1. ELECTRONIC CONDUCTING SYSTEM An easy way of learning how to conduct music Kenzo Abrahams Supervisor: Mehrdad Ghaziasgar Co-supervisor: James Connon Assited by: Diego Mushfieldt

2. Overview  Introduction  User Requirements  Requirements Analysis  Assumptions about the project  Project Plan

3. Introduction  Interactive Conducting System  A system that allows a user to conduct a virtual orchestra  Conductors gestures captured using webcam  Depending on gestures orchestra plays accordingly  Can be an easy way of learning how to conduct music  Easy and fun but at the same time informative  Spread awareness about classical music

4. User Requirements  Provide the user with a means to perform conduction  Queuing the ensembles when to play  Controlling volume of the ensembles  Maintaining or changing tempo  Provide a brief introduction to the theory of music  Not focus of project  Some written literature will be provided

5. Requirements Analysis

17. Volume, tempo, etc.

18. Assumptions about the project 1 meter

19. Project Plan GoalDue Date Learn how to use OpenCV and its tools. Elicit the requirements and define a designers interpretation of the problem. Term 1 From the users requirements design a prototype for the system Term 2 Construct the system with all its functionality present Term 3 Test the system and deployment Term 4

20. References  O'Niel, D L. (2008). Music Theater Jobs. Available: http://www.ehow.com/list_6547349_music-theater-jobs.html. Last accessed 29th March 2012.  Bradski, G Kaehler, A. (2008). Getting to Know OpenCV. In: Loukides, M Learning OpenCV. United States of America: O’Reilly. p31-87.  Ivanciuc, O. (2005). SVM - Support Vector Machines. Available: http://www.support-vector-machines.org/. Last accessed 29th March  Nakra, T, Ivanov, Y, Smaragdis, P, Ault, C. (2009). The USB Virtual Maestro: an Interactive Conducting System. NIME2009. 3 (3).  Borchers, J, Hadjakos, A, M¨uhlh¨auser, M. (2006). MICON: A music stand for interactive conducting.. Proceedings of the 2006 conference on New interfaces for musical expression. 4 (2), p254–259.

21. Questions and Answers