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Small Band Programs: Strategies for Success Phillip M. Hash, Ed.D. Calvin College Grand Rapids, Michigan Website: pmhmusic.weebly.com

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Presentation on theme: "Small Band Programs: Strategies for Success Phillip M. Hash, Ed.D. Calvin College Grand Rapids, Michigan Website: pmhmusic.weebly.com"— Presentation transcript:

1 Small Band Programs: Strategies for Success Phillip M. Hash, Ed.D. Calvin College Grand Rapids, Michigan Website: pmhmusic.weebly.com Email: pmh3@calvin.edu

2 Clinic Personal experience Working w/ small bands – Rural – Private – Urban Defining “Small” Shabbona HS

3 Five Basic Principles 1.Wide range of abilities 2.Everyone contributes 3.Cover all parts 4.Solutions not ideal - OK 5. Must create musical success today! “Will _____ create a more musical experience for students?”

4 Instruments Insts. in good repair Mouthpieces & Reeds Beginning Band Priorities – Woodwind Double Reeds – Brass Horns Use similar equipment Leave out piccolo? See handout for recommendations

5 Non-Traditional Instrumentation EEb Ctra. Clarinet EEb Tuba Valve Trombone F or Eb Alto Horn

6 Non-Standard Instrumentation Marching brass Drum set in concert band Electric keyboard Electric bass “Will this strategy…?”

7 Seating Acoustical cup Same parts together Stack large sections Directional brass Bass voices centered together Perc. centered Experiment

8 Fundamentals More apparent in small bands – Tone – Intonation – Balance – Blend Waterloo, Wisconsin, Juvenile Band

9 Chorales All ensemble basics Musical context Chorale Characteristics – Simple, Homophonic – Easy keys and ranges – Consistent SATB scoring – Soft mallets & timpani only 3 & 4 part chorales in handout Unisons & Octaves – 1 part at a time

10 Altering Parts Rewriting or redistributing parts – Missing instruments – Strengthen weak sections – Reduce upper/increase lower parts – Simplify for an individual Goals when altering parts – Maintain composer’s original intent – Leave all parts intact Examples – Folk Song Suite (I) Vaughn Williams – Air and March Purcell/Gordon

11 Transcriptions Transcriptions vs. arrangement Check original score – International Music Score Library Project – http://imslp.org/ Renaissance, Baroque, Classical – Intended for small groups – Often w/ flexible instrumentation Percussion requirements Classical Minuets & Marches

12 Old Band Music PDF Band Music Library PDF Band Music Scans Intended for small band Marches of Fillmore (H. Bennett) & K. L. King Redistributing Parts – Omit Piccolo – Omit Clar. 1 – Use cornet pts. – Trombone T.C. to Tenor Sax – Bass Saxophone – T. C. Bass/Trombone 3 – Eb alto horn to alto sax

13 Flexible Repertoire Ken Harris Marches – Barnhouse European Arrangements Flex-Band Series – Hal Leonard Build a Band Series – Barnhouse American Instrumental Ensemble Series – Salvation Army Various Church instrumental series

14 Jazz Band Music Why not a concert/jazz band? Belwin Jazz Ensemble Series – Grades 1-4 – Works w/ reduced inst. – Alt. pts. for flute, clar., horn, bar. T.C., tuba (bass line) Essential Elements Jazz – Grade 2 – Alt. pts. Little Big Band Series – Hal Leonard – 3 sax, 1 tr., 1 tbone, rhythm – Extra pts. alto, ten., tbone

15 Retention

16 Texas Education Association Band Enrollment (2004-2005) 6 th - 90, 810 7 th - 65, 925 (-27.4%) 8 th - 58, 790 (-38.3%) 9 th - 43, 760 (-63.8%) 12 th - 16, 564 (-81.8%) % Remaining = 18.2%

17 Why Students Quit See Gemeinhardt Studies Reason to Dropout Conflicting Interests Conflicting Schedules Lack of Progress Bored Low Recognition Peer Pressure Cause in Small School (?) Many activities 1 section per class Varying abilities Too easy? Too hard? Attitudes of others Dropping out is a cycle

18 Why Students Stay Social benefits Enjoy Performing Adult influence Musical enjoyment Build Community Perform more often? Communication Has to sound good!!

19 Performance & Scheduling Alternatives Non-Rated Festivals “Comments Only” Guest Conductor or University Visit State Capitol Combined – Parades – Pep Band – Concerts Outside players

20 Thank You!


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