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Medieval-to- Renaissance Theatre in the Middle Ages The Legacy of Plato (428-347) The Allegory of the Cave.

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Presentation on theme: "Medieval-to- Renaissance Theatre in the Middle Ages The Legacy of Plato (428-347) The Allegory of the Cave."— Presentation transcript:

1 Medieval-to- Renaissance Theatre in the Middle Ages The Legacy of Plato (428-347) The Allegory of the Cave

2 Medieval-to- Renaissance Everyman

3 Medieval-to- Renaissance Everyman

4 Medieval-to- Renaissance Everyman Main character: Everyman

5 Medieval-to- Renaissance Everyman Main character: Everyman Everyman’s Journey: Life

6 Medieval-to- Renaissance Everyman Main character: Everyman Everyman’s Journey: Life Everyman’s Destination: Death

7 Medieval-to- Renaissance Everyman Main character: Everyman Everyman’s Journey: Life Everyman’s Destination: Death Everyman’s Companions: Worldly Possessions...

8 Medieval-to- Renaissance Everyman Main character: Everyman Everyman’s Journey: Life Everyman’s Destination: Death Everyman’s Companions: Worldly Possessions, Good Deeds

9 Medieval-to- Renaissance Everyman Main character: Everyman Everyman’s Journey: Life Everyman’s Destination: Death Everyman’s Companions: Worldly Possessions, Good Deeds Who can complete the journey of Everyman?

10 Medieval-to- Renaissance The Renaissance The Rediscovery of the World  Observational Science Galileo (1564-1642) William Harvey (1578- 1657)

11 Medieval-to- Renaissance The Renaissance The Rediscovery of the World  Observational Science  Painting (Invention of Perspective) Giotto, The Presentation of the Virgin

12 Medieval-to- Renaissance The Renaissance The Rediscovery of the World  Observational Science  Painting (Invention of Perspective) Leonardo da Vinci, The Mona Lisa

13 Medieval-to- Renaissance The Renaissance The Rediscovery of the World  Observational Science  Painting (Invention of Perspective)  Theatre Jean-Baptiste Moliere (1622-1673)

14 Medieval-to- Renaissance The Globe Theatre: Then

15 Medieval-to- Renaissance The Globe Theatre: Now

16 Medieval-to- Renaissance

17 And the Aristotelian “Unities”


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