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I Am Quite A Genuine Person: Sales Training and The Limits of Moulding Instrumentality Konstantinos Kakavelakis, Alan Felstead, Alison Fuller, Nick Jewson.

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Presentation on theme: "I Am Quite A Genuine Person: Sales Training and The Limits of Moulding Instrumentality Konstantinos Kakavelakis, Alan Felstead, Alison Fuller, Nick Jewson."— Presentation transcript:

1 I Am Quite A Genuine Person: Sales Training and The Limits of Moulding Instrumentality Konstantinos Kakavelakis, Alan Felstead, Alison Fuller, Nick Jewson & Lorna Unwin Learning as Work Research Project WES Conference, September 12-14 2007, University of Aberdeen

2 Rationale for Research Growth of service economy and sales in particular Managerialist literature links scripts to salespeople performance (Leigh and McGraw 1989, Hubbert et al. 1994, Fohlke 2006) Critical research argues for the necessity of scripts to mask the contradiction of instrumental empathy at the point of selling (Korczynski 2005) Sales workers are assumed to embrace sales scripts/routines sharing an interest with management in controlling the customer (Leidner 1993)

3 Limitations of Existing Research Sales workers are denied agency Lack of emphasis on how sales workers themselves view their role Need for more empirical research to illustrate how scripts indicative of instrumental empathy are enacted in sales interactions Focus on the interplay of dispositions and local contexts in the way salespeople learn to perform their role (Tsoukas 1996, Smith 2006)

4 Our Research Methods Research Setting: The Gym (chain of private fitness clubs) 8 interviews with trainers and managers at the Gyms head office Participant observation of the companys 5 day sales foundation course Course was tape recorded (apart from role plays) and various documents (course workbook, exercises, slides, exam questions) were collected 8 interviews were conducted with the trainer (prior to the course) and the trainees at their individual clubs

5 Different Types of Club Membership

6 Different Prices and Commission Rates

7 The Concept of Instrumental Empathy An organization as represented by the sales workers has to appear as having the customers interests at heart while disguising the fact that the interest is not so much on the customer per se but rather in obtaining the customers money (Korczynski 2005, p.73). Scripts allow sales people to enchant the customer, while at the same time closing the sale

8 Instrumental Empathy as Taught: a) Matching and Mirroring Ones Image It really will help build rapport, the way someone carries themselves as well. If someones very up straight then you would need to match and mirror that; if you can actually physically match and mirror them, that will build even more rapport than just asking questions and using their same language as well (trainer during the course).

9 Instrumental Empathy as Taught: b) Hurting and Rescuing I need to hurt you to really get you to understand why youve walked into my club and what your needs are. And then Im going to rescue you by showing our product (trainer prior to the course). Trainer: What Id like to just talk you through first though is the concept of hurt and rescue. What we tend to do, is a needs analysis needs to be on the emotional side, so the emotive reasons why someone has come in to join a health club. And in order to bring that emotion to the forefront or to the surface, we need to hurt the prospects. Okay? Delegate: Someones burst into tears before. Trainer: Yeah. And you know, you may have people cry. And if they cry you kind of know that youve got to the right level with them, okay? (excerpt from the course)

10 Instrumental Empathy as Taught: c) Objection Handling Subtle dismissal and assumptive close: This is a great way of transitioning – so you see it is only 40 pence per work out, you dont really want to let that stand in your way of achieving your fitness goals do you? BY THE WAY [original], how do you want to pay today, cash, cheque, or credit card? Ask for the money again, if you again receive a no, or objection, use this process to again deal with it (Delegate workbook).

11 Instrumental Empathy as Taught: d)Presenting Prices Always present prospects with the two top priced memberships So we get them [the sales advisors] to present the Red membership and the Blue membership which are our two most expensive memberships. So we present those two and we use the some people chose the Blue membership but our most popular membership is the Red membership, which naturally instigates the person into thinking they take the top price membership. So thats our standard price presentation. Theres a number of different ways you can do it but thats how we try and train everyone to deliver it. Its a very successful price presentation. So after theyve done the price presentation they then learn how to ask for the business and then stay silent (trainer prior to the course).

12 Using and Abusing the Corporate Script Rejection of managerial scripts based on: a) Ethical Grounds b) Pragmatic grounds

13 Ethically Based Rejection Delegate: Okay, well why do we hand out leaflets saying you can get a membership for £29.95? Trainer: In answer to that, thats why you will start seeing marketing going forward with no or higher price points on it. Delegate: So when do you expect us to start trying to sell that membership [top-price] if someone comes in with a leaflet with that price on there? Trainer: Okay, so does that leaflet match absolutely everyones needs? Delegate: No, I know that, Im not saying that, but if someone comes in with a leaflet saying £29.95, then I try and sell them a £99.95 or a £59, well for me it would be £42.95, they would be like, well whats this then [meaning the leaflet]. I think that its quite false advertising then and then its definitely on our part with us advertising.

14 Pragmatically Based Rejection I mean for a business, you know, you should always go the highest no matter what, anyone would know that, but you need to understand on what location youre in, you know, in a city environment I know that not everyone that walks in here could you know, buy a [Red] membership at £63 a month.

15 Explanation: a) dispositions and local context Learning to reject the script as the result of the interplay between individual dispositions and the contextual requirements of the workplace (Tsoukas 1996, Billet 2004, Smith 2006) Whats the point in selling them a membership that means they can use other clubs if they never leave Billericay. That to me is mean selling, I disagree with that. Ive worked in a beauty salon and I was selling products. Ive just always been in that customer service really. So its not like youre offering them something that is bad for them. If its possible Ive tried, the people have walked straight out because this club is not worth £62.95 a month in peoples eyes. No way can I sell a [Red] in this club, were not getting that type of clientele. London yes, London will get that clientele, Birmingham no.

16 Explanation: b) lack of rewards Yeah I think its these targets that are very hard to do, like three heads everyday. If I did three heads everyday and all the members in my team did three heads everyday, there would be no space in this club for all the people that we would be taking on. Whats nine times 360? Its just not feasible. I dont want to be an MSA for the rest of my life. Because theres not enough money in it. Im not here to make my basic, you know the basic wage is so low that they give you commission on top to build on. We get individual commissions but theyre very low, very low. The commission scheme looks amazing, if you can hit target [meaning the team target] you can make a lot of money. But cause we dont hit target theres not a lot of money, yeah.

17 Conclusion Literature assumes that sales employees unproblematically adopt scripts indicative of instrumental empathy to close their customers Our observation of the course confirmed that instrumental empathy as a concept permeates sales training Our interviews showed that instrumental empathy was rejected on the field as a result of: a) Learning to perform the MSA role b) Nature of control in the setting

18 Contacts

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