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Art and Patronage Italians were willing to spend a lot of money on art. / Art communicated social, political, and spiritual values. / Italian banking.

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Presentation on theme: "Art and Patronage Italians were willing to spend a lot of money on art. / Art communicated social, political, and spiritual values. / Italian banking."— Presentation transcript:

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3 Art and Patronage Italians were willing to spend a lot of money on art. / Art communicated social, political, and spiritual values. / Italian banking & international trade interests had the money. Public art in Florence was organized and supported by guilds. Therefore, the consumption of art was used as a form of competition for social & political status!

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5 1. Oil on Stretched Canvas The use of oil paint (minerals mixed with turentine and oil) provided a greater range of rich colors that permitted painters to represent textures and 3-D form.

6 2. Perspective First use of linear perspective! The Trinity Masaccio 1427 What you are, I once was; what I am, you will become. Optical effect of objects receding in the distance through lines that appear to converge at a single point in the picture: “vanishing point” Artists also reduced the size of objects, muted colors, or blurred details as objects got further away.

7 3. The use of Light and Shadow Chiaroscuro Chiaroscuro is a painting technique in which lighter parts seem to emerge from darker areas, producing the illusion of rounded, sculptural relief on a flat surface

8 Chiaroscuro (The walls are flat)

9 4. Geometrical Arrangement of Figures Figures are grouped in a “pyramid configuration” creating a symmetrical composition where the focal point is at the apex.

10 5. Realism & Expression

11 6. Classicism Greco-Roman influence. Secularism. Humanism. Individualism  free standing figures. Symmetry/Balance

12 7. Emphasis on Individualism Batista Sforza & Federico de Montefeltre: The Duke & Dutchess of Urbino Piero della Francesca, 1465-1466.

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14 Lorenzo the Magnificent 1478 - 1521 Cosimo de Medici 1517 - 1574

15 Filippo Brunelleschi 1377 - 1436 Architect Cuppolo of St. Maria del Fiore

16 Filippo Brunelleschi Commissioned to build the cathedral dome. / Used unique architectural concepts.  He studied the ancient Pantheon in Rome.  Used ribs for support.

17 Brunelleschi’s Dome

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20 Supporting the Duomo Walls

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22 Brunelleschi’s Dome

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26 The Dome from the inside

27 Other Famous Domes Il Duomo St. Peter’s St. Paul’s US capital (Florence) (Rome) (London) (Washington)


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