1. G.B.Shamilli Two paradigms of the relation between the “part” and the “whole”: from Boethius to Safi al-Din al-Urmawi

2. Two concepts – the musical language and the musical speech are not metaphorical, because the music is an information system Musical language is a system of units ranged from the sound to the scale as a basic structure Musical speech is a succession of sound events which carry a definite sense 2

3. Sound scale : from do 1 to do 5

4. Units of musical language : octave scale

5. Units of musical language : pentachord

6. Units of musical language : tetrachord

7. Units of musical language : interval

8. Units of musical language : sound

9. Hierarchical paradigm of "part-to-whole" relation : the image of the basic structure in Boethius treatise on music

10. Hierarchical paradigm of "part-to-whole" relation : the parts are less than the whole, self-dependent and complementary

11. Hierarchical organization of "part-to-whole" relation : conjunct and disjunct tetrachord relations

12. Hierarchical paradigm of "part-to-whole" relation : the parts are contrary, leaving a gap in between

13. Hierarchical paradigm of "part-to-whole" relation : the whole in case of its augmentation or reduction remains the “sum of its parts”

14. Hierarchical paradigm of "part-to-whole" relation : basic structure in al-Farabi`s theory of music

15. Hierarchical paradigm of "part-to-whole" relation : parde-i Rāst as a generic structure in Neyšabūrī`s theory of music Rāst d-e-f # -g-a-h-c 1 Nawā d-e-f # -g ʻ Uššāq e-f # -g-a Muxālif-i Rāst g-a-h-c 1

16. Hierarchical paradigm of "part-to-whole" relation : generic structure parde-i Rāst in musical theory of Neyšabūrī (1), Muḥammad Laḍiqī (2), Ḥasan Kawkabī (3), Abd al-Raḥmān G̣aznawī (4) N1234 1Rāst 2Muxālif-i RāstˊIrāqIṣfahān 3ˊIrāqIṣfahānˊIrāqʻUššāq 4MuxālifakZīrafkandKūčak 5ḤūsaynīBuzurg Neyrīz-i ˊIrāq 6RahāwīZangulahḤijāz 7IṣfahānRahāwīBūsalik 8MāddahḤūsaynīʻUššāqḤūsaynī 9BūsalikḤijāzīNawāRahāwī 10NawāAbū Salik ̶ Zangulah 11NahāwandNawā ̶ 12ʻUššāq ḤūsaynīNayrīz

17. Hierarchical paradigm of "part-to-whole" relation : basic set in Milton Bebbit`s theory of music

18. Non-hierarchical paradigm of "part-to-whole" relation : basic structure in Saf ī al-Dīn al-Urmawī`s theory of music

19. Non-hierarchical paradigm of "part-to-whole" relation : indissoluble connection between Rāst- `aṣl and ˊIrāq (Būsalik, Ḥijāzī)- farʼ

20. Non-hierarchical organization of "part-to-whole" relation : оne-level and interconvertible relation

21. Non-hierarchical paradigm of “part-whole” connection: al-Urmawī, al-Širāzī, al-Marāġī (1); Anonim XV (2); Amīrḥān (3); al-Jūrjānī (4) N1234 1Uššāq 2Nawā Ḥūsaynī 3Būsalik Rāst 4 Būsalik 5ˊIrāqḤūsaynīRahāwī 6IṣfahānRahābNawā 7RahāwīḤijāzīBuzurg 8NawāZangulahṢefahān 9ḤijāzīˊIrāq 10ḤūsaynīIṣfahānZangulah 11ZangulahZīrafkandḤijāz 12ZīrafkandBuzurgKūčak

22. Non-hierarchical paradigm of “part-whole” connection: the scale of Iranian classical music (dastgāh-i Šūr)

23. Substantial and prosses-dependent architectonics of consciousness: Сlassical Islamic musical genres display different types of sound domain organization on the basis of two implementations of the relation between the part and the whole according to substantive and processual architectonics of consciousness, which is universal and can be found beyond the music of the Islamic world.