1. Realism Realism Including Regionalism and Naturalism The Civil War through the early 20 th century

2. Realistic Period Realistic Period (1850-1910)  includes the Civil War, significant industrial inventions, and extensive westward expansion, is one of the most turbulent and creative in American history.  Rejection of Romantic view of life as too idealistic  Writers turn to real life to articulate the tensions and complex events of the time, rather than idealized people or places.  Seek “verisimilitude” (appearance of truth) by portraying “a slice of life” as it really is  Usually objective narrator

3. Realism (1850-1910)  Realistic authors made it their mission  to convey the reality of life, however harsh.  to reflect ordinary people in everyday life, determined yet flawed, struggling to overcome the difficulties of war, family, natural disasters, and human weaknesses.

4.  The Stonebreakers by Gustave Courbet

5.  The Gleaners by Jean-Francois Millet

6. Realism (1850-1910) Major Themes  While good will always triumph over evil, it may not happen in every case in this lifetime  Nature is a powerful force beyond man’s control.  Racism persisted beyond slavery—Reconstruction, Jim Crow, KKK, etc.

7. Transitional Poets  Transitional writers which span the Romantic and Realistic Periods express Transcendental ideas in poetry with realistic detail.  Experimented with new poetic techniques such as free verse and slant rhyme.  Walt Whitman ( 1819-1892 )  Emily Dickinson ( 1830-1886 )

8. Walt Whitman (1819-1892)  Born to a family with modest means  Best known work Leaves of Grass published in 1855  1 st published with 12 poems  Final republished edition in 1891 contained nearly 400 poems  Influenced by Transcendentalists  Revolutionized poetry by creating a new style  Realistic  Free flowing (free verse – without rhythm or rhyme; reflected cadences of everyday speech)  Shockingly candid; 1 st person  Deeply distressed by Civil War and slavery; volunteered as nurse in army hospital

9. Emily Dickinson (1830-1886)  Mostly unknown in her lifetime; most work published after death (about 1800 poems)  Born into prosperous family in Amherst, Massachusetts  Family was intensely religious; she had strong reverence for Bible but equally strong doubts/questions  Became a recluse in early thirties  Known as American literary nonconformist:  Style was stark and concise  Unconventional capitalization and punctuation use (esp. dashes)  Posed riddling questions of life

10. Emily Dickinson

12. Realism (1850-1910)  Civil War writers are primarily concerned with the war, slavery, and to a lesser extent, women’s suffrage.  Abraham Lincoln  Robert E. Lee  Sojourner Truth  Harriet Beecher Stowe  Frederick Douglass

13. Regionalism  Local color writers (also known as Regionalists) focused on a particular region of the country, seeking to represent accurately the culture and beliefs of that area.  Emphasized accurate portrayals of the physical landscape as well as the habits, occupations, and speech (dialect) of the area’s people

14. Regionalism  Local color writers include, among others:  Mark Twain (the Mississippi River valley)  Willa Cather (the Midwest, particularly Nebraska)  Kate Chopin (the South, particularly Louisiana)

15. Naturalism  Realism took a cynical turn to Naturalism when literary writers were exposed to the views of three authors whose scientific or political works appeared near the end of the century.  Charles Darwin—biological determinism  Sigmund Freud—psychological determinism  Karl Marx—socio-economic determinism

16. Naturalism  Naturalistic writers focused on  grim reality,  observed characters much as scientists might observe laboratory animals, and  sought to discover the natural laws which govern human lives.  Naturalists viewed nature and the universe as indifferent, even hostile, to man.

17. Naturalism  The universe of the naturalists is godless, cold, and indifferent.  Life often seems meaningless.  Fate = chance (no free will)  The characters in these works are often helpless victims—trapped by nature, the environment, or their own heritage.  Jack London (novels, short stories)  Stephen Crane (novels, short stories, poetry)  Edwin Arlington Robinson (poetry)  Ambrose Bierce (short stories)