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European Union Youth Orchestra. Summer Concerts 2015.

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Presentation on theme: "European Union Youth Orchestra. Summer Concerts 2015."— Presentation transcript:

1 European Union Youth Orchestra

2 Summer Concerts 2015

3

4 Summer Concerts 2015

5

6 Other Summer Performances 2015 2 Late Night ‘Club’ Sessions Music Gallery Concert in Schloss Grafenegg with 9 groups performing 3 programme ‘trails’ 3 days of performances in the new Spazio Klassik portable concert space 3 MusicLabs dedicated to future careers, conducting and orchestral sound Open Rehearsals Outreach work Global Exchange players European Music Campus Orchestra Concert

7 29 August 2015 Grafenegg

8 The Capital Sounds Project 2016 -2018 Celebrating the music and young musicians of 28 Countries, 28 Capitals, 1 Union, & 40 years of EUYO Summer 2016: Spring 2017: Amsterdam Brussels Athens Dublin Berlin Lisboa Bratislava London Ljubljana Luxembourg Prague Madrid Warsaw Paris Summer 2017: Spring 2018: Bucharest Budapest Copenhagen Nicosia Helsinki Rome Riga Sofia Stockholm Valletta Tallinn Vienna Vilnius Zagreb

9 European Union Youth Orchestra

10

11 Towards 2020 Europe’s most excellent young players are thus being stretched not only by performances in great concert halls with preeminent conductors and soloists, but also by the challenge of making their own horizons into the future through a variety of initiatives

12 Towards 2020: Skilling Musicians & Engaging Audiences in Europe’s Orchestral Sector T2020 VALUES: 1. Future Needs 2. Young People 3. Working Together 4. Expanding Opportunity 5. Promoting Excellence 6. Relevant Skills

13 Towards 2020..... how do we get there? @euyotweets | #T2020 How do we attract new audiences? What skills do orchestral musicians need for 21 st century audiences & society? How should we train the next generation of musical leaders? What about employment and jobs in Europe? How do we persuade “non- audiences”? How do we relate our European situation to Global audiences & societies? How do we deepen the experience of current audiences? What would a model that was transferable to other sectors look like?

14 Towards 2020: Skilling Musicians & Engaging Audiences in Europe’s Orchestral Sector Phase 1: Building the Model

15 Towards 2020: Skilling Musicians & Engaging Audiences in Europe’s Orchestral Sector Phase 1: Partners+Associates Associates

16 Towards 2020: Skilling Musicians & Engaging Audiences in Europe’s Orchestral Sector Partners & Associates Innovation Transferability

17 Towards 2020: Skilling Musicians & Engaging Audiences in Europe’s Orchestral Sector Phase 1 Partners: Residency Partners: Busoni Competition (I), Grafenegg Festival (A), Megaron Thessaloniki (GR) National Partners: Bozar (B), Cyprus Symphony Orchestra Foundation (CY), Music Centre Slovakia (SK) Orchestra Partner: EUYO (UK) Digital Partner: John Goode Cantate (UK) Evaluation Partner: Culture Action Europe (B)

18 Towards 2020: Skilling Musicians & Engaging Audiences in Europe’s Orchestral Sector Phase 1 Associates: National Associates: in all 28 EU Member States Network Associates: EFNYO, Sistema Europe Global Associates: New World Symphony, Sphinx Organisation USA, Neojiba Brazil

19 T2020 Cycle

20 Towards 2020: Skilling Musicians & Engaging Audiences in Europe’s Orchestral Sector Innovation

21 1. New Training Initiatives Music Labs European Music Campus Apprenticeships Global Exchange Programme Career Progression

22 1. New Training Initiatives 2. Increased Orchestral Opportunities Music Labs European Music Campus Apprenticeships Global Exchange Programme Career Progression New Alumni Teaching Projects New Campus Training Orchestra Master Classes & New Orchestras Developed Recruitment

23 1. New Training Initiatives 2. Increased Orchestral Opportunities 3. Audience Development Spazio Klassik Adopt an Orchestra 30s/40s Project REACT Late Night Sessions Pop Up Concerts Music Labs European Music Campus Apprenticeships Global Exchange Programme Career Progression New Alumni Projects New Campus Training Orchestra Master Classes & New Orchestras Developed Recruitment

24 1. New Training Initiatives 2. Increased Orchestral Opportunities 3. Audience Development 4. New Online Spaces Spazio Klassik Adopt an Orchestra 30s/40s Project REACT Late Night Sessions Pop Up Concerts Music Labs European Music Campus Apprenticeships Global Exchange Programme Career Progression New Digital Space New App / Website New Alumni Projects New Campus Training Orchestra Master Classes & New Orchestras Developed Recruitment

25 1. New Training Initiatives 2. Increased Orchestral Opportunities 3. Audience Development 4. New Online Spaces 5. Evaluation Spazio Klassik Adopt an Orchestra 30s/40s Project REACT Late Night Sessions Pop Up Concerts Music Labs European Music Campus Apprenticeships Global Exchange Programme Career Progression New Digital Space New App / Website New Alumni Projects New Campus Training Orchestra Master Classes & New Orchestras Developed Recruitment New Evaluation Methodology

26 Towards 2020: Skilling Musicians & Engaging Audiences in Europe’s Orchestral Sector Transferability

27 Towards 2020: Skilling Musicians & Engaging Audiences in Europe’s Orchestral Sector Transferability Building an exemplar multi sector model useful for 2020s and beyond

28 Towards 2020: Skilling Musicians & Engaging Audiences in Europe’s Orchestral Sector Partners Innovation Transferability

29 Towards 2020: Skilling Musicians & Engaging Audiences in Europe’s Orchestral Sector Phase 2: Developing the Model

30 Towards 2020: Skilling Musicians & Engaging Audiences in Europe’s Orchestral Sector Phase 2: October 2015 – September 2017 Refining, extending and mixing current T2020 Projects New T2020 Partners, Associates, Projects and Orchestras New T2020 Community Matched Corporate Support

31 Towards 2020: Skilling Musicians & Engaging Audiences in Europe’s Orchestral Sector Phase 2: Planning February – June: Stakeholder consultation July – August: Application preparation September: Writing of Application October: Application Submission


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