1. William Shakespeare Why he is widely regarded as the greatest writer in English literature…

2. Shakespeare 1563-1616 Stratford-on-Avon, England wrote 37 plays about 154 sonnets started out as an actor

3. Stage Celebrity Actor for Lord Chamberlain’s Men (London theater company) Also > principal playwright for them 1599> Lord Chamberlain’s company built Globe Theater where most of Shakespeare’s plays were performed

4. Shakespeare wrote: Comedies Histories Tragedies

5. London Life in the 16 th century  Poor sewer system  High crime rate  But …  200,000 inhabitants  the cultural and political heart of England

6. The Theater Plays produced for the general public Roofless - open air No artificial lighting Courtyard surrounded by 3 levels of galleries

7. Spectators Wealthy got benches “Groundlings” - poorer people stood and watched from the courtyard (“pit”) All but the wealthy were uneducated/illiterate Much more interactive than today

8. Staging Areas Stage - platform that extended into the pit Dressing/storage rooms in galleries behind & above stage second-level gallery - upper stage - famous balcony scene in R & J Trap door – used for ‘ghosts’, “Heavens”, angelic beings

9. Differences (from today) No scenery Settings – refs. in dialogue Elaborate costumes Plenty of props Fast-paced, colorful – often 2 hours long!

10. Actors Were only men and boys Women’s roles – played by young boys whose voices had not changed Would have been considered indecent for a woman to appear on stage

11. Elizabethan (QE1) Words An, and: If Anon: Soon Aye: Yes But:Except for E’en:Even E’er: Ever

12. QE1 Words (cont’d.) Haply:Perhaps Happy:Fortunate Hence:Away, from her Hie:Hurry Marry:Indeed

13. QE1 Words (cont’d.) Whence:Where Wilt: Will, will you Withal: In addition to Would:Wish

14. Shakespearean Comedies Influences: –Greek ‘old’ comedy – generally satirical and frequently political in nature –Greek ‘new’ comedy – involved sex and seduction and often showed youth outwitting old age

15. Elements of Comedy cont’d. Structure –5 ACTS: 1 – situation with tensions or implicit conflict 2 – implicit conflict is developed 3 - conflict reaches height; frequently an impasse 4 – things begin to clear up (Falling Action) 5 – problem is resolved, knots untied

16. Elements of Comedy ‘Plurals’: –Plots typically are multiple – many story lines –Frames, inductions as well as subsidiary actions –Tone often varies accordingly

17. Elements of Comedies cont’d. Action in Comedies: –Traces a movement from conflict, to the resolution of the conflict, from some sort of (generally figurative) bondage to freedom, despite obstacles, complication, reversals, and discoveries –Ends with celebration and unity

18. Shakespeare’s Romantic Comedies Conventions: –Main action is LOVE – courtship is staple activity –Would-be lovers must overcome obstacles and misunderstandings before being united in harmonious union –Frequently contains elements of the improbable, the fantastic, the supernatural, or the miraculous

19. Shakespeare’s Romantic Comedies Conventions cont’d.: –In BEST mature comedies, is frequently a philosophical aspect involving weightier issues and themes --- personal identity, the importance of love in human existence, the power of language to help/hinder communication, transforming power of poetry and art, disjunction between appearance and reality, power of dreams or illusions

20. Shakespeare’s Romantic Comedies Character Types: –Controller-figures – Petruccio (Taming of the Shrew) – through their own ingenuity can be seen as trying to reshape reality –Frequent disguisers/deceivers – manipulate others through their superior knowledge; their stragems, indispensable for the dramatic structure, generate both complications and resolutions

21. Shakespeare’s Romantic Comedies Character Types cont’d.: –Woman-on-Top – speciality of Shakespeare – had special relevance to Comedy – temporarily place servants over masters and women over men to dislocate the hierarchies sanctioned by society, only to reassert them at the play’s end

22. Literary Devices Most Commonly Used

23. Blank Verse Much of Shakespeare’s work is written in it: –unrhymed verse –iambic (unstressed, stressed) –pentameter( 5 “feet” to a line) ends up to be 10 syllable lines

24. Prose Ordinary writing that is not poetry, drama, or song –Only characters in the lower social classes speak this way in Shakespeare’s plays –Why do you suppose that is?

25. Plot The sequence of events in a literary work

26. Exposition The plot usually begins with this: –Introduces setting, characters, basic situation

27. Inciting Moment Often called “initial incident” –the first bit of action that occurs which begins the plot –Romeo and Juliet “lock eyes” at the party

28. Conflict The struggle that develops –man vs. man –man vs. himself –man vs. society –man vs. nature

29. Crisis The point where the protagonist’s situation will either get better or worse –Protagonist - good guy –Antagonist - bad guy

30. Climax The turning point of the story - everything begins to unravel from here –Thus begins the falling action

31. Resolution The end of the central conflict

32. Denouement The final explanation or outcome of the plot –If this is included in literature, it will occur after the resolution.

33. Tragedy Drama where the central character(s) suffer disaster/great misfortune –In many tragedies, downfall results from - Fate Character flaw/Fatal flaw Combination of the two

34. Theme Central idea or … Insight about life which explains the downfall

35. Metaphorical Language Comparison of unlike things - –Paris standing over the “lifeless body” of Juliet, “Sweet flower, with flowers thy bridal bed I strew…” –“Thou detestable maw…” Gorged with the dearest morsel of the earth…” Romeo

36. Dramatic Foil A character whose purpose is to show off another character –Benvolio for Tybalt look for others in R & J

37. Round characters Characters who have many personality traits, like real people.

38. Flat Characters One-dimensional, embodying only a single trait - –Shakespeare often uses them to provide comic relief even in a tragedy

39. Static Characters Characters within a story who remain the same; they do not change; they do not change their minds, opinions or character.

40. Dynamic Character Characters who change somehow during the course of the plot; they generally change for the better.

41. Monologue One person speaking on stage - may be other characters on stage, too –ex : the Prince of Verona commanding the Capulets and Montagues to cease feuding

42. Soliloquy Long speech expressing the thoughts of a character alone on stage. In R & J, Romeo gives a soliloquy after the servant has fled and Paris has died.

43. Aside Words spoken, usually in an undertone, not intended to be heard by all characters

44. Puns Shakespeare loved to use them!!! –Humorous use of a word with two meanings - sometimes missed by the reader because of Elizabethan language and sexual innuendo

45. Direct Address Words that tell the reader who is being addressed: “A right fair mark, fair coz, is soonest hit.” “Ah, my mistresses, which of you all/ Will now deny to dance?”

46. Dramatic Irony A contradiction between what a character thinks and what the reader/ audience knows to be true

47. Verbal Irony Words used to suggest the opposite of what is meant

48. Situational Irony An event that directly contradicts the expectations of the characters, the reader, or the audience

49. Comic Relief Use of comedy within literature that is NOT a comedy to provide “relief” from seriousness or sadness In R & J, look for moments of comic relief that help “relieve” the tragedy of the situation