1. Introduction to Postmodernism

2. Why Reality Isn’t What It Used to Be

3. Modernity RENAISSANCE TO ABOUT 1900 (+/- 30 years) Baudrillard: Early modernity: Renaissance to Industrial Revolution Modernity:Industrial Revolution Postmodernity:Period of mass media The world according to white Anglo-Saxon males from Europe Timeline TRADITIONAL WESTERN “MODERN” THINKING

4. Your Place in History n Modern Timeline TRADITIONAL WESTERN “MODERN” THINKING n Modernism n Postmodernism 14th C 1900 2000 You are here

5. Modernity n God, reason and progress n There was a center to the universe. n Progress is based upon knowledge, and man is capable of discerning objective absolute truths in science and the arts. n Modernism is linked to capitalism—progressive economic administration of world n Modernization of 3rd world countries (imposition of modern Western values) Newtonian Order TRADITIONAL WESTERN “MODERN” THINKING

6. Language & Truth: The “Modern” View n People are the same everywhere n There are universal laws and truths n Knowledge is objective, independent of culture, gender, etc. n Language is a man-made tool that refers to real things / absolute truths n I, the subject, speak language n I have a discernible self n The self is the center of existence What Is Language? as TRADITIONAL WESTERN “MODERN” THINKING

7. Liberal Humanism: View of Literature & Film n Good literature is of timeless significance. n The text will reveal constants, universal truths, about human nature, because human nature itself is constant and unchanging. n Good literature is honest and sincere. n Art is to be respected, and belongs on a pedestal. n There are accepted traditional standards for different art forms & genres that should be obeyed and respected. Purpose of Literature TRADITIONAL WESTERN “MODERN” THINKING

8. Modernism n Early 1900s: F World War I F Worldwide poverty & exploitation Death of the Old Order TRADITIONAL WESTERN “MODERN” THINKING PRECURSORS OF POSTMODERNISM

9. Modernism n Early 1900s: F World War I F Worldwide poverty & exploitation n Intellectual upheaval: F Freud: psychoanalysis F Marx: class struggle F Kierkegaard, Heidegger, Neitzsche F Picasso, Stravinsky, Kafka, Proust, Brecht, Joyce, Eliot Death of the Old Order TRADITIONAL WESTERN “MODERN” THINKING PRECURSORS OF POSTMODERNISM

10. Relativism n Einstein: relativity, quantum mechanics n Refutation of Newtonian science n Time is relative n Matter and energy are one n Light as both particle and wave n Universe is strange The Bending of Time & Space TRADITIONAL WESTERN “MODERN” THINKING PRECURSORS OF POSTMODERNISM E=mc2

11. Modernist Art n Cubism n Surrealism n Dadaism n Expressionism Breaking the Rules PRECURSORS OF POSTMODERNISM

12. Modernist Art n Cubism n Surrealism n Dadaism n Expressionism Breaking the Rules PRECURSORS OF POSTMODERNISM

13. Modernist Art n Cubism n Surrealism n Dadaism n Expressionism Breaking the Rules PRECURSORS OF POSTMODERNISM

14. Modernist Art n Cubism n Surrealism n Dadaism n Expressionism Breaking the Rules PRECURSORS OF POSTMODERNISM

15. Modernist Literature “Things fall apart, The centre cannot hold, Mere anarchy is loosed upon the world.” --Yeats, “The Second Coming” A World with No Center PRECURSORS OF POSTMODERNISM

16. Modernist Literature n Emphasis on impressionism and subjectivity n Movement away from “objective” third-party narration n Tendency toward reflexivity and self- consciousness n Obsession with the psychology of self n Rejection of traditional aesthetic theories n Experimentation with language Breaking the Rules PRECURSORS OF POSTMODERNISM

17. What is Postmodernism? n Continuation of modernist view n Does not mourn loss of history, self, religion, center n A term applied to all human sciences — anthropology, psychology, architecture, history, etc. n Reaction to modernism; systematic skepticism n Anti-foundational Acceptance of a New Age POSTMODERNISM

18. What is Modernism? n The world according to White Anglo-Saxon males, based upon the mythology of Western Europe, rooted in the Judeo-Christian religion and Greek-Roman philosophy. n Western man is superior. n Progress, reason and science are the highest manifestations of humanity. n Western man was put one earth to modernize the world (e.g., Manifest Density, Columbus). n The rest of the world consists of barbarians, and “orientals.” Acceptance of a New Age POSTMODERNISM

19. What is Postmodernism? n The Enlightenment project is dead. Acceptance of a New Age POSTMODERNISM

20. Postmodernism: Basic Concepts n Life just is n Rejection of all “grand narratives.” n All “truths” are contingent cultural constructs n Skepticism of progress; anti-technology bias n Sense of fragmentation and decentered self n Multiple conflicting identities n Mass-mediated reality The End of Master Narratives POSTMODERNISM

