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Copyright Practical Applications Gail Director, Digital Library and Archives University Libraries

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Presentation on theme: "Copyright Practical Applications Gail Director, Digital Library and Archives University Libraries"— Presentation transcript:

1 Copyright Practical Applications Gail McMillangailmac@vt.edu Director, Digital Library and Archives University Libraries http://scholar.lib.vt.edu

2 Who owns the copyright? n Creators of original works n Creators' assignees n Employers: works for hire –New York Times et al., Petitioners, v. Jonathan Tasini et al. –Greenberg v. National Geographic Magazine n Why officially register your copyright? –Possibly receive greater compensation, with less documentation when filing an infringement suit

3 Rights of copyright holders 1. Reproduction 2. Modification 3. Distribution 4. Public performance 5. Public display Title 17 U.S.C. Sec. 106

4 Permission or license to use a copyrighted work is NOT required if n Work is a fact or an idea –Phone number, earth is round n Public domain –US; very, very old n Fair use –http://www.utsystem.edu/OGC/IntellectualProperty/copypol2. htm#test

5 Lolly Gassaway: http://www.unc.edu/~unclng/public-d.htm Public Domain

6 Fair Use Before using someone else's work without permission,consider ALL 4 FACTORS 1. Purpose and character of use 2. Nature of the copyrighted work 3. Amount, substantiality 4. Effect Title 17 U.S.C. Sec. 107

7 1. Purpose and character of use n Commercial or educational use © Myth: It's OK--it's for educational purposes. n For profit or not n Degree of transformation; value added –© Myth: I modified it; now it's mine. –Pretty Woman: 2 Live Crew (Campbell, aka Skywalker, et al.) v. Roy Orbison Estate (Acuff Rose Music, Inc.), 1993/94 n For criticism, commentary, news reporting, teaching, scholarship, research FAIR USE 1 of 4

8 2. Nature of the copyrighted work n Worthy of (extensive) protection? n Character of the work? –fact (information) or fiction (imaginative) Published facts weigh in favor of fair use Unpublished original expressions weigh in favor of seeking permission FAIR USE 2 of 4

9 3. Amount and substantiality © Myth: Copying just a little bit is OK. n Use only what is necessary –Art n Quantity and quality in relation to the whole work –President Gerald Ford's memoirs: Harper & Row, Publishers, Inc. (Time) v. Nation Enterprises, 1985 http://www.publaw.com/fairuse.html FAIR USE 3 of 4

10 4. Effect n Harm to potential market or value of a work after a portion has been used separately from the whole –© Myths Attribution is as good as permission. It's free advertising. original by Brad Templeton http://www.templetons.com/brad/copymyths.html FAIR USE 4 of 4

11 © Myths n It's on the Web so I can use it without asking. n It doesn't say it's copyrighted! –As of March 1, 1989, the copyright warning does not have to appear for a work to be legally copyrighted. –© 1997 by [your name] or Copyright by [your name] ALL RIGHTS RESERVED –“Permission is given to copy this work provided credit is given and copies are not intended for sale.” n I have to sign away my copyright in order to get published.

12 Copyright Resources n Copyright Management Center –Kenneth Crews, IUPUI –http://www.copyright.iupui.edu/dist_learning.htm n Crash Course in Copyright –Georgia Harper, University of Texas at Austin –http://www.utsystem.edu/OGC/IntellectualProperty/copypol2.htm#test n TEACH Toolkit –http://www.lib.ncsu.edu/scc/legislative/teachkit/guidelines.html n Stanford University Library –http://fairuse.stanford.edu n Stay Alert to Changing Copyright Legislation –http://www.loc.gov/copyright/legislation/ n Library of Congress, Copyright Office –http://lcweb.loc.gov/copyright/ n Copyright Myths: original by Brad Templeton –http://www.templetons.com/brad/copymyths.html


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