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From Idea to Deliverable: Planning and Executing Your Grant-Funded Project Writing a Convincing Narrative Jolene M. Beiser, MA, MLIS Pacifica Radio Archives.

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Presentation on theme: "From Idea to Deliverable: Planning and Executing Your Grant-Funded Project Writing a Convincing Narrative Jolene M. Beiser, MA, MLIS Pacifica Radio Archives."— Presentation transcript:

1 From Idea to Deliverable: Planning and Executing Your Grant-Funded Project Writing a Convincing Narrative Jolene M. Beiser, MA, MLIS Pacifica Radio Archives

2 Pacifica Radio Archives’ Grant history  Four National Endowment for the Arts (NEA) Preservation Grants  Two Grammy Foundation Preservation Grants  California Audiovisual Preservation Project, Ford Foundation  NHPRC 2-year preservation project  “American Women Making History and Culture: 1963-1982”

3 Points to be covered  Finding grants and narrative requirements  NHPRC Narrative overview  Grammy Foundation and NEA Media Arts  What can go wrong  Final tips

4 Finding grants and narrative requirements  Is this the most appropriate grant to apply to?  Does our project meet grant requirements? Look closely.  Talk to your grant officer!  Start writing early  Walk through the submission: be familiar with all of the documents required well before deadline

5 Narrative requirements (NHPRC)  Narrative: description of complete proposal  NHPRC: 20 pages, double spaced, 12pt., etc.  Includes  Overview  National significance of collection  How will the project improve access, use, and increase public understanding of American history?  Who is the project’s audience?  Information about your institution: office hours and access to collections  Materials: use standard archival/library language

6 Narrative requirements (NHPRC con’t)  Includes (con’t)  Digitization  Methodologies: including cost estimates (research metrics)  Work plan, timeline, flow chart  Quantifiable performance objectives  Products to be produced in this project  Skills and qualifications of staff  Publicity and broadening the projects’ reach

7 Grammy Foundation Archiving and Preservation grants  Online “Letter of Inquiry” (LOI)  5,000 character narrative  Separate dissemination plan and biographies of personnel  A brief description of the project, historical significance, national impact, uniqueness and/or at-risk status, existing project partners and/or financial support, if any.

8 NEA media arts  Series of questions  Project description, major project activities, selection, key project dates, promotion & publicity, accessibility, project activity type, project objectives, performance measurements, intended beneficiaries.

9 Pacifica’s 2011 Application Issues: what went wrong  Started LATE  Too much/too little details  Needed further evidence of demand  *Copyright*: lack of clarity  Long term preservation of digital and analog objects  How will the project help the field of archives?

10 Final tips  Start early  Use your grant officer  Run through entire application submission beforehand  Prepare attachments ahead of time  Leave time for editing


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