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« Popular culture » and «high culture » : British Visual Art since 1945 L3 Civilisation britannique John Mullen

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Presentation on theme: "« Popular culture » and «high culture » : British Visual Art since 1945 L3 Civilisation britannique John Mullen"— Presentation transcript:

1 « Popular culture » and «high culture » : British Visual Art since 1945 L3 Civilisation britannique John Mullen http://johncmullen.blogspot.com

2 Popular culture Not organized by elite institutions -Accessible without specialist knowledge -Can be produced without long training - Is mainly enjoyed by working class people High culture -is organized by elite institutions (conservatory, Academy of Fine arts, royal college of music…) -Public expected to have specialist knowledge (eg opera) -Production requires long training -Is mainly enjoyed by elite But these characteristics are an over- simplification

3 Visual art: do these fit into the categories « popular culture » and « high culture »? Painting Drawing Sculpture Video installations Street art Photography Ceramics Architecture

4 Art Museums NameCityCountryVisitors annuallyYear reported Palace MuseumBeijing China14,000,000+2014 [3] [3] LouvreParis France9,260,0002014 [1] [1] British MuseumLondon United Kingdom6,695,2132014 [1] [1] Metropolitan Museum of Art New York City United States6,226,7272013 [4] [4] National GalleryLondon United Kingdom6,031,5742013 [4] [4] Vatican Museums Vatican City Vatican City (Rome)Rome Vatican City5,978,8042013 [4] [4] Tate ModernLondon United Kingdom4,884,9392013 [4] [4] National Palace Museum Taipei Taiwan4,500,2782013 [4] [4] National Gallery of Art Washington, D.C. United States4,093,0702013 [4] [4] Musée National d'Art Moderne Paris France3,745,0002013 [4] [4] Musée d'OrsayParis France3,500,0002013 [4] [4] Victoria and Albert Museum London United Kingdom3,290,5002013 [4] [4] Reina SofíaMadrid Spain3,185,4132013 [4] [4] Museum of Modern Art New York City United States3,066,3372013 [4] [4] National Museum of Korea Seoul South Korea3,052,8232013 [4] [4] How popular is « high art »?

5 Monet

6 Picasso Les demoiselles d’Avignon 1907

7 Detail from Picasso’s Guernica 1937

8 « The scream » Edvard Munch 1893

9 Mondrian

10 Pollock

11 Christo and Jeanne Claude

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13 The Tate Gallery

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15 Tate Modern, founded in 2000

16 Tate Liverpool, founded in 1988

17 Tate St. Ives, founded in 1993

18 Tate online

19 The Fourth plinth

20 The empty fourth plinth

21 A work by Bill Woodrow « Regardless of history » 2000

22 Elmgreen and Dragset

23 Artist duo Elmgreen and Dragset have become the latest contemporary artists to unveil a public sculpture on Trafalgar Square’s Fourth Plinth. Elmgreen and Dragset, the artists famous for opening a Prada boutique in the middle of the Texan desert, unveiled their work called Powerless Structures, Fig. 101. The 4.1m high statue is a twist on a traditional equestrian portrait, the artists say, because instead of celebrating military victory and commemorating fame, it acknowledges the “heroism of growing up”.

24 « Nelson’s ship in a bottle » by Yinka Shonibare

25 Statue of Keith Park Air Chief Marshal Sir Keith Rodney Park GCB, KBE, MC & Bar, DFC (15 June 1892 – 6 February 1975) was a New Zealand soldier, First World War flying ace and Second World War Royal Air Force commander

26 Maybe it's unfair to interpret something so hackneyed and drab as art. At least this lamentable sculpture puts the idiocy of the know-nothing artistic conservatives into full public view. You may think much of contemporary art is shallow; you may wish for something deeper, more emotional, more imaginative. But aesthetic regression is not the answer. The simplistic call for figurative art is just lazy-minded. Modern art was called into being by modern life, and as we hurtle into the future there is no sign of its pertinence diminishing. Britain's artistic conversation remains depressingly slight, endlessly fixated on a false confrontation of ancients and moderns, "proper" and "conceptual" art. No meaningful art of our time fits easily into those polarities. Nothing is served by reaffirming them. This statue is a monument to saloon-bar fools. Jonathan Jones in The Guardian

27 One and other

28 Henry Moore 1898-1986

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40 « Nuclear Energy » by Henry Moore

41 Barbara Hepworth 1903-1975

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43 « Single form » by Barbara Hepworth

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49 L S Lowry 1887-1976

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56 Memorial statue to L S Lowry

57 Francis Bacon 1909-1992

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66 Lucien Freud b1922

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75 Tracy Emin b 1963

76 Friendship

77 Everyone I have ever slept with

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80 « My bed » by Tracy Emin

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82 2008

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84 Damian Hirst b 1965

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88 « For the love of God » by Damian Hirst

89 “The Physical Impossibility of Death in the Mind of Someone Living,” 1991

90 Andy Goldsworthy b 1956

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98 Mark Wallinger

99 Brian Haw’s peace camp

100 Mark Wallinger’s reproduction

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102 Ecce homo

103 Bill Woodrow

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106 Anthony Caro (b 1924)

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110 Anthony Gormley (b 1950)

111 The Angel of the North

112 Iron Man

113 Susan Philpsz, winner of the 2010 Turner Prize

114 2011 Turner prize winner: « Do words have voices » by Martin Boyce

115 Turner prize 2012 : Still from the winning video « The woolworths choir of 1979 » by Elizabeth Price

116 Martin Parr b 1952

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122 From « Boring Postcards »

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126 Gallery art vs Street Art Think about -Accessibility to the public -Identification of the public -Cost to the public -Cost to the artist -Profit for the artist -Use of pseudonyms -Use of internet -Political messages -Aesthetic standards -Subaltern messages

127 An older tradition of street art : the murals of Northern Ireland

128 Political murals in Northern Ireland Think about - Relation with the immediate community -Symbolic content -Identification of artists -Expressions of identity

129 1. Nationalist murals

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131 -Reference to a famous French painting -Significant border pattern -Religious content

132 Jim Bryson (25) and Patrick Mulvenna (19) Jim Bryson (25) and Patrick Mulvenna (19) : IRA men shot during a gun battle with the British Army in 1973.

133 Cuchulainn

134 Eire Symbolic content

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136 Loyalist murals

137 King William III of Orange 'King Billy The image of King William III of Orange (known also as 'King Billy ') can be found on many walls in Belfast. This Dutchman who was declared sovereign of England, Scotland and Ireland in February 1689, won the Protestant victory over Catholic King James II (a Scotsman) on 1 July 1690 at the Battle of Boyne.

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140 After « the troubles », the tradition of murals continues,

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142 Banksy b 1974

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151 Dismaland

152 Other street artists in the UK

153 Pang, 2016, London

154 Dale Grimshaw 2016, London

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156 London, 2016

157 Anna Laurini, London 2016

158 Hunto, London 2016

159 Unknown, London 2016

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161 Press coverage of the « Not the Turner Prize » started in protest, by the Conservative « Daily Mail ».

162 Works recently shortlisted for « Not the Turner Prize »


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