1. Archetypes

2. What is an Archetype? Universal patterns which evoke universal meanings in literature, mythology, folklore, etc. regardless of culture or historical period Universal patterns which evoke universal meanings in literature, mythology, folklore, etc. regardless of culture or historical period Formulas for characters, symbols, and situations that have been used throughout the ages Formulas for characters, symbols, and situations that have been used throughout the ages

3. Carl Jung A Swiss psychiatrist who first applied “archetypes” to literature and psychology. A Swiss psychiatrist who first applied “archetypes” to literature and psychology. He believed that part of the human mind contained a collective unconscious shared by all members of the human species, a sort of universal, primal memory. He believed that part of the human mind contained a collective unconscious shared by all members of the human species, a sort of universal, primal memory.

4. Archetypes vs. Stereotypes A stereotype is a preconceived and oversimplified characteristic of a person or group. These often change dramatically over time and can differ greatly depending on location and culture. A stereotype is a preconceived and oversimplified characteristic of a person or group. These often change dramatically over time and can differ greatly depending on location and culture. Archetypes have not changed over time, and they remain the same across countries and cultures. Archetypes have not changed over time, and they remain the same across countries and cultures.

5. Characteristics of the Hero’s Journey The hero is naïve and inexperienced. The hero is naïve and inexperienced. The hero must go on a journey, learn a lesson, change in some way, and return home. The hero must go on a journey, learn a lesson, change in some way, and return home. The origin of the hero is mysterious or the hero loses his/her parents at a young age, being raised by strangers, animals, or a wise guardian. The origin of the hero is mysterious or the hero loses his/her parents at a young age, being raised by strangers, animals, or a wise guardian. The hero is special, one of a kind. He/she might represent a whole nation or culture. The hero is special, one of a kind. He/she might represent a whole nation or culture.

6. Characteristics cont. The hero has help from divine or supernatural forces. The hero has help from divine or supernatural forces. The hero goes through a rite of passage or initiation, an event that marks a change from an immature to a more mature understanding of the world. The hero goes through a rite of passage or initiation, an event that marks a change from an immature to a more mature understanding of the world. The hero has a loyal band of companions. The hero has a loyal band of companions. The hero suffers an unhealable wound, sometimes an emotional or spiritual wound from which the hero never completely recovers. The hero suffers an unhealable wound, sometimes an emotional or spiritual wound from which the hero never completely recovers.

7. More Heroic Archetypes

8. The Hero as Warrior The Hero as Lover A near god- like hero who faces physical challenges and external enemies. A near god- like hero who faces physical challenges and external enemies. Pure love motivates this hero to complete his quest Pure love motivates this hero to complete his quest

9. Transcendent/Tragic Romantic/Gothic Hero Hero The hero of tragedy whose fatal flaw brings about his downfall, but not without achieving some sort of transforming realization or wisdom The hero of tragedy whose fatal flaw brings about his downfall, but not without achieving some sort of transforming realization or wisdom A Hero with a decidedly dark side A Hero with a decidedly dark side

10. Anti-Hero Defiant Anti-Hero Anti-Hero Defiant Anti-Hero A non-hero, often a failure, frequently humorous A non-hero, often a failure, frequently humorous A hero who goes against society’s definition of heroism/goodness A hero who goes against society’s definition of heroism/goodness

11. More Character Archetypes

12. Young Man from the Provinces The hero is taken away as an infant or youth and raised by strangers. The hero is taken away as an infant or youth and raised by strangers. He or she later returns home as a stranger and able to recognize new problems and new solutions. He or she later returns home as a stranger and able to recognize new problems and new solutions.

13. The Initiates These are young heroes who, prior to the quest, must endure some training and ritual. These are young heroes who, prior to the quest, must endure some training and ritual. They are usually innocent at this stage. They are usually innocent at this stage. The Initiate often wears white. The Initiate often wears white.

