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MPEG Motion Picture Expert Group Moving Picture Encoded Group Prateek raj gautam(725/09)

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Presentation on theme: "MPEG Motion Picture Expert Group Moving Picture Encoded Group Prateek raj gautam(725/09)"— Presentation transcript:

1 MPEG Motion Picture Expert Group Moving Picture Encoded Group Prateek raj gautam(725/09)

2 MPEG-1 Optimized for bitrates around 1.5 Mbit/s mainly designed for error-free digital storage media multiplexing of audio, video and data 352x240 pixels a 30 frames/sec [ NTSC based ] 352x288 pixels at 25 frames/sec [ PAL based ] Applications CD, digital multimedia, and video database (e.g. video-on-demand)

3 MPEG-2 2-15 or 16-80 Mbit/s bit rate Applications: satellite, cable, and terrestrial broadcasting, digital networks, and digital VCR

4 Basics of MPEG Types of pictures frames I (intra) frame compressed using only intraframe coding Moderate compression but faster random access P (predicted) frame Coded with motion compression using past I frames or P frames Can be used as reference pictures for additional motion compensation B (bidirectional) frame Coded by motion compensation by either past or future I or P frames D (DC) frame Limited use: encodes only DC components of intraframe coding

5 FRAME SEQUENCE

6 MPEG Compression is Based on Processing 8 x 8 Pixel Blocks

7 Only Moving Areas Have to Be Coded

8 MOTION VECTOR

9 Try to match each block in the actual picture to content in the previous picture. Matching is made by shifting each of the 8 x 8 blocks of the Two successive pictures pixel by pixel each direction - > Motion vector Substract the two blocks -> Difference block Transmit the motion vector and the difference block

10 MPEG: Video Encoding Pre processing Frame Memory + - DCT Motion Compensation Motion Estimation Frame Memory + IDCT Quantizer (Q) Regulator VLC Encoder Buffer Q -1 Output Input Predictive frame Motion vectors

11 MPEG-2 Why another standard?  Support higher bit rates e.g., 80-100 Mbits/s for HDTV instead of the 1.15 Mvits/s for SIF  Support a larger number of applications  The encoding standard should be a toolkit rather than a flat procedure Interlaced and non-interlaced frame Different color subsampling modes e.g., 4:2:2, 4:2:0, 4:4:4 Flexible quantization schemes – can be changed at picture level Scalable bit-streams Profiles and levels

12 THANK YOU


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