1. Unpacking Popular Culture Power, Discourse, and Representation

2. CULTURE personalities and lifestyles –of individuals and groups –That are either accepted or taboo in a society –Based on their similarity (to) or difference (from) the dominant ideologies of that society

3. Who’s culture is Popular Culture? –PC was not about what's popular –PC is has an agenda –It reproduces a very particular type of culture as normal (dominant culture) –That culture/ideology in America is: white, middle class, male, heterosexual

4. Popular Culture as “contested space” –The place where economic difference: was made real legitimated crystallized –This is the making, marking, and maintaining of social difference (Bourdieu)

5. SOCIETY Children’s own culture IDEOLOGIES MEDIA/ POPULAR CULTURE CULTURAL INSUITUTIONS ADULTS

6. Inventing Popular Culture Scholars talk about popular culture in 8 ways: 1.PC as folk culture 2.PC as mass culture 3.PC as the “other” of high culture 4.PC as an arena of hegemony 5.PC as postmodernism 6.PC as the “root” and “routes” of cultural identities 7.PC as popular and mass art 8.PC as globalization

7. Folk Culture Culture outside of the market

9. Mass Culture Baby food

11. the critique here is that: –art has become a fetish use value replaces exchange value –Before its fetishization: art was political art worked to ACTIVATE the political citizen. –After its fetishization, art is entertainment art works to DE-ACTIVATE the political citizen.

12. FETISH

13. Other of High culture High culture is what rich white people do. Other is everything else

15. TASTE =DISTINCTION

16. Hegemony Resistance is possible! Its all about negotiation.

17. How does meaning get made? production consumption NEGOTIATION

18. Political Economy and British Cultural Studies Political Economy Focus: –System of production –who is producing? The Big Question : –Who gets represented? Representation = –Access (to the system of production) Meaning Gets Made –System of production Therefore: –we are sheep Type of PC –mass British Cultural Studies Focus: –Consumption –how do we consume and what are we consuming? The Big Question : –Who gets represented? Representation = –Voice Meaning Gets Made –Us Therefore: –we have agency Type of PC –hegemony

19. The 3 pronged approach (kellner) Political economy Audience reception Textual analysis

20. Postmodernism Pastiche or Brick Layers

21. The Postmodern Condition Which can be seen by the perpetual circulation of images, signs, and texts changes in audience competence and narrative techniques change in what is considered entertainment and cultural literacy Often described as: Negatively Schizophrenic Pastiche Flatness Positively Bricolage Empowering accessible

24. remember cultural relativity?

25. Roots/Routes Where we are coming from and where we are going

26. roots

27. routes

28. Popular Art and Mass Art another step in the high/low stair case *What Benjamin is interested in*

29. Aura?

30. For Benjamin, mechanical reproduction has removed aura from art. Benjamin doesn’t see this as such a bad thing –if there is aura- it has a natural, intrinsic value one that some people get and others don’t we are back to the high/low distinction argument. –if there is no aura to the film, the viewer is free to make and mark their own meanings to the film (agency) Benjamin argues for films to be more educational to ENGAGE and ACTIVATE the viewer as political citizen.

31. Globalization It’s a small word afterall. USA!

32. Globalization – lets define it! 1.) the 4 C ’ s; commodities/capital/communication/culture -there is a global flow with all of this across borders 2.) Time and space are displaced 3.) The Global Village: –Hybridization (mixing cultures) OR –Homogenization (sameness of culture-American culture 4.) People are moving!