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High Renaissance. Leonardo da Vinci 1452-1519 Early Life Madonna of the Rocks –Geometrical arrangement of figures –Chiaroscuro –Sfumato –Foreshortening.

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Presentation on theme: "High Renaissance. Leonardo da Vinci 1452-1519 Early Life Madonna of the Rocks –Geometrical arrangement of figures –Chiaroscuro –Sfumato –Foreshortening."— Presentation transcript:

1 High Renaissance

2 Leonardo da Vinci 1452-1519

3 Early Life Madonna of the Rocks –Geometrical arrangement of figures –Chiaroscuro –Sfumato –Foreshortening –Background treatments –Artists live on commissions

4 Milan Last Supper –Used new fresco method –Built into the room's end Light from the side with the window Door cut below During WWII a bomb hit the monastery Destroyed by erosion

5 “Among all the studies and reasoning, Light chiefly delights the beholder; and among the great features of mathematics the certainty of its demonstrations is what preeminently tends to elevate the mind of the investigator. Perspective, therefore must be preferred to all the discourses and systems of human learning.” – Leonardo da Vinci

6 Mona Lisa The greatness of the Mona Lisa –What do you see?

7 "'Those [artists] who are enamored of practice without science,' Leonardo explained, 'are like sailors who board a ship without rudder and compass, never having any certainty as to whither they go.'" – Isacoff, Stuart, Temperament, Vintage Books, 2001, p. 85.

8 Notebooks Coded –Read R L with a mirror Scientific illustration –Used science to support art

9 Military

10 Aeronautics

11 Anatomy

12 Technology Machines Hydraulics Vehicles on land Architecture Scientific method

13 “Those sciences are vain and filled with errors which are not borne of experiment, the mother of all certainty.” Leonardo da Vinci

14 Legacy Only 17 paintings Notebooks Drawings of unfinished works Diverted rivers to prevent flooding Principles of turbine Cartography Submarine Flying machine Parachute …And much more….

15 Renaissance Man

16 Ancient: –Plato (daVinci) –Aristotle

17 Renaissance Man Renaissance period –Leonardo daVinci –Michelangelo and Raphael –Petrarch, Erasmus, Pico della Mirandola Why were there so many Renaissance men during the Renaissance? –Lack of boundaries between disciplines –Knowledge was just knowledge

18 "I don't buy the notion that the world is organized the way universities and companies are. Ideas don't know what discipline they're in. We might kidnap them and say, 'That's a marketing idea' or 'That's an anthropology idea.' But if you walked up to an idea on the street, it wouldn't know about that." – Gerald Zaltman, Professor of Business Administration at Harvard, personal communication, October 2003.

19 Leonardo’s Environment and Motivation Earning a living (profit) Rivalry with other artists Scientific curiosity Civic duty

20 Michelangelo Buonarroti

21 Early Life Born outside of Florence Apprenticed as a sculptor –Master recognized his talents

22 Commissions by Medici Lived in the Medici palace Studied anatomy Several pieces for the Medici tombs, etc.

23 Rome Commissioned to do Pietá

24 Return to Florence Commissioned to do David

25 David

26 Return to Rome Worked on tomb for Julius II Sistine Chapel

27

28

29 Moses Received funding from Pope Leo X –The Moses

30 St. Peter’s Architect for St. Peter’s

31 Legacy World’s greatest sculptor –See the figure inside the stone and remove excess Painter –Mannerism Poet Architect Engineer

32 Raphael

33 Early Life Born in Urbino Quick learner and hard worker

34 Time in Rome Borrowed techniques from other great artists Often sketched women and children Architect for St. Peter’s Died at 37 and buried in Pantheon

35 School of Athens

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37 Madonna of the Meadow

38 Legacy of Raphael Refinement Exemplar of the Renaissance Expertise: –Artist, archeologist, writer, philosopher, teacher

39 Titian and the Venetian School Characteristics: –Vivid colors –Dynamics and dramatic movement –Sensuality

40 Renaissance Music

41 Basic structure Words dominate Tone painting

42 Texture Middle ages: –Monophonic Renaissance: –Polyphonic Late Renaissance: –Homophonic Harmonies based upon Pythagoras

43 Musical Notation Invented to publish books of music Invented instruments Instrumental arrangements appeared

44 Religious Music Natural sounding music Mass Composer’s music had to be screened

45 Giovanni Palestrina Adult life in Rome –Choirmaster, singer,/ director of music Reactionary period –Church suppressed music that did not enhance words of the Mass –Polyphony was distracting Works were conservative

46 Giovanni Palestrina Wrote over 100 masses –Gregorian chant –Mass in Honor of Pope Marcellus Influenced later music Buried in St. Peter’s Basilica –“The Prince of Music”

47 Secular Music New instruments Chansons favored in the court –Courtly Love Madrigals –Poetry and Music

48 Dances As important as music First considered a separate form of art Some courts had dance masters –“balli”

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