14. The Mentor The Mentor is an older, wiser teacher to the hero. The Mentor is an older, wiser teacher to the hero. He often serves as a father or mother figure. He often serves as a father or mother figure. He gives the hero gifts (weapons, food, magic, information). He gives the hero gifts (weapons, food, magic, information). He serves as a role model or as hero’s conscience He serves as a role model or as hero’s conscience

15. The Blind-Seer They are blind, and yet, they can see much more than others. They are blind, and yet, they can see much more than others. The sacrifice of sight often results in greater cosmic knowledge The sacrifice of sight often results in greater cosmic knowledge

16. Hunting Group of Companions These are loyal companions willing to face challenges and hardship in order to stay together. These are loyal companions willing to face challenges and hardship in order to stay together.

17. Loyal Retainers Companions of the hero who reflect the nobility and power of the hero. Companions of the hero who reflect the nobility and power of the hero.

18. The Friendly Beast The Gentle Giant A loyal companion (often an animal) showing that nature is on the side of the hero A loyal companion (often an animal) showing that nature is on the side of the hero This character is large in physical size, but is a kind companion to the hero. The gentle giant often lacks intelligence. This character is large in physical size, but is a kind companion to the hero. The gentle giant often lacks intelligence.

19. The Trickster Openly questions and mocks authority Openly questions and mocks authority Encourages impulse and enthusiasm Encourages impulse and enthusiasm Destroys convention and complacency Destroys convention and complacency Promotes chaos and unrest Promotes chaos and unrest

20. The Shadow A worthy opponent with whom the hero must struggle in a fight to the end. A worthy opponent with whom the hero must struggle in a fight to the end. Psychologically can represent the darker side of the hero’s own psyche. Psychologically can represent the darker side of the hero’s own psyche.

21. The Devil Figure This character is meant to represent evil incarnate. This character is meant to represent evil incarnate.

22. The Evil Figure with Ultimately Good Heart A devil figure with the potential to be good A devil figure with the potential to be good This person is usually saved by the love of the hero. This person is usually saved by the love of the hero.

23. The Creature of Nightmare A monster usually summoned from the deepest, darkest part of the human psyche to threaten the lives of the hero/heroine. A monster usually summoned from the deepest, darkest part of the human psyche to threaten the lives of the hero/heroine. Often it is a perversion or desecration of the human body. Often it is a perversion or desecration of the human body.

24. The Scapegoat An animal, or more usually a human, whose death in a public ceremony releases some taint or sin of a community. An animal, or more usually a human, whose death in a public ceremony releases some taint or sin of a community. They are often more powerful in death than in life. They are often more powerful in death than in life.

25. The Outcast A character banished from a social group for some real or imagined crime against his fellow man, usually destined to wander from place to place A character banished from a social group for some real or imagined crime against his fellow man, usually destined to wander from place to place

26. The Platonic Ideal Damsel in Distress A woman who is a source of inspiration to the hero, who has an intellectual rather than physical attraction to her A woman who is a source of inspiration to the hero, who has an intellectual rather than physical attraction to her A vulnerable woman who needs to be rescued by the hero. She is often used as a trap to ensnare the unsuspecting hero. A vulnerable woman who needs to be rescued by the hero. She is often used as a trap to ensnare the unsuspecting hero.

27. The Earth Mother Symbolic of fruition, abundance, and fertility, this character traditionally offers spiritual and emotional nourishment to those with whom she comes in contact. Symbolic of fruition, abundance, and fertility, this character traditionally offers spiritual and emotional nourishment to those with whom she comes in contact. Often depicted in earth colors, or as a healthy size to imply her childbearing capacities. Often depicted in earth colors, or as a healthy size to imply her childbearing capacities.

28. The Temptress Characterized by sensuous beauty, this woman is one to whom the protagonist is physically attracted and who ultimately brings about his downfall. Characterized by sensuous beauty, this woman is one to whom the protagonist is physically attracted and who ultimately brings about his downfall. May appear as a witch or vampire May appear as a witch or vampire

29. Star-Crossed Lovers Two characters engaged in a love affair fated to end tragically for one or both due to the disapproval of society, friends, family, or some tragic situation. Two characters engaged in a love affair fated to end tragically for one or both due to the disapproval of society, friends, family, or some tragic situation.

