1. Music Recruitment PLANNING AND TRACKING

2. ANTICIPATING DEPARTMENTAL NEEDS Drumline (31) marching percussion Wind Ensemble (6) concert percussion Orchestra (3) concert percussion Jazz Bands (3) drum set Symphonic Band (6 - 10) concert percussion Percussion Ensemble (7 – 12) Fall Musical (2) concert percussion and drum set

3. PERCUSSION “DEPTH" CHART – WIND ENSEMBLE Wind Ensemble Potential needs for Fall 2013 : – 1 - 2 current students to fill openings – 1 – 2 new students to fill openings Group A Returning Group B Graduating/Degree Requirements completed Seniors (1)1 Juniors (3)3 Sophomores (2)11 Freshman (0)

4. ALL-STATE BAND LISTS FOR SEVERAL YEARS AVAILABLE ON MBA SITE Find students who are repeat members Learn about their directors/teachers, probability of attending UCM Focus on sophomores and juniors Obtain lists from Kansas

5. PERCUSSION “DEPTH”CHART - JAZZ Jazz Ensembles Potential needs (2013, 2014): – No anticipated openings 2013 (unless I find a very strong player who is transferring or a freshman) – Need to recruit at least 1 strong player for 2014 (current freshman is not a likely replacement for Jazz Ensemble 1 in 2014; non-major; not taking lessons) Group A Returning Group B Graduating/Degree Requirements completed Sophomores (2) 1 (leaving after 2013 – 2014 to complete engineering degree) 1 Freshman (1)1

6. NATHAN MORSE Record Keeping Filemaker Database

7. NATHAN MORSE

8. SUMMARY 1. Be aware of departmental needs. 1. Every student benefits from strong ensemble instrumentation. 2. Take advantage of available student lists /contact information, to build a database of potential students. 1. Missouri All-State lists are published on-line. We are working on acquiring district lists for both Missouri and Kansas. 3. Ensure that student information is added to Filemaker database. 1. Ensemble directors may want to contact students, in addition to applied teachers contacting students. 4. Determine student preferred contact methods and contact frequency. 1. This information will help facilitate the number of contacts between applied instructors and ensemble directors. 5. Stay in contact with students based on data (#4) above.