1. Welcome Art 8! Please Pick up a 1 copy from each stack from the circle table. Put your name and class color on each. Show me what I expect to see of you for the start of class.

2. Color Theory The art and science of color interaction and effects. SYSTEMS

3. RGBRGB Red Green Blue ADDITIVE COLOR WE ADD COLORS IN ORDER TO GET WHITE Color created from beams of light. This system applies only to devices employing light computer monitors: television sets theater stage lighting

4. Primary Color – ADDITIVE RGB Light! This is how a computer translates color to a monitor.

5. RGB LIGHT RED + GREEN = YELLOW BLUE + GREEN = CYAN RED + BLUE = MAGENTA RED + GREEN + BLUE = WHITE

6. RGBRGB LIGHT FINAL QUESTION: HOW DO YOU GET BLACK? In LIGHT black is the absence of color!

7. CMYKCMYK Cyan Magenta Yellow Black SUBTRACTIVE COLOR WE SUBTRACT COLORS TO GET WHITE Used in printing

8. CYAN + MAGENTA = BLUE MAGENTA + YELLOW = RED CYAN + YELLOW = GREEN C+ Y+ M= BLACK CMYK PRINTING

9. CMYKCMYK FINAL QUESTION: HOW DO YOU GET WHITE? In PRINTING White is the absence of color!

10. The CMYK Color System If you look at a printed page with a magnifying glass you might see something like the illustration. Our eye mixes the colors

11. RYBRYB Red Yellow Blue SUBTRACTIVE COLOR WE SUBTRACT COLORS TO GET WHITE This is what we do in the art room on a regular basis! This is how we mix colors with pigments and dyes: Paint, crayons, colored pencils, pastels etc.

12. Primary Color – RYB Color that all other colors can be made from. These 3 colors can not be made by mixing other colors from this system together. Secondary Color – VGO Color that is made by mixing 2 primary colors together. Tertiary Color – RvRoYoYgBgBv Color that is made by mixing 1 primary color with 1 of the secondary colors that is next to it.

13. Complete Munsen Color Wheel

14. Color Temperature

15. How many colors are there? Older computer systems may be limited to 216 A high quality printer is only capable of producing thousands A monitor can display millions How many colors could you make in paint?

16. Color Wheel * Hue – Is the name of a specific color. The lightness or darkness of a hue.

17. Color Wheel * Hue – Is the name of a specific color. * Value – The lightness or darkness of a hue.

18. Color Wheel * Hue – Is the name of a specific color. * Value – The lightness or darkness of a hue.

19. A: COLOR MIXING & EXPERIMENTATION Value 1.We add black and white to a color to get tints and shades. Tone and Intensity 1.We add compliments to each other to get muddy colors 2. e can mix more and less of other colors to get millions of color variations.

20. A: COLOR MIXING & EXPERIMENTATION Value 1.We add black and white to a color to get tints and shades. Tone and Intensity 1.We add compliments to each other to get muddy colors 2. e can mix more and less of other colors to get millions of color variations.

21. * Tint – A hue that has been mixed with white. * Shade – A hue that has been mixed with black.

22. Color Wheel * Hue – Is the name of a specific color. * Value – The lightness or darkness of a hue. * Intensity – The brightness or dullness of a color.

23. Color Wheel * Hue – Is the name of a specific color. * Value – The lightness or darkness of a hue. * Intensity – The brightness or dullness of a color.

24. A: COLOR MIXING & EXPERIMENTATION Value 1.We add black and white to a color to get tints and shades. Tone and Intensity 1.We add compliments to each other to get muddy colors 2. e can mix more and less of other colors to get millions of color variations.

25. From color mixing experimentation. Value 1.We add black and white to a color to get tints and shades. Tone and Intensity 1.We add complements to each other to get neutral tones. 2. We can mix more and less of other colors to get millions of color variations.

26. Mixing a color with its complement to creates different tones.

27. 1.From color mixing experimentation. Value 1.We add black and white to a color to get tints and shades. Tone and Intensity 1.We add complements to each other to get neutral tones. 2.We can mix more and less of other colors to get millions of color variations.

28. Color Theory The art and science of color interaction and effects. SCHEMES

29. Achromatic – Color scheme based on white, black and varying grays

31. Monochromatic – Color scheme based on variations of a single hue.

33. Analogous – A color scheme based on hues that are adjacent to each other on the color wheel.

34. Mark Ryden

35. Complementary – Two colors opposite each other on the color wheel.

36. Marshall ArismanMaxfield Parrish

37. Hello this is Mrs. Gordon “How do you like them Apples?”

38. Split Complementary – Using the hues next to a color’s complement in a composition.

39. Split Complementary – Using split complements is easier on the eye than complements while still being dramatically opposite in color.

40. Triadic harmony – A color scheme based on three colors which are equidistant on a color wheel.

41. Piet Mondrian