1. Zen 禪

2. 梁楷 潑墨仙人冊 紙本 水墨畫 縱： 48.7 公分 橫： 27.7 公分 名畫琳瑯冊第二幅 André Masson. Automatic Drawing. (1924). Ink on paper, 9 1/4 x 8 1/8" (23.5 x 20.6 cm). Museum of Modern Art, New York. Museum of Modern Art

3. Zen Emptiness and nothingness 空與無 Dynamism ( 不 / 動 - 如如不動 )‏ Indefinite and surrounding space 無限 Direct experience of here and now (suchness) 當下 ~ Beyond definition by negation 破 (Helen Westgeest, Zen in the fifties. Zwolle : Waanders Publishers ; Amstelveen : Cobra museum voor moderne kunst, 1997. )‏

4. 清水寺 枯山水

5. Ensō 禪圓 zen circle Jiun Sonja 1718-1804 Repetition is not repetition – repetition is a way of aimlessness- Cage: “ In Zen they say, if something is boring after 2 minutes try it for 4. If still boring, try it for 8, 16, 32, and so on. Eventually one discovers that it’s not boring at all but very interesting. “

6. Kosetsu Soryu1595-1666

7. Fukushima Keido1932-

11. Mark Tobey, asked by his Chinese friend Teng Kuei, why Western artists only painted fist that were dead ?

12. Rembrandt Harmensz. van RijnRembrandt Harmensz. van Rijn (1606-1669), Slaughtered Ox, (1655), Musée du Louvre, ParisMusée du Louvre

13. Jan van Kessel (II) (1657-1708) Two cats playing with a fish, oil on copper 23.5 × 31 cm (9.25 × 12.2 in)

14. Mark Tobey (1890-1976): Fire Dancers 1957. Sumi ink

15. Yves Klein Iris Clert Gallery (April 1958), La spécialisation de la sensibilité à l’état matière première en sensibilité picturale stabilisée, Le Vide (The Specialization of Sensibility in the Raw Material State into Stabilized Pictorial Sensibility, The Void): he removed everything in the gallery space except a large cabinet, painted every surface white, and then staged an elaborate entrance procedure for the opening night; The gallery's window was painted blue, and a blue curtain was hung in the entrance lobby, accompanied by republican guards and blue cocktails.

16. Le Saut dans le Vide (Leap into the Void); Photomontage by Harry Shunk of a performance by Yves Klein at Rue Gentil-Bernard, Fontenay-aux-Roses, October 1960.

17. Blue Monochrome Yves Klein (French, 1928-1962)‏Yves Klein 1961. Dry pigment in synthetic polymer medium on cotton over plywood, 6' 4 7/8" x 55 1/8" (195.1 x 140 cm). The Sidney and Harriet Janis Collection. © 2011 Artists Rights Society (ARS), New York / ADAGP, Paris Monochrome abstraction—the use of one color over an entire canvas—has been a strategy adopted by many painters wishing to challenge expectations of what an image can and should represent. Klein likened monochrome painting to an "open window to freedom." He worked with a chemist to develop his own particular brand of blue. Made from pure color pigment and a binding medium, it is called International Klein Blue. Klein adopted this hue as a means of evoking the immateriality and boundlessness of his own particular utopian vision of the world.

18. Yves Klein's Untitled Anthropometry (1960), from the Hirshhorn’s collection.

19. Yves Klein and a model during the performance “Anthropométries de l’époque bleue” [Anthropometries of the Blue Epoch] at Galerie Internationale d’art contemporain Paris, March 9, 1960 © 2010 Artists Rights Society (ARS), New York/ADAGP, Paris. Photo by Shunk- Kender © Roy Lichtenstein Foundation, courtesy Yves Klein Archives

20. Palettes 13 Yves Klein Traces de lepoque bleue http://www.youtube.com/embed/vEobNw DOCDI

21. John Cage 1912- 1992 documentary film (1992) director: miroslav sebestik featured: john cage, luciano berio, knud victor...etc John Cage - "Sonata 14 and 15 for Prepared Piano" http://www.youtube.com/watch?v=- 4WD0M_zpFo&feature=related http://www.youtube.com/watch?v=- 4WD0M_zpFo&feature=related http://en.wikipedia.org/wiki/John_Cage

22. Bill Viola Transfiguration Black and white high-definition video on plasma display mounted on wall

23. Nam June Paik (1932-2006) TV Buddha (1974) Closed Circuit video installation with bronze sculpture

24. 石恪 《二祖調心圖》之一 ，日本東京國立博物館藏，縱 35.5 ㎝，橫 129 ㎝。

25. "What I'm trying to do is make something happen by throwing a pebble into the water and creating ripples...I don't want to control the ripples." – Yoko Ono

26. Yoko Ono (1933- ) Yoko Ono, 'Painting toHammer a Nail', 1966 (photo David Behl) INSTRUCTION PAINTINGS From 1961-2 Yoko Ono made a series of pieces called 'Instruction Paintings'. These were a set of typed instructions (like the one above right) originally in Japanese script but later also in English, exhibited on the wall, just as paintings would be. The apparent absence of images, combined with the instructions of the artist forced the audience to create the work in their imagination.

27. 絹本著色山越阿弥陀図 13 世紀 京都博物館