2. Basic Definition of Mystery Subgenre of narrative fiction; often thought of as detective fiction Usually involves a mysterious death or crime to be solved ▫Each suspect must have a credible motive ▫Central character is usually a “detective” who solves a crime

3. Mystery Genre Mystery, crime or puzzle to be solved Main detective character sets out to solve a crime Suspects and motives Overt clues presented Hidden evidence Suspense Foreshadowing Red herrings—kind of foreshadowing clue that leads readers to false conclusions

4. Mystery Elements Law enforcement Crime Weapon (s) Settings (i.e. haunted houses, city streets, deserted areas, dark streets, alleys, & warehouses.) Mood setters (foggy nights, cemeteries, creaking gates, footsteps, thunder, wind, screams, & blood.) Key words (alibi, motive, clues, evidence, victim, sleuth, witness, suspect, & red herrings.)

5. Sub-Genres Amateur detective—protagonist is someone who does not solve crimes for a living British-mystery set in England Comic—makes you laugh about the crime Cozy—amateur detective with a few more rules—no overt violence, very little or no bad language, no overt sex, set in small town, and nothing bad happens to anyone good

6. Sub-Genres Amateur detective—protagonist is someone who does not solve crimes for a living ▫House, M.D. – he’s a doctor not a detective British-mystery set in England ▫The New Sherlock Comic—makes you laugh about the crime ▫Castle Cozy—amateur detective with a few more rules—no overt violence, very little or no bad language, no overt sex, set in small town, and nothing bad happens to anyone good ▫Monk

7. Hard-boiled—criminal tends to be the protagonist rather than the crime fighter. Has lots of bad language, graphic violence, and general examination of society’s underbelly. Historical—set in a time period substantially earlier that when first published; often have real people and/or events in the background and may be well researched Sub-Genres Continued

8. Hard-boiled—criminal tends to be the protagonist rather than the crime fighter. Has lots of bad language, graphic violence, and general examination of society’s underbelly. ▫Dexter Historical—set in a time period substantially earlier that when first published; often have real people and/or events in the background and may be well researched ▫Poirot and Mrs. Marple Sub-Genres Continued

9. Noir—hard-boiled with a few more rules; set in the 1940s or 50s; the men are disenchanted, disillusioned, corrupt or down on their luck; the women are completely loyal, dutiful, loving and plain or completely self-centered, manipulative, mysterious and gorgeous. Police Procedural—protagonist is normally a police detective; Urban settings, dark humor, hard working, street-smart police populate these stories. Also includes profilers, medical examiners, forensic anthropologists, etc. Sub-Genres Continued

10. Noir—hard-boiled with a few more rules; set in the 1940s or 50s; the men are disenchanted, disillusioned, corrupt or down on their luck; the women are completely loyal, dutiful, loving and plain or completely self-centered, manipulative, mysterious and gorgeous. ▫James Bond and Columbo Police Procedural—protagonist is normally a police detective; Urban settings, dark humor, hard working, street-smart police populate these stories. Also includes profilers, medical examiners, forensic anthropologists, etc. ▫Law and Order, Criminal Minds, NCIS, and etc. Sub-Genres Continued

11. Private Detective—protagonist is a private detective Romantic—must have a romantic storyline between the two main characters (not just a “love interest” for the main character) and the romantic storyline must be given page-time roughly equal to the mystery storyline Supernatural—anything from ghosts to psychics to time-traveling detectives Traditional/Classic—puzzle is presented to the reader at the beginning. The plot follows a fairly straight path, strewn with clues, to the solution of the puzzle Sub-Genres Continued

12. Private Detective—protagonist is a private detective ▫Columbo Romantic—must have a romantic storyline between the two main characters (not just a “love interest” for the main character) and the romantic storyline must be given page-time roughly equal to the mystery storyline ▫Castle Supernatural—anything from ghosts to psychics to time-traveling detectives ▫Lost, Avatar-The Last Airbender, Supernatural, and etc. Traditional/Classic—puzzle is presented to the reader at the beginning. The plot follows a fairly straight path, strewn with clues, to the solution of the puzzle ▫Homeland, 24, Prison Break, and etc. Sub-Genres Continued

