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Painterly vs. Linear. Self Portrait (with Black Beret), 1660 Rembrandt.

Published byAubrie McKinney Modified over 8 years ago

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Presentation on theme: "Painterly vs. Linear. Self Portrait (with Black Beret), 1660 Rembrandt."— Presentation transcript:

1 Painterly vs. Linear

2 Self Portrait (with Black Beret), 1660 Rembrandt

3 The Starry Night, 1889 Vincent van Gogh

4 Evangelist Mathaus and Angel, 1661 Rembrandt

5 Musee d’Orsay, 1876 Renior

6 Stop, 2008 Andrew Wyeth

7 Paint applied in a less-controlled manner No closely drawn (guide)lines to follow/fill in Visible brushstrokes Separation in transition of hues/tones – impulsive application of color Dyanism – energy or movement can be felt

8 Birth of Venus, 1484-86 Botticelli

9 Birth of Venus, 1484-86 Botticelli

10 Vicomtesse Othnin d Haussonville, 1845 Ingres

11 Creates the illusion of 3-dimensionality Modeling of the form and objects Drawing/shading academic rather than impulsive No visible brushstrokes – smooth, rendered image Possible visual outline of forms/objects

12 Self Portrait (with Black Beret), 1660 Rembrandt

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