1. The Taming of the Shrew: Old, New, and Native Comedy

2. What is the crucial defining feature that makes a Renaissance play a comedy? A) lots of jokes B) lots of slapstick C) silly twists and turns in the plot D) ends in marriage E) no one dies

3. Generally, how funny would you rate The Taming of the Shrew? A) Hysterically Funny B) Very Funny C) Moderately Funny D) Not Funny E) So Not Funny

4. How many “comic” plots are there in The Taming of the Shrew? A) 1 B) 2 C) 3 D) 4 E) 5

5. Traditions Influencing Shakespeare’s Comedy 1) Classical Tradition of Comedy Old Comedy (Greek Aristophanes, e.g. The Frogs) political agonistic dialectical identity switching (disguisings) New Comedy (Greek Menander; Roman Terence and esp. Roman Plautus) intrigue plot based on marriage comedy of manners or type characters comedy of situation (disguisings  mix- ups)

6. Traditions Influencing Shakespeare’s Comedy 2) Native (English) Tradition of Comedy Saturnalian festivals of misrule: disguisings and identity switching -e.g., Lord and Lady of Misrule flouting of authority scapegoating the anti-social or marginal (shrews, Jews, foreigners, etc.) drunkenness

7. Taming plots reveal Classical influences: Old Comedy –exchanges of wit esp. initial “wooing” scene of Kate by Petruchio New Comedy –type characters – e.g. Gremio a “pantaloon” (pp. 16, 53) –disguises and deceits by young lovers in order to get around “restraining” fathers esp in Bianca Plot (based on George Gascoigne's Supposes, taken from Ariosto's Il Suppositi, based on Terence's The Eunuch and Plautus's The Captives) And from both traditions: identity switching/disguisings

8. Taming plots reveal Native influences: Katherine/Petruchio plot: Shrew taming popular in England Sly Induction: introduces "game" of Saturnalian festivities play called a "Christmas gambold" or "tumbling- trick" (p. 13); "let the world slip“ (p. 14) Sly and Page are Lord and Lady of Misrule –identity switching/disguisings

9. How many characters change identity in the Bianca wooing plot? A) 1 B) 2 C) 3 D) 4 E) 5

10. Why do they change their identities?

11. In switching identities do they move up or down the social scale? A) up B) down C) some up and some down

13. How many characters change identity in the Induction plot? A) 1 B) 2 C) 3 D) 4 E) 5

14. Why do they change their identities?

15. In switching identities do they move up or down the social scale? A) up B) down C) some up and some down

17. How many characters change identity in the Kate and Petruchio plot? A) 1 B) 2 C) 3 D) 5 E) none

18. Why do they change their identities?

19. In changing identities do they move up or down the social scale? A) up B) down C) some up and some down

21. A question for tonight’s film screening: What does Zeffirelli use as replacement for the Sly Induction?