30. Situational Archetypes

31. The Quest What the Hero must accomplish in order to bring fertility back to the wasteland, usually a search for some talisman, which will restore peace, order, and normalcy to a troubled land. What the Hero must accomplish in order to bring fertility back to the wasteland, usually a search for some talisman, which will restore peace, order, and normalcy to a troubled land.

32. The Initiation This situation refers to a moment, usually psychological, in which an individual comes into maturity. This situation refers to a moment, usually psychological, in which an individual comes into maturity. He or she gains a new awareness into the nature of circumstances and problems and understands his or her responsibility for trying to resolve the dilemma. He or she gains a new awareness into the nature of circumstances and problems and understands his or her responsibility for trying to resolve the dilemma.

33. The Fall The descent from a higher to a lower state of being usually as a punishment for transgression. The descent from a higher to a lower state of being usually as a punishment for transgression. Also involves the loss of innocence. Also involves the loss of innocence.

34. Death and Rebirth This pattern grows out of a parallel between the cycle of nature and the cycle of life. This pattern grows out of a parallel between the cycle of nature and the cycle of life. Thus morning and springtime represent birth, youth, or rebirth, while evening and winter suggest old age or death. Thus morning and springtime represent birth, youth, or rebirth, while evening and winter suggest old age or death.

35. Battle between Good and Evil Obviously, a battle between two primal forces. Obviously, a battle between two primal forces. Mankind shows eternal optimism in the continual portrayal of good triumphing over evil despite great odds. Mankind shows eternal optimism in the continual portrayal of good triumphing over evil despite great odds.

36. Father-Son Conflict In this relationship, the tension is built due to separation from childhood or some other source when the two meet as men. In this relationship, the tension is built due to separation from childhood or some other source when the two meet as men.

37. The Unhealable Wound The Magic Weapon Either a physical or psychological wound that cannot be fully healed. The wound symbolizes a loss of innocence. Either a physical or psychological wound that cannot be fully healed. The wound symbolizes a loss of innocence. The weapon the hero needs in order to complete his quest. The weapon the hero needs in order to complete his quest.

38. Symbolic Archetypes

39. Light Vs. Darkness Fire and Ice Light usually suggests hope, renewal, or intellectual illumination; darkness implies the unknown, ignorance, or despair. Light usually suggests hope, renewal, or intellectual illumination; darkness implies the unknown, ignorance, or despair. Fire represents knowledge, light, life, and rebirth, while ice, like the desert, represents ignorance, darkness, sterility, and death. Fire represents knowledge, light, life, and rebirth, while ice, like the desert, represents ignorance, darkness, sterility, and death.

40. Nature vs. Mechanistic World (Technology) Nature is good while technology is evil. Nature represents man’s original state, while technology represents man’s attempt to warp nature or “play God.” Nature is good while technology is evil. Nature represents man’s original state, while technology represents man’s attempt to warp nature or “play God.”

41. Haven vs. Wilderness Places of safety contrast sharply against a dangerous wilderness. Places of safety contrast sharply against a dangerous wilderness. Heroes are often sheltered for a time to regain health and resources. Heroes are often sheltered for a time to regain health and resources.

42. Water vs. Desert Because Water is necessary to life and growth, it commonly appears as a birth symbol, as baptism symbolizes a spiritual birth. Rain, rivers, oceans, etc. also function the same way. Because Water is necessary to life and growth, it commonly appears as a birth symbol, as baptism symbolizes a spiritual birth. Rain, rivers, oceans, etc. also function the same way. The Desert suggests the opposite. The Desert suggests the opposite.

43. Heaven vs. Hell Man has traditionally associated parts of the universe not accessible to him with the dwelling places of the primordial forces that govern his world. Man has traditionally associated parts of the universe not accessible to him with the dwelling places of the primordial forces that govern his world. The skies and mountaintops house his gods, the bowels of the earth contain diabolic forces. The skies and mountaintops house his gods, the bowels of the earth contain diabolic forces.

44. Supernatural Intervention The gods intervene on the side of the hero or sometimes against him. The gods intervene on the side of the hero or sometimes against him.