13. History Edgar Allan Poe introduced fiction’s first fictional detective in 1841 (birth of mystery): Auguste C. Dupin in “The Murders in the Rue Morgue” - most famous example of a mystery style known as the locked room (a murder victim is found inside an apparently sealed enclosure and the detective’s challenge is to discover the murderer’s reasoning) Acknowledged as the father of the mystery story

14. Anna Katherine Green 1878—first woman to write a detective novel— The Leavenworth Case Sir Arthur Conan Doyle Sherlock Holmes character had a distinct style and flair for deducing clues Reliable sidekick: Dr. Watson

15. Agatha Christie Wrote more than 80 novels Career spanned more than 50 years Probably the best known mystery writer in history Wrote novels about her famous Belgian sleuth Hercule Poirot

16. Penguins Developed by Allen Lane and his 2 brothers During height of Golden Age Paperback line issued in 1935 with only 10 titles but quickly grew to 70 titles within a year Easily accessible to the public due to their much lower cost and availability in department stores

17. The Shadow 1940s Radio shows took off and became very popular Most famous radio mystery

18. TV Mysteries ▫Murder, She Wrote ▫Hawaii 5-O ▫Kojak ▫Hill Street Blues ▫Lost ▫The X Files ▫Twin Peaks ▫Columbo ▫The Rockford Files ▫Law and Order ▫NCIS ▫CSI ▫Castle ▫Criminal Minds ▫Pretty Little Liars ▫Scooby Doo ▫Monk ▫Veronica Mars ▫Dexter ▫24

19. Contemporary Authors Patricia Cornwell Tess Gerritsen Lisa Jackson Robin Cook Sue Grafton Robert B. Parker James Patterson

20. Children’s Mysteries Nancy Drew The Hardy Boys Encyclopedia Brown The Goosebump Series by R.L. Stine Scooby Doo

21. Common Vocabulary Case—a matter requiring investigation Victim—the person negatively affected by a mysterious event or crime Clue—something that appears to give information toward solving a crime Sleuth-person who investigates a crime or mystery Evidence—someone or something that proves who committed a crime or was involved in a mystery Suspect—person who appears to have a motive to have committed the crime

22. Witness—person who has personal knowledge about the crime or event Alibi—evidence offered by a suspect to prove they were not at the scene of the crime Deduction—collecting facts and using them to draw a conclusion Mood—state of mind or feeling Motive—thought or feeling that makes one act Common Vocabulary Continued

23. Suspense Hitchcock says suspense bears no relationship to fear. Instead, it is the state of waiting for something to happen. Crucial to the Hitchcockian thriller is the difference between suspense and surprise. To put it simply, the director said that if you have a scene where two characters are conversing in a cafe, and a bomb suddenly goes off under the table, the audience experiences surprise. On the other hand, if the audience sees the saboteur place the bomb, is told that it will go off at one o'clock, and can see a clock in the scene, the mundane conversation between two cafe patrons now becomes one of intense suspense, as the audience holds its collective breath waiting for the explosion. Fifteen minutes of suspense, as opposed to fifteen seconds of surprise. It was therefore necessary, to Alfred Hitchcock, that the audience be as fully informed as possible

24. Based on this principle, the suspense thriller has been loosely defined as a story in which the audience is waiting for something significant to happen. The protagonist's job is to prevent the speeding bus from exploding, or the aliens from eating the crew. The reader experiences a vicarious thrill by identifying with the hero and the danger he faces, becoming a participant in the chase. A mystery, on the other hand, is a novel of revelation, with action more mental than physical. A significant event, usually a murder, has just occurred, and the protagonist's job is to discover who committed the crime, and why. The dilemma created for the writer of traditional mysteries is the fact that the villain and the details of the crime must remain unidentified, breaking Hitchcock's rule of keeping the audience informed.

25. Crime Fiction Requirements Must be fiction. Names, places and events may be real, but the plot is fictitious. True crime is not a sub-category. Must be a crime Must be an investigative process Must be a solution for the crime

26. Detective Fiction Typically has a recurring character who is usually the investigator Classic example is the Private Eye—normally fall into the sub-genres hard-boiled and soft-boiled Cozy is a popular form—normally has a non- professional detective Police-procedurals fit in this category too

27. Arc-of-Suspense Suspense drives fiction. Arcs stretch suspense. An arc-of-suspense is the technique of making the reader aware of what will happen next and teasing him/her with the possibilities.

