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German expressionism 1919-1927 COM 320—History of the Moving Image German expressionism 1919-1927.

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Presentation on theme: "German expressionism 1919-1927 COM 320—History of the Moving Image German expressionism 1919-1927."— Presentation transcript:

1 German expressionism 1919-1927
COM 320—History of the Moving Image German expressionism

2 Defining Characteristics
►”Goal to express feelings in the most direct and extreme fashion possible. . . extreme distortion to express an inner emotional reality rather than surface appearances”; S. S. Prawer (Caligari’s Children) raises the possibility that this distortion is quite “real”-- e.g., Caligari sees aspects of the world not readily apparent to others. The Cabinet of Dr. Caligari, Robert Wiene, 1919

3 Form & Style: Mise en scene most important
Narrative structure—(a) legends, (b) the supernatural, horror (but psychological) Siegfried, Fritz Lang, 1924 The Cabinet of Dr. Caligari, Robert Wiene, 1919

4 Form & Style: Mise en scene most important
Narrative structure—(a) legends, (b) the supernatural, horror (but psychological) Distortion, stylization of sets, costumes, makeup, acting, lighting The Cabinet of Dr. Caligari, Robert Wiene, 1919

5 Form & Style: Mise en scene most important
Narrative structure—(a) legends, (b) the supernatural, horror (but psychological) Distortion, stylization of sets, costumes, makeup, acting, lighting High contrast (in film, B&W; in the other arts, with colors) Nosferatu, F. W. Murnau, 1922

6 High contrast (in film, B&W; in the other arts, with colors)
Form & Style: Mise en scene most important The Scream, Edvard Munch, 1893 (Norwegian) Piggies, Franz Marc, 1912 Self Portrait with Hat, Karl Schmidt-Rottluff, 1919 High contrast (in film, B&W; in the other arts, with colors)

7 Form & Style: Mise en scene most important
Narrative structure—(a) legends, (b) the supernatural, horror (but psychological) Distortion, stylization of sets, costumes, makeup, acting, lighting High contrast (in film, B&W; in the other arts, with colors) Entirely studio-made (control!)

8 Entirely studio-made (control!)
Siegfried, Fritz Lang, 1924

9 Background In a commercial film context
Growth fostered by inflation/reparations that favored export of products including film, import ban Artistically, part of movement begun about 1908 During the Weimar Period The origins of a national cinema--UFA

10 Background UFA UFA = Universum Film AG (originally Universum Film Aktiengesellschaft) Created by German government in 1917 as a WWI propaganda arm, by consolidating most of Germany‘s commercial studios After a 1921 merger with Decla-Bioscop, "with government, industrial and banking support," UFA enjoyed a near-monopoly Produced many great and influential works during the Weimar Republic years ( approx.) Through many incarnations, UFA still exists today

11 Other Film Types in that Nation at that Time
Historical spectacles (e.g., Ernst Lubitsch’s Madame du Barry)

12 Other Film Types in that Nation at that Time
Historical spectacles (e.g., Ernst Lubitsch’s Madame du Barry) Kammerspiel (e.g., F. W. Murnau’s Last Laugh)

13 Importance of Movement
Widespread impact, due to Germany’s status as #2 filmmaking nation

14 Important Practitioners
Robert Wiene ( ) (Cabinet of Dr. Caligari, 1919)

15 Important Practitioners
Robert Wiene (Cabinet of Dr. Caligari, 1919) Fritz Lang ( ) (Die Niebelungen, including Siegfried, 1923; Metropolis, 1927)

16 Important Practitioners
Robert Wiene (Cabinet of Dr. Caligari, 1919) Fritz Lang (Die Niebelungen, including Siegfried, 1923; Metropolis, 1927) F. W. Murnau ( ) (Nosferatu, 1922; Faust, 1926; Sunrise (U.S. release, 1927))

17 The Death of the Movement
Displaced artistically by new realism, e.g., “street films” (G. W. Pabst)

18 The Death of the Movement
Displaced artistically by new realism, e.g., “street films” (G. W. Pabst) Prominent German Expressionist directors and performers were lured away to Hollywood (including the 1925 Parufamet agreement PAR – UFA – MET) G. W. Pabst F. W. Murnau Emil Jannings Fritz Lang (he ran, rather than being lured)

19 Current Influences and Applications?
The Style! Most of Tim Burton’s films The Crow, similar gothic-styled works

20 Tim Burton images Batman Returns, 1992 Edward Scissorhands, 1990
Beetlejuice, 1988 Beetlejuice, 1988 Nightmare Before Christmas, 1993

21 Tim Burton vs. German Expressionism
Cabinet of Dr. Caligari, 1919 Edward Scissorhands, 1990 Batman Returns, 1992 Cabinet of Dr. Caligari, 1919

22 end


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