1. A Camera-Projector System for Real-Time 3D Video Marcelo Bernardes, Luiz Velho, Asla Sá, Paulo Carvalho IMPA - VISGRAF Laboratory Procams 2005

2. Overview How it works (b,s)-BCSL code Video + (b,s)-BCSL code Reconstruction pipeline Snapshots Why it works? Discussions

3. How it works - Step 1 Projecting and capturing color patterns –Two slides (S1, S2) having vertical color stripes specially coded are projected on the object. Each slide is followed by the projection of its color complement. –A camera captures the four projected patterns on scene. S1 S1’ S2’ S2 t0t0 t1t1 t2t2 t3t3 Object Color slides

4. How it works - Step 2 Camera/projector correspondence –Zero crossings and projected color stripes are robustly identified in camera images using complementary slides. –Projected color sequences are decoded for each zero crossing giving camera/projector correspondence. - - Zero crossingsProjected colors Zero crossings in camera space Corresponding stripe boundaries in projector space +

5. How it works - Step 3 Photometry and geometry reconstruction –Geometry is computed using camera/projector correspondence images and calibration matrices. –Texture image is obtained by a simple combination of each complementary slide pair. For example, the maximum of each channel gives an image that approximates the full white projector light. Reconstructed texture Reconstructed geometry + *

6. (b,s)-BCSL code The (b,s)-BCSL method defines a coding/decoding procedure for unambiguously finding the number of a stripe transition using s slides and b colors. In our case, we use b=6 colors (R,G,B,Y,M,C) and s=2 slides which gives two codes of length 900 as illustrated below: The color transitions R,G in slide 1 and G,C in slide 2 uniquely map to the transition number p in the O(1) decoding procedure. Slide 2 Slide 1 Stripe transition number = p R G CG … … 1 … … p 899 Slide 2 color sequence: Slide 1 color sequence: p+1 p-1

7. Video + (b,s)-BCSL code The key for real time 3D video is the combination of the (b,s)-BCSL code with video stream. Our scheme has the following features: –A video signal is generated in such a way that each frame contains a slide in the even field the and its complement in the odd field. Frames (S1,S1’) and (S2,S2’) are interleaved in time. –The video signal is sent to both projector and camera. They are synchronized through a genlock signal. –Synchronized camera output is grabbed and pushed into the reconstruction pipeline.

8. Reconstruction pipeline Our reconstruction pipeline is as simple as possible achieving real time 3D video with high quality geometry and photometry at 30Hz. This is possible because: –Every input frame captured gives a new texture image (by combining both fields). –New zero crossings and projected color map are computed for every input frame and correlated to the previous frame zero crossings and projected color map. The (b,s)-BCSL decoded transitions give a new geometry set. The following diagram illustrates the reconstruction pipeline. The frame arrived at time t i gives texture p i from its fields and geometry g i by correlation with the frame arrived at time t i-1. 3D Data

9. Snapshots The bunny-cube 3D video: geometry texture Composed virtual scene

10. Snapshots Moving hand (rendered with lines) Computed surface normals

11. Snapshots Face and mouth movement

12. Snapshots Walking around

13. Why It works? Complementary slides projection is suitable for both photometry and geometry detection. Projected stripe colors are robustly detected through camera/projector color calibration. Stripe transitions are robustly detected by zero- crossings. Slides are captured at 60Hz. This is fast enough for capturing “reasonably normal” motion between consecutive frames. Transition decoding is performed in O(1). While objects move the stripes projected over their surface remain practically stationary!

14. Discussion Current System Embodiment uses NTSC video Pros and Cons Standard off-the-shelf equipment –Widely Available and Good Cost-Benefit Small resolution –640x240 per field. (It reduces the maximum number of stripes around 75.) –Composite video signal has poor color fidelity. (It reduces the transition detection precision at stripe boundaries). Solution: High Definition Digital Video.

15. Alternatives for 3D Video Technologies –Range Sensors (requires additional camera) –Stereo Methods Passive Stereo (not robust for real-time) Active Stereo (needs a projected pattern)  Our system: active stereo with complementary color patterns –Drawback: projector varying light can be uncomfortable for human subjects –Solution: switching complementary slides leads to white light perception as the projection/capture frequency reaches the fusion limit.