28. Types of Arcs Secrecy and mystery Unfinished scene Time pressure arc (beating the clock) Arc to the next chapter Incidental arc Arc of the bizarre Hubris arc (extreme ego) Arc of fate Arc of justice Arc of mistaken identity Arc of one hidden prohibition

29. Review 1. Define Mystery…

30. Review 1. Define Mystery ▫Comes from Narrative ▫Has a mysterious death or crime to be solved

31. Review 1. Mysteries involve…

32. Review 1. Mysteries involve… ▫Mystery, crime or puzzle to be solved ▫Main detective character sets out to solve a crime ▫Suspects and motives ▫Overt clues presented ▫Hidden evidence ▫Suspense ▫Foreshadowing ▫Red herrings

33. Review 1. Mysteries involve what elements…

34. Review 1. Mysteries involve what elements… ▫Law enforcement ▫Crime ▫Weapon(s) ▫Settings (i.e. haunted houses, city streets, deserted areas, dark streets, alleys, & warehouses.) ▫Mood setters (foggy nights, cemeteries, creaking gates, footsteps, thunder, wind, screams, & blood.) ▫Key words (alibi, motive, clues, evidence, victim, sleuth, witness, suspect, & red herrings.)

35. Review Mystery Sub-Genres

36. Review Mystery Sub-Genres ▫Amateur detective ▫British ▫Comic ▫Cozy ▫Hard-boiled ▫Historical ▫Noir ▫Police Procedural

37. Review Who is the father of Mystery?

38. Review Who is the father of Mystery? ▫Edgar Allen Poe

39. Review Who is the father of Mystery? ▫Edgar Allen Poe Who was the first female Mystery writer?

40. Review Who is the father of Mystery? ▫Edgar Allen Poe Who was the first female Mystery writer? ▫Anna Katherine Green

41. Review Who is the father of Mystery? ▫Edgar Allen Poe Who was the first female Mystery writer? ▫Anna Katherine Green What 2 famous characters did Sir Arthur Conan Doyle invent?

42. Review Who is the father of Mystery? ▫Edgar Allen Poe Who was the first female Mystery writer? ▫Anna Katherine Green What 2 famous characters did Sir Arthur Conan Doyle invent? ▫Sherlock Holmes and Dr. Watson

43. Review Who is the father of Mystery? ▫Edgar Allen Poe Who was the first female Mystery writer? ▫Anna Katherine Green What 2 famous characters did Sir Arthur Conan Doyle invent? ▫Sherlock Holmes and Dr. Watson Who is Agatha Christie?

44. Review Who is the father of Mystery? ▫Edgar Allen Poe Who was the first female Mystery writer? ▫Anna Katherine Green What 2 famous characters did Sir Arthur Conan Doyle invent? ▫Sherlock Holmes and Dr. Watson Who is Agatha Christie? ▫Female British mystery writer who wrote over 80 novels in 50 years

45. Common Vocabulary Review Case—

46. Common Vocabulary Review Case—a matter requiring investigation

47. Common Vocabulary Review Case—a matter requiring investigation Victim—

48. Common Vocabulary Review Case—a matter requiring investigation Victim—the person negatively affected by a mysterious event or crime

49. Common Vocabulary Review Case—a matter requiring investigation Victim—the person negatively affected by a mysterious event or crime Clue—

50. Common Vocabulary Review Case—a matter requiring investigation Victim—the person negatively affected by a mysterious event or crime Clue—something that appears to give information toward solving a crime

51. Common Vocabulary Review Case—a matter requiring investigation Victim—the person negatively affected by a mysterious event or crime Clue—something that appears to give information toward solving a crime Sleuth-

52. Common Vocabulary Review Case—a matter requiring investigation Victim—the person negatively affected by a mysterious event or crime Clue—something that appears to give information toward solving a crime Sleuth-person who investigates a crime or mystery

53. Common Vocabulary Review Case—a matter requiring investigation Victim—the person negatively affected by a mysterious event or crime Clue—something that appears to give information toward solving a crime Sleuth-person who investigates a crime or mystery Evidence—

54. Common Vocabulary Review Case—a matter requiring investigation Victim—the person negatively affected by a mysterious event or crime Clue—something that appears to give information toward solving a crime Sleuth-person who investigates a crime or mystery Evidence—someone or something that proves who committed a crime or was involved in a mystery

55. Common Vocabulary Review Case—a matter requiring investigation Victim—the person negatively affected by a mysterious event or crime Clue—something that appears to give information toward solving a crime Sleuth-person who investigates a crime or mystery Evidence—someone or something that proves who committed a crime or was involved in a mystery Suspect—

56. Common Vocabulary Review Case—a matter requiring investigation Victim—the person negatively affected by a mysterious event or crime Clue—something that appears to give information toward solving a crime Sleuth-person who investigates a crime or mystery Evidence—someone or something that proves who committed a crime or was involved in a mystery Suspect—person who appears to have a motive to have committed the crime

57. Witness— Common Vocabulary Review

58. Witness—person who has personal knowledge about the crime or event Common Vocabulary Review

59. Witness—person who has personal knowledge about the crime or event Alibi— Common Vocabulary Review

60. Witness—person who has personal knowledge about the crime or event Alibi—evidence offered by a suspect to prove they were not at the scene of the crime Common Vocabulary Review

61. Witness—person who has personal knowledge about the crime or event Alibi—evidence offered by a suspect to prove they were not at the scene of the crime Deduction— Common Vocabulary Review

62. Witness—person who has personal knowledge about the crime or event Alibi—evidence offered by a suspect to prove they were not at the scene of the crime Deduction—collecting facts and using them to draw a conclusion Common Vocabulary Review

63. Witness—person who has personal knowledge about the crime or event Alibi—evidence offered by a suspect to prove they were not at the scene of the crime Deduction—collecting facts and using them to draw a conclusion Mood— Common Vocabulary Review

64. Witness—person who has personal knowledge about the crime or event Alibi—evidence offered by a suspect to prove they were not at the scene of the crime Deduction—collecting facts and using them to draw a conclusion Mood—state of mind or feeling Common Vocabulary Review

65. Witness—person who has personal knowledge about the crime or event Alibi—evidence offered by a suspect to prove they were not at the scene of the crime Deduction—collecting facts and using them to draw a conclusion Mood—state of mind or feeling Motive— Common Vocabulary Review

66. Witness—person who has personal knowledge about the crime or event Alibi—evidence offered by a suspect to prove they were not at the scene of the crime Deduction—collecting facts and using them to draw a conclusion Mood—state of mind or feeling Motive—thought or feeling that makes one act Common Vocabulary Review

67. Review Arcs Why do we have Mystery Arcs?

68. Review Arcs Why do we have Mystery Arcs? ▫Suspense drives fiction. ▫Arcs stretch suspense.

69. Review Arcs Why do we have Mystery Arcs? ▫Suspense drives fiction. ▫Arcs stretch suspense. Mystery Arc Examples?

70. Review Arcs Why do we have Mystery Arcs? ▫Suspense drives fiction. ▫Arcs stretch suspense. Mystery Arc Examples? ▫Secrecy and mystery ▫Unfinished scene ▫Time pressure arc ▫Arc to the next chapter ▫Incidental arc ▫Arc of the bizarre ▫Hubris arc ▫Arc of fate ▫Arc of justice ▫Arc of mistaken identity ▫Arc of one hidden prohibition

71. Review Arcs Why do we have Mystery Arcs? ▫Suspense drives fiction. ▫Arcs stretch suspense. Mystery Arc Examples? ▫Secrecy and mystery ▫Unfinished scene ▫Time pressure arc ▫Arc to the next chapter ▫Incidental arc ▫Arc of the bizarre ▫Hubris arc ▫Arc of fate ▫Arc of justice ▫Arc of mistaken identity ▫Arc of one hidden prohibition

72. Mystery PowerPoint Test-Friday Definitions Elements Genres Major Players and their contributions Vocabulary Arcs Be prepared for a few discussion questions where you will have to match and defend mysteries. For example: ▫What is an example of a Romantic genre mystery? Defend your example and character.  “Moonlighting” is an example of a romantic mystery. The two leading character, Dave and Maddie work as private detectives. They have a romantic relationship and often flirt with each other. They are jealous when they see the other one on a date. There is tension between the two characters and by the series end, they are together. They work together as private detectives but they also work together as a couple.