composition with the object

32 RespOnce Design For BreakDown - how to develop a devising tool for interactive stage design. Conclusion?

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