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Melon’s Fantastic Perspective Power-Point Linear perspective is based on the way the human eye sees the world—objects which are closer appear larger,

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Presentation on theme: "Melon’s Fantastic Perspective Power-Point Linear perspective is based on the way the human eye sees the world—objects which are closer appear larger,"— Presentation transcript:

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2 Melon’s Fantastic Perspective Power-Point

3 Linear perspective is based on the way the human eye sees the world—objects which are closer appear larger, and more distant objects appear smaller.

4 To create this illusion of space, the artist establishes a vanishing point on the horizon line. Where is the vanishing point?

5 Objects are drawn using orthogonal lines which lead to the vanishing point(s) Where is the horizon line and vanishing point? How about the orthogonal lines?

6 In one-point perspective, the forms are seen face on and are drawn to a single vanishing point.

7 Objects seen at an angle would be drawn with two- point perspective using two vanishing points. In this lesson we'll focus on one point perspective.

8 In one point perspective you're usually looking into a room, through a corridor, etc. Because you are looking at something "face on", there will be only one vanishing point.

9 I've inserted orthogonal lines to show you where the vanishing point is. All vertical lines are perpendicular to the bottom edge of the picture. Along with orthogonal and horizontal lines they make up a one-point perspective drawing. Raphael's School of Athens

10 Place paper in landscape view.

11 Draw a horizontal line with your T-square lengthwise (extremely lightly) Note: All of my whisper lines will be in the form of a dashed line. This is called your horizon line, where the land meets the atmosphere.

12 Put a dot in the middle of this line. This is called the vanishing point. All receding lines point to this dot. These receding lines are called orthogonal lines.

13 On the left side of your paper draw three squares. One above the horizon line, one on (eye level), and one underneath

14 Using a ruler, measure 1 ½ inches from the left side of the paper and make a light pencil mark on the horizon line. 1 ½ inches 12

15 Using a T-Square, make a vertical line that lines-up with the light pencil mark. 1 ½ inches

16 Using a ruler, measure 2 inches from the new vertical line and make a light pencil mark on the horizon line. 2 inches 12

17 Using a T-Square, make a vertical line that lines-up with the light pencil mark. 2 inches

18 Using a ruler, measure 1 inch from the horizon line on the 1 st vertical line and make a light pencil mark. 1in.

19 Using a ruler, measure 2 inches from the previous mark on the 1 st vertical line and make a light pencil mark. 2 in.

20 Using a ruler, measure 2 inches from the previous mark on the 1 st vertical line and make a light pencil mark. 2 in.

21 Using a ruler, do the same on the bottom half. Measure 1 inch from the horizon line then 2 inches from the previous mark on the 1 st vertical line and make light pencil marks. 2 in. 1in.

22 Do you have six light pencil marks along the first vertical line spaced 2 inches apart? 2 in.

23 Using a T-Square, draw six horizontal lines over the original six “light pencil” marks.

24 What do you see?

25 Erase the light pencil marks, leaving the three squares.

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27 Rule #1: You never draw an orthogonal line that goes through an object (unless that object is transparent). So from each corner of the rectangles you're going to draw a whisper line leading to the vanishing point.

28 Next, you take your T-square and match it up to one of the sides of your boxes.

29 Slide it back along the orthogonal lines and make another line.

30 Do the same with the other side.

31 Darken your whisper lines between the two sets of lines.

32 Repeat with the other squares. Try to make one square really long and the other really short. Notice that you'll only see one side of the square that is on the horizon line.

33 Now erase your whisper lines.

34 To find the center of these shapes, you draw an X as shown. You might need to find the center if you were drawing windows or making letters.

35 To make signs with letters on them, you need to make sure they are in perspective also. The letters should get smaller as they go back.

36 Make sure all of your vertical lines (like on my R and T) are straight up and down. Your horizontal lines should be in perspective (pointed at your vanishing point). Like the A and top of the T.

37 Practice making creative boxes. Such as cereal boxes, dice, trains, presents, etc. See what overlapping can do. Make 5 boxes above the horizon line, 5 below and 5 on the horizon line.

38 Draw a circle above, on and below the horizon line.

39 With rounded objects I always rest one part of my ruler on the vanishing point and then slide the ruler down until it just touches the rounded object. Then you draw your orthogonal line from here.

40 After you do this with both sides, you then make a parallel shape as shown. The shape should mimic exactly what the original line is doing. I sometimes go over the original line a couple of times with my pencil to get the feel of the shape before doing the second line.

41 Fill in the whisper lines between the two lines then erase your whisper lines.

42 Finish the other two shapes.

43 Draw a triangle above, on and below the horizon line.

44 Line up your ruler with one of the sides.

45 Slide it back along the orthogonals so that it's perfectly parallel with your original line.

46 Connect the whisper lines between the lines and fill in your shape. Finish the other two.

47 Geometric shape (shape with sharp edges)

48 Connect each sharp edge to the vanishing point. Notice that orthogonal lines don't go through your shape (unless it's a transparent shape).

49 Just like the triangle you find your edge.

50 Slide it back and make your line.

51 Connect the two sets of lines.


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