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Sound or Audio, whichever you prefer –MIDI Files.midi or.mid (Musical Instrument Digital Interface) use for instrumental music. –This format is supported.

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Presentation on theme: "Sound or Audio, whichever you prefer –MIDI Files.midi or.mid (Musical Instrument Digital Interface) use for instrumental music. –This format is supported."— Presentation transcript:

1 Sound or Audio, whichever you prefer –MIDI Files.midi or.mid (Musical Instrument Digital Interface) use for instrumental music. –This format is supported by many browsers & doesn’t require a plug-in. Additionally the file size is comparitively small. However, the user’s soundcard affects the quality of reception. Since MIDI files are synthesized onto the computer special hardware and software is required. –© Dale Krasnoff-Bromberg 2001

2 WAV (Waveform Extension) good quality Don’t require a plug-in Supported by many browsers You can record your own from your own source material, such as a CD, tape or microphone. However, the files are large © Dale Krasnoff-Bromberg 2001

3 Aif (Audio Interchange File Format) or AIFF Has good sound quality, doesn’t require plug-in & is well supported. Like wav, you can also record from CD’s, microphone, etc. Large file size limits length of sound clip © Dale Krasnoff-Bromberg 2001

4 MP3 (Motion Picture Experts Group Audio, or MPEG Audio Layer –3) If properly recorded & compressed, sound quality is very good. And can even be as good as a CD Streaming allows for better listening Very large file size, > Real Audio file Needs plug-in such as RealPlayer, Windows Media Player, etc. –© Dale Krasnoff-Bromberg 2001

5 Ra, ram, rpm (Real Audio) High degree of compression Smaller file size than MP3 Files can be streamed Sound quality not as good as MP3 Requires RealPlayer plug-in © Dale Krasnoff-Bromberg 2001

6 Some definitions Sampling rate – no. of samples over a timed interval for converting analog sound to digital. Measured in KHz Bit Depth – (also called sampling resolution or word length). The more bits, the better the quality. 8 bit sounds like telephone call vs 16 bit like a CD Channels – from 1 – 6 separate channels. Mono = 1 channel, Stereo = 2 channels, etc. –© Dale Krasnoff-Bromberg 2001

7 More Definitions Compression - MPEG & AIFF are compressed in order to save disk space. Streaming – begins playing almost right after the request is made. Requires a special player (which is free). However, software is licensed to server. User doesn’t get a copy of the file. Nonstreaming – entire file needs to be downloaded first. However, special server software is not required. –© Dale Krasnoff-Bromberg 2001

8 Royalty free Sound Sites BEWARE of COPYRIGHTS! http://www.microsoft.com/galler/giles/sounds/ Digital Kitchen @ http://www.dkitchen.comhttp://www.dkitchen.com DXM Production’s Earshot http://www.earshotsfx.com Creative Support Services http://www.cssmusic.com http://www.cssmusic.com © Dale Krasnoff-Bromberg 2001

9 What you can do for better sound 1.Keep it short and sweet, longer, takes longer 2.Mono a mono versus stereo, less is more as they say 3.As for item 2, 8 bit depth takes half the room of 16 bit files 4.Limit sampling rate 1.© Dale Krasnoff-Bromberg 2001

10 Sound Files Cool Edit by Syntrillium @ http://www.syntrillium.com http://www.syntrillium.com SoundEdit by Macromedia @ http://www.macromedia.com http://www.macromedia.com Both of the above can be used to convert sound files between formats. You might want to use Wav for basic sound & RA for streaming © Dale Krasnoff-Bromberg 2001

11 RealMedia Go to http://www.real.comhttp://www.real.com You can get a free version of Real Producer from http://real.cm/products/tools/index.html http://real.cm/products/tools/index.html –© Dale Krasnoff-Bromberg 2001

12 HTML for adding Nonstreaming Audio What a song Using the tag –The plug-in is placed like an image with controls –<EMBED SRC= “audio.mid” CONTROLS=“console” WIDTH=125 HEIGHT=25 AUTOSTART=false>>/EMBED> © Dale Krasnoff-Bromberg 2001

13 Background & A Sound Link If you want background sound, you need to have a loop 40K Sound @ 22.3kHz © Dale Krasnoff-Bromberg 2001


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