1. Global And Intercultural Performance 9353001 Hss97 Jasmine

2. 1.Globaliztion ’ s Throughline 1.Globalization ’ s throughline is to integrate all systems. 2.Intercultural performance needs to be studies along with globalization. 3.four kinds of intercultural performance and performance research 4.the dublicity of interculturalism — Daryl Chin

3. 5.difficult to be far away form the globalization.

4. 2.Scenarios of Globalization Competing scenarios. 1.the boosters of globalization- American superheroes to dissolve boundaries. 2.David versus Goliath: Consumers v.s producers. 3.increase Western, especially American hegemony.

5. Wealth is more unevenly distributed than it has ever seen. — Freedman Globalization feeds on disparities od wealth, power, information, and access.

6. 3.Cultural Impositions and Appropriations The race is culturally constructed No “ American ” culture?

7. 4.Is Globalization Good or Bad? 1.cultural bomb-Ngugi wa Thiong ’ o 2.passionate search for a national culture- Franz Fanon. 3.the efforts of the government.

8. 5.Colonial Mimicry 1.The meaning of the colonial mimicry- p.232 first line. “ The ruler could not bear to be perfectly replicated because that would deny them the difference upon which their authority was ultimately based. ” 2.examples:leaders.

9. 3.Nehru 4.Gandhi:being British →not being British

10. 6.Tourist Performances: Leisure Globalization 1.true? 2.virtual and media tourism 3.actual travel 4.the control of the past 5.*Hamisi Box Natives are inferior than those wild animals.

11. 7.The Olympics 1.history 2.Eurocentricity:three evidences.p.241

12. 8.Grotowski ’ s Vertical Transculturalism 1.Grotowski made connections across cultures and back in times seeking what he believed were deep universal human truths. 2. ” poor theatre ” 3. ” Objective Drama ” He wanted to find specific elements of performance that transcended the particular cultures in which they were embedded.

13. Grotowski ’ s ideas are related to globalization:both are universalistic; both are utopian; both depend on the acceptance of certain transcultural assumptions and methods. Difference:Grotowski ’ s reach is vertical.

14. 9.Barba ’ s Horizontal Interculturalism 1.Where is a performer ’ s energy from? 2.pre-expressive patterns.