1. The Art of Chinese and Japanese Sumi-e Painting Westwood Regional Highschool Painting I-IV Mrs. Duffus 2009-2010

2. 6 principles of Sumi Painting 1.Capture Chi- vital energy 2.Create natural forms and structure with brush technique 3.Color can differ from object 4.Depict object according to nature 5.Composition 2/3 space, 1/3 form No parallel lines Overlap and create variations in stroke Oblong paper 6.Develop own style

3. Subject matter of Sumi Painting 1.Poultry 2.Birds 3.Fish 4.Shrimp 5.Bamboo 6.Butterflies 7.Bees 8.Seasonal landscapes

4. Su Dongpo (1036-1101) Influential during Song Dynasty Talents and abilities were displayed in tightly composed images, but they lacked sincerity Literati- Scholars, but amateur painters Paintings were religious and philosophical Changed aesthetics of Chinese Painting Interesting story Su Dongpo in Straw Hat and Wooden Shoes, Muromachi period (1392–1573), second half of 15th century, Japan, Artist Unknown Hanging scroll; ink on paper 42 3/4 x 13 1/8 in. (108.6 x 33.3 cm) http://www.metmuseum.org/toah/ho/08/eaj/ho_1975.268.39.htm

5. Wu Zhen (1280-1354) Bamboo in the Winds Yuan Dynasty Hanging scroll; ink on paper 109.0 x 32.6 cm (43 x 13 in.) Collection of Freer Gallery http://www.chinapage.com/painting/wuzhen01.html

6. Xia Chang (Chinese, 1388–1470) Bamboo in Wind, Ming dynasty, ca. 1460 China Hanging scroll; ink on paper 80 1/4 x 23 1/2 in. (203.8 x 59.7 cm) Use of calligraphy established by Zhao Mengfu (1254–1322) Bamboo is a symbol of integrity and strength http://www.metmuseum.org/toah/hd/ming/ho_1989.235.1.htm

7. Attributed to Tosa Mitsunobu (Japanese, 1434–1535) http://www.metmuseum.org/toah/hd/seim/ho_1975.268.44,45.htm Bamboo in the Four Seasons, Muromachi period (1392–1573) Pair of six-panel folding screens; color, ink, and gold on paper 68 5/8 x 150 1/4 in. (174.3 x 381.6 cm)

8. Dong Qichang (Chinese, 1555–1636) Landscapes, dated 1630 Album of eight paintings; ink on paper 9 5/8 x 6 5/16 in. (24.4 x 16 cm) http://www.metmuseum.org/toah/hd/ming/ho_1986.266.5.htm

9. Landscape and Chinese Figures Pair of six-panel folding screens; ink on gilded paper Each 67 3/8 x 146 3/4 in. (171.1 x 372.7 cm ) http://www.metmuseum.org/toah/ho/09/eaj/ho_1975.268.75%2C76.htm http://www.metmuseum.org/toah /ht/?period=09&region=eaj JAPAN 1600-1800 - Timeline Nagasawa Rosetsu (Japanese, 1754–1799)

10. Huang Binhong (Chinese, 1864 - 1955) Landscape at Madangshan, ca. 1940s Hanging scroll, ink and colors on paper 39 x 13 1/4 in. (99.1 x 33.7 cm) R. T. Miller, Jr. Fund, 1994 AMAM 1994.10 http://www.oberlin.edu/amam/Huang_Madangshang.htm#

11. Shibata Zeshin (Japanese, 1807–1891) Autumn Grasses in Moonlight, Meiji period (1868–1912), ca. 1872–91 Two-panel folding screen; ink, lacquer, and silver leaf on paper 26 1/8 x 69 in. (66.4 x 175.3 cm) http://www.metmuseum.org/toah/ho/10/eaj/ho_1975.268.137.htm

12. Shibata Zeshin (Japanese, 1807–1891) Autumn Grasses in Moonlight, Meiji period (1868–1912), ca. 1872–91 Two-panel folding screen; ink, lacquer, and silver leaf on paper 26 1/8 x 69 in. (66.4 x 175.3 cm) http://www.metmuseum.org/toah/ho/10/eaj/ho_1975.268.137.htm

13. Shibata Zeshin (Japanese, 1807–1891) http://www.metmuseum.org/toah/ho/10/eaj/ho_1975.268.137.htm