Presentation is loading. Please wait.

Presentation is loading. Please wait.

Hisashi Nakamura & Ria Ulleri

Similar presentations


Presentation on theme: "Hisashi Nakamura & Ria Ulleri"— Presentation transcript:

1 Hisashi Nakamura & Ria Ulleri
Japanese Women in Tanka Poetry Hisashi Nakamura & Ria Ulleri Anglo-Japanese Tanka Society

2 What is Tanka. Empress Iwa no Hime (d. 347) Ono no Komachi (ca
What is Tanka? Empress Iwa no Hime (d.347) Ono no Komachi (ca. 850) Izumi Shikibu (ca ) Princess Shikishi ( )

3 Tanka 短 歌  Short Poem 5 7 syllabic units

4 Of the sea and the pale sky Trembles in the haze.
The far meeting point Of the sea and the pale sky Trembles in the haze. The warm sleeping dunes exhale The remains of summer.

5 Laden with the rusty dust Of the passing years
Stifled by the air Laden with the rusty dust Of the passing years The dead cranes in the shipyard Idly dangle their cables.

6 Year No. of poems First Anthology after 759 4,500
1st Imperial Anthology ,111 8th Imperial Anthology ,978

7 Influence of Tanka No Theatre The Tea Ceremony Ceramic Art Haiku
British & American Imagist Poets

8 Yugen Subtle and profound atmosphere
Infinite tranquil space with lingering suggestiveness Avoiding detailed description

9 Even a body without a heart Can feel this sad beauty;
Monk Saigyo (1118 – 1190) Even a body without a heart Can feel this sad beauty; Snipe take wing from the marsh In the autumn dusk.

10 Cormorant fishing – Maybe they are poling Through the shallows.
Monk Jakuren (1139? – 1202) Cormorant fishing – Maybe they are poling Through the shallows. Swinging and tangling The brazier flares.

11

12

13 No Theatre

14

15

16 The Traditional Sense of Beauty
Cherry Blossoms & Crimson Leaves

17

18

19 Golden Tea Room (Hideyoshi 1537 – 1598)

20 As far as one can see, No cherry blossoms Or crimson leaves-
A thatched hut by a bay In the autumn dusk. Fujiwara no Teika (1162 – 1241)

21 The Tea Ceremony Less is More

22

23 Tea Bowl

24 A bamboo vase for one flower

25 Empress Iwa no Hime Wife of Emperor Nintoku Proclaimed Empress 314 AD
Left Emperor Nintoku AD Died AD

26 Burial Place of Empress Iwa no Hime

27 Burial place of Iwa no Hime

28 Burial place of Emperor Nintoku

29 Burial place of Emperor Nintoku

30 Exchanges of Poems in January 334 AD
Empress Iwa no Hime Emperor Nintoku

31 In case my bowstring should snap.
Emperor Nintoku On my oath as a noble I’d like to place A spare alongside In case my bowstring should snap.

32 Empress Iwa no Hime If it were clothes It would be fine
To put on one over another. But your idea is terrifying Of laying futon side by side.

33 Four Famous Tanka Poems
By Empress Iwa no Hime

34 And the days have passed. Shall I search the mountains,
My Lord has departed And the days have passed. Shall I search the mountains, Going forth to meet him, Or wait and wait for him?

35 Rather, high on the mountain,
No! I would not live, Longing for you. Rather, high on the mountain, A rock for my pillow, I prefer to die.

36 Just as I am I shall wait for my lord Till on my black hair, Trailing unconfined, The frost shall fall.

37 As the morning mist trails
Over the ears of rice In the autumn field, I know not when or where My love will clear away.

38 21 September 342 While Empress Iwa no Hime was away
Emperor Nintoku brought Princess Yata into the palace as his consort. Empress Iwa no Hime left Emperor Nintoku in 342. She died in 347. Princess Yata became the Empress.

39 Empress Iwa no Hime A jealous woman? A woman of pride?

40 Ono no Komachi ( ca. 850 )

41 Komachi

42 Was it because I went to sleep Thinking always of him
That I caught a glimpse of him? Had I known it a dream I would not have awoken.

43 Passion rises within me; A flame running through my breast
When I cannot meet him On a moonless night Passion rises within me; A flame running through my breast Sets my heart on fire.

44 Without showing a change in colour
The thing that fades In this world Is the flower Called the human heart.

45 The colour of the cherry blossom
Has faded vainly In the long rain While in idle thoughts     I have spent my life.

46 That my body will end in pale green;
Alas! How sad to think That my body will end in pale green; After all,     A mist over the fields.

47 Smoke by Catherine Scriven York St John University College
Alas! How sad to think That my body will end in pale green; After all, A mist over the fields. Ono no Komachi

48

49

50

51

52

53

54

55

56 Gender Formation in Poetry The First Imperial Anthology – 905
Some flowering plants were indirectly compared to women Only male poets wrote poems which included these plants

57

58

59

60

61

62 The Image of Komachi in the First Imperial Anthology
Beautiful Pitiable Not strong Like a noble lady who is suffering from a sickness

63 Komachi The first female image created by male poets as part of the gender formation in Japanese poetry.

64 Akita Akita Tokyo

65 Komachi Festival

66

67

68

69

70 Komachi

71 Izumi Shikibu ( ca. 970 – 1030 )

72 Izumi Shikibu one of the ladies-in-waiting of Empress Akiko
notorious for her love affairs the author of The Diary of Izumi Shikibu considered to be the finest poet of the time

73 An affair with Prince Tametaka starts
First marriage First child An affair with Prince Tametaka starts June Prince Tametaka dies at the age of 26 April An affair with Prince Atsumichi starts 1007 Prince Atsumichi dies at the age of 27 Writes the Diary of Izumi Shikibu Second marriage Loss of her first child

74 The Diary of Izumi Shikibu
based on her affair with Prince Atsumichi between April 1003 and January 1004 depicts the inner solitude and aching void of a female heart

75 For my black hair’s disarray I throw myself down,
Without a thought For my black hair’s disarray I throw myself down, Already longing for the one Who ran his fingers through it.

76 Since even my pillow does not know,
I shall not speak. Tell no one What you truly saw- A spring night’s dream.

77 On the bamboo leaves A fine ice fall Patters and patters. How bitter To try to sleep alone!

78 Moon on the mountain rim.
From one dark path Into another Again I may stray. Light the long way,   Moon on the mountain rim.

79 Just glimpsing the lonely clouds,
In the evening, Just glimpsing the lonely clouds, The feeling rises in me Never to gaze       For too long.

80 Tormented by my thoughts
My soul struggles And escapes: A firefly Over the marsh.

81 The dead return tonight, You are not here. Is the place where I live
Although I’ve heard The dead return tonight, You are not here. Is the place where I live   A homeland without a soul?

82 Not to let even the smoke die down I break twigs And feed the flames
In my loneliness, Not to let even the smoke die down I break twigs And feed the flames In this winter mountain home.

83 York St John University College
Laura Morgan York St John University College

84

85

86

87

88

89 Izumi Shikibu A highly professional career woman
Respected by both men and women as the finest poet of the time Taken into Empress Akiko’s confidence

90 Izumi Shikibu Life Tanka Love To write

91 Princess Shikishi Art Work Susan Kruse York St John

92 Princess Shikishi 1149 - 1201 A daughter of Emperor Goshirakawa
Sent to Kamo Shrine in Kyoto to serve as a virgin, consecrated for 10 years till she was 21 years old Remained unmarried all though her life Became a nun in 1190 Died at the age of 53

93

94

95

96

97 Political & Social Background
Princess Shikishi was born in 1149 1156 Civil War 1159 Civil War 1192 Samurai Government was established Princess Shikishi died in 1201

98 The Transient Nature of Human Existence
Civil wars Earthquakes Huge fires Devastating storms Starvation

99 Beating Clothes Clothes were made soft or shiny by beating them on a wooden or stone block.

100 Boxwood Pillow Boxwood was often used to make a support on which a small pillow was placed

101 Cord of my soul It was believed that a cord tied the soul to the body.
Therefore, “cord of my soul” in effect means life itself since the separation of the soul and body means death.

102 The long night’s sleep the “long night’s sleep” is the same as
In Buddhist teaching the “long night’s sleep” is the same as the “long night’s darkness” which is a spiritual darkness caused by earthly desires.

103 Does not feel the coming of spring; Only the slow dropping of gems
Deep in the mountains The pine branch door Does not feel the coming of spring; Only the slow dropping of gems From the melting snow.

104 From somewhere in the clouds, A voice- The cuckoo is sobbing.
Are his tears still falling? A passing shower in the early evening.

105 The clear moon shines cold Near the mountain edge.
The night has worn away. The clear moon shines cold Near the mountain edge. And faintly from the far village of Toochi, Someone beating clothes.

106 There is no corner left unlit; The moonlight in the garden.
As the wind blows cold Leafy shadows clear up Night by night. There is no corner left unlit; The moonlight in the garden.

107 Spent gazing at your blossoms Is long past,
When this day Spent gazing at your blossoms Is long past, You, at least, do not forget me, Plum tree by the eaves.

108 There’s not one who knows. Do not let my pent up tears overflow
Of this love of mine There’s not one who knows. Do not let my pent up tears overflow As I lie here, My dear boxwood pillow.

109 Not knowing where I am bound, For there is no wake to follow,
Guide me over As I row my boat, Not knowing where I am bound, For there is no wake to follow, Breeze on the boundless ocean.

110 Forgetting that the days are passing With my heart concealed,
Unaware, I sigh As the night falls.

111 If you must break, break now. For if I live on
Cord of my soul! If you must break, break now. For if I live on My power to keep this hidden May not endure.

112 Grieving that you are cold-hearted. If you come, let it be
I know I cannot live Until tomorrow Grieving that you are cold-hearted. If you come, let it be Before this night falls.

113 The crowing of the rooster at dawn Pierces me to the heart,
Here on my pillow, Heavy with thoughts Of the long night’s sleep.

114 In the stillness of each dawn I am filled with sadness
Looking afar In the stillness of each dawn I am filled with sadness That the world has not awoken From the long night’s sleep.

115 Broken by the sound of the breeze That plays on the bamboo leaves
Near the window, A dream even shorter Than my fleeting sleep.

116 The Tempest Shakespeare 1611
We are such stuff as dreams are made on, And our little life is rounded with a sleep.

117 Anglo-Japanese Tanka Society


Download ppt "Hisashi Nakamura & Ria Ulleri"

Similar presentations


Ads by Google