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NARRATOR. Type of clay used for altering the shape of the nose or chin and/or making warts and wounds NOSE PUTTY.

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Presentation on theme: "NARRATOR. Type of clay used for altering the shape of the nose or chin and/or making warts and wounds NOSE PUTTY."— Presentation transcript:

1 NARRATOR

2 Type of clay used for altering the shape of the nose or chin and/or making warts and wounds NOSE PUTTY

3 QUICKLY or SLOWLY PACE

4 PANTOMIME

5 AND THE WINNER OF BIG BROTHER 2008 IS….............................. ………………………………… …………………………….. Jennifer!!! PAUSE

6 Presentation of a drama to an audience PERFORMANCE

7 Costume which reflects clothing from a time in history PERIOD COSTUME

8 An item carried or worn on stage by an actor PERSONAL PROP

9 Table in the wings on which all props are placed for actors to collect as they enter and replace as they exit PROPS TABLE

10 HIGH or LOW PITCH

11 another word for a drama PLAY

12 The person who has written the play PLAYWRIGHT

13 The story line of a drama PLOT

14 POSTURE

15 RS OC DR A F P RESENTING E

16 PROFILE SPOTLIGHT

17 PROSCENIUM ARCH

18 Audience follows the action on foot, moving from one location to another PROMENADE THEATRE

19 TO BE OR NOT TO BE THAT IS THE QUESTION To supply forgotten lines to an actor PROMPT

20 Left hand side of the stage where prompter and stage manager sit during the performance PROMPT SIDE

21 Master copy of the script with all moves and technical effects included PROMPT COPY

22 PYROTECHNICS

23 Slope of stage to allow actors to be seen RAKE

24 Stage which turns in a circle REVOLVING STAGE

25 "Fight and you may die. Run and you will live at least awhile. And dying in your bed many years from now, would you be willing to trade all the days from this day to that for one chance, just one chance, to come back here as young men and tell our enemies that they may take our lives but they will never take our freedom!" Appropriate speech for the person being spoken to, or for the situation REGISTER

26 Practice or preparation of a drama REHEARSAL

27 DRAMA CREATED WITHOUT A SCRIPT WHICH IS REHEARSED BEFORE PRESENTATION OR EVERY PERFORMANCE YOU’VE EVER DONE IN DRAMA CLASS REHEARSED IMPROVISATION

28 Lowest area of seating not above stage height STALLS

29 Movements which follow a pattern or a beat RHYTHM

30 Part played by an actor/ attitude adopted ROLE

31 a means of exploring attitudes and beliefs ROLE PLAY

32 ROSTRA Blocks or platforms used to create levels

33 SAFETY CHAIN

34 SCENE ONE Time: 3am. 1852 Place: London Bridge Action: Linus and Sebastion are waiting on the bridge for a signal from the boats below. They don’t get it and are arrested by police. SCENE TWO Time: Morning. Place: Jail Cells Action: Linus and Sebastion send word to their powerful father Lord Snooodgrass. He bails them out of jail. Etc. SCENARIO

35 WHAT DO YOU CALL THE SECTIONS IN THE DRAMA SET INTO ONE PLACE AND ONE TIME? SCENE

36 Resources used to create the setting where a drama takes place, e.g. backcloth, flats, rostra, furniture. SCENERY

37 JULIET O Romeo, Romeo! wherefore art thou Romeo? Deny thy father and refuse thy name; Or, if thou wilt not, be but sworn my love, And I'll no longer be a Capulet. ROMEO [Aside] Shall I hear more, or shall I speak at this? JULIET 'Tis but thy name that is my enemy; Thou art thyself, though not a Montague. What's Montague? it is nor hand, nor foot, Nor arm, nor face, nor any other part Belonging to a man. O, be some other name! What's in a name? that which we call a rose By any other name would smell as sweet; So Romeo would, were he not Romeo call'd, Retain that dear perfection which he owes Without that title. Romeo, doff thy name, And for that name which is no part of thee Take all myself. SCRIPT

38 Scenery used to show where a drama takes place To place a drama in a certain time or place SET

39 An item placed on the set, usually part of it e.g. a lamp, clock, picture SET PROP

40 What the audience sees of the stage from where they are sitting SIGHT LINES

41 Movement performed at a slowed down speed SLOW MOTION

42 ExIt all but Gloucester Was ever woman in this humor wooed? Was ever woman in this humor won I'll have her, but I will not keep her long. What? I that killed her husband and his to take her in her heart's extremest hate, with curses in her mouth, tears in her eyes, the bleeding witness of my hatred by, having God, her conscience, and these bars against me, and I no friends to back my suit at all but the plain devil and dissembling looks? And yet to win her! All the world to nothing! Ha! SOLILOQUY

43 Plastic head-shaped covering to give appearance of baldness SKULL CAP

44 SCARRING

45 STIPPLE SPONGE

46 Used to create a mood or atmosphere on stage e.g. strobe light, mirror ball, smoke machine SPECIAL EFFECTS

47 Glue used to attach hair to the face SPIRIT GUM

48 Drama created ‘on the spot’ without a script or plan SPONTANEOUS IMPROVISATION

49 A stage picture, held without movement TABLEAU

50 TABS

51 A specific group of people at whom a drama is aimed TARGET AUDIENCE

52 Build up of excitement TENSION

53 THEATRE ARTS

54 THEATRE IN THE ROUND

55 LETS FREEZE THE ACTION RIGHT HERE. IF MAXIMUS COULD TALK WHAT WOULD HE SAY? WHAT IS HE THINKING? An aid to characterisation: the character speaks their thoughts out loud THOUGHT TRACKING

56 THOUGHT TUNNEL

57 THRUST STAGE

58 Speaking, moving or pausing at exactly the right moment TIMING

59 Used to create the look of a missing tooth by blacking out an existing one TOOTH VARNISH

60 I LOVE YOU BUT WE SHOULD BREAK UP I HATE YOU HOW COULD YOU!?! EMOTION = TONE

61 A drama about unhappy events and with a sad ending TRAGEDY

62 TRAPDOOR

63 TREADS

64 Piece of scenery on wheels for ease of movement TRUCK

65 Place where a drama is presented VENUE

66 COME IN … IF YOU DAAAARE VOICE OVER

67 KILL THEM ALL NORMAN. WE CAN’T HAVE THEM TREAT US LIKE THIS. VOICES IN THE HEAD

68 Loudness or quietness of the voice VOLUME

69 WINGS

70 The whole acting area is evenly lit WASH

71 Dear Anna, I miss you so much since you left me. I can barely eat, I can’t work I can’t talk to anyone at all. Say you love me and come back to me. Please. I beg you. Yours always. Ricardo WRITING IN ROLE

72 CSCSR CSL DSR USR USCUSL DSC DSL AUDIENCE


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