21. Postmodernism: Basic Concepts n All versions of reality are SOCIAL CONSTRUCTS F Concepts of good and evil F Metaphors for God F Language F The self F Gender F Taste (aesthetics) F EVERYTHING! The End of Master Narratives POSTMODERNISM

22. Postmodernism: Basic Concepts n Language is a social construct that “speaks” & identifies the subject n Knowledge is contingent, contextual and linked to POWER n Truth is pluralistic, dependent upon the frame of reference of the observer n Values are derived from ordinary social practices, which differ from culture to culture and change with time. n Values are determined by manipulation and domination Language As Social Construct POSTMODERNISM

23. Postmodern View of Language n Observer is a participant/part of what is observed n Receiver of message is a component of the message n Information becomes information only when contextualized n The individual (the subject) is a cultural construct n Consider role of own culture when examining others n All interpretation is conditioned by cultural perspective and mediated by symbols and practice The Observer is King POSTMODERNISM

24. PostModern Literature & Film n No guiding traditional grand narratives n Extreme freedom of form and expression n Rejects traditional linear narratives n Plays with time and space n Repudiation of boundaries of narration & genre n Intrusive, self-reflexive author n Deliberate violation of standards of sense and decency (which are viewed as methods of social control) Play and Parody POSTMODERNISM

25. PostModern Literature & Film n Characters on the margins of society n Mix of high and low brow art forms n Integration of everyday experience, pop and consumer culture n Playful treatment of serious subjects (no gnashing of teeth) n Doesn’t take itself seriously (no pretentious universal truths) n Has fun with language and imagery (MTV like) Play and Parody POSTMODERNISM

26. PostModern Literature n Parody, play, black humor, pastiche n Ambiguities and uncertainties n Ironic detachment n Postcolonial, global-English literature n Global n Celebrate diversity of views and lifestyles Fragmented Identities POSTMODERNISM

27. ModernityPostModern n History as fact n Faith in social order n Family as central unit n Authenticity of originals n Mass consumption Binary Oppositions POSTMODERNISM n Written by the victors n Cultural pluralism n Alternate families n Hyper-reality (MTV) n Niches; small group identity

28. Modern or Postmodern? POSTMODERNISM

29. Modern or Postmodern? POSTMODERNISM

30. Modern or Postmodern? POSTMODERNISM

31. Modern or Postmodern? POSTMODERNISM

32. Modern or Postmodern? POSTMODERNISM A gay Southern Baptist who practices Buddhist meditation and believes in the Big Bang theory.

33. Modern or Postmodern? POSTMODERNISM

34. Modern or Postmodern? POSTMODERNISM

35. Modern or Postmodern? POSTMODERNISM

36. Modern or Postmodern? POSTMODERNISM

37. Modern or Postmodern? POSTMODERNISM

38. Modern or Postmodern? POSTMODERNISM

39. Modern or Postmodern? POSTMODERNISM

40. PostModernism n “The narrative is unravelled, the author is dead, the Enlightenment project is toast, and history is history.” n “An epochal shift in the basic condition in being.” --Geoffrey Nunberg An Epochal Shift in Thinking POSTMODERNISM

41. PostModernism A Global Battle: THE OBJECTIVISTS vs. THE CONSTRUCTIVISTS Modern Postmodern Battle of World Views POSTMODERNISM

42. Battle of World Views HOLLYWOOD FUNDAMENTIALISM POSTMODERNISM vs. FOUNDATIONALISM VS

43. PostModernism OBJECTIVISTS My Way POSTMODERNISM “When I said during my presidential bid that I would only bring Christians and Jews into the government, I hit a firestorm. How dare you maintain that those who believe in the Judeo- Christian values are better qualified to govern America than Hindus and Muslims?' My simple answer is, `Yes, they are.'” -from Pat Robertson's "The New World Order"

44. PostModernism People were burned at the stake for believing there was more than one version of reality. Metaphors Kill POSTMODERNISM

45. PostModernism Our public schools have become a postmodern battleground. God is Not Dead POSTMODERNISM

46. PostModernism You can be a Christian (or Buddhist, or Hindu, etc.) in the postmodern world. God is Not Dead POSTMODERNISM

47. PostModernism We all slip and slide between the objective and constructive views: 1. We live in a world of naïve realism. (We accept grand narratives as true.) 2. But when we think about things, or have to explain our views, we become constructivists. We Live in the Middle POSTMODERNISM

48. PostModernism n THE HOPE OF POSTMODERNISTS: F The deconstruction of foundational views will lead to a recognition and acceptance of a pluralistic worldview. F Create a truly global civilization. Celebrating Diversity POSTMODERNISM

49. Literary & FilmTheory Celebrating Diversity POSTMODERNISM n Different constructs of reality n “Lenses” through which we